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Por alguna razón solo me deja subirla como "anónimo", pero bueno

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Si eres de los que ven formas en las nubes o te mosqueas porque la mancha del cuarto de baño se parece demasiado a una tía tuya, creo que te vas a divertir con este libro, que en Alemania ya ha enganchado a más de 20.000 lectores. Te vamos a hablar de 'Hirameki', que no es otra cosa que emocionarse con las manchas y encontrarles sentido. Además de este pasatiempos artístico, os recomendamos otros cuatro libros para familiarizarnos con grandes como Picasso y Velazquez desde las edades más pequeñas.
Peng y Hu, así firman los autores de Hirameki, editado por Sexto Piso en España, afirman que "en el principio fue la mancha" y que este libro culmina dos potencias elementales del espíritu: la búsqueda de sentido y el autoconocimiento. Manchas descolocadas y espontáneas que te van a atrapar y en las que, al añadir sencillas rayas o puntos, van a dejar aflorar su verdadera esencia. Cada observador va a sacar de este libro su propia fantasía, se va a emocionar de una forma inesperada y va a encontrar en cada nueva página un nuevo reto con que el que tratar de superarse. El objetivo es muy sencillo: encontrar la felicidad en lo más pequeño.

El psiquiatra y psicoanalista suizo Hermann Rorschach ideó un test que lleva su nombre para analizar la personalidad de sus pacientes a través de cómo interpretaban láminas donde solo aparecía una mancha. Pero este libro no pretende ser tan ambicioso. Simplemente te quiere sorprender de una forma sencilla. Más que desentrañar la personalidad de nadie, pretende que nos divirtamos. Que vayamos un poco más allá de las miles de simples manchas de acuarela que aparecen en el libro y que volvamos al papel, al lápiz, a la acuarela, a elementos básicos que siguen desde hace siglos en su versión 1.0 y que por unas horas dejemos las nuevas tecnologías y volvamos a los pasatiempos. Sí, a los pasatiempos, ¿te acuerdas de ellos? Esos juegos tan divertidos que antes inundaban los viajes o las salas de espera, y que ahora han sido devorados por los tiempos nuevos. Ejercicios, rompecabezas y juegos que se agrupaban en pequeños cuadernos y que ponían en marcha la mente y no tenían otro objetivo que el de hacer pasar el tiempo y divertirse.

Eso es precisamente Hirameki -que en japonés quiere decir "rayo de inspiración"-, un estupendo nuevo pasatiempo lleno de propuestas para darle una forma realista a las manchas por sólo 14 €. Hemos contactado con sus autores para que nos desentrañen los misterios de este juego.
¿Qué es el 'Hirameki'? ¿Cómo nace?
El punto de partida de Hirameki fue un papel lleno de pinceladas de colores que estaba en el estudio. Era el típico papel que normalmente termina en la basura. Pero un día Hu comenzó a jugar con este abstracto maravilloso. Tomó su varita mágica, su lápiz, y así empezó a dibujar un punto aquí, una línea allí y terminó transformando aquel papel en una jungla llena de pájaros, de serpientes y leones. ¡Hasta apareció un pingüino en la selva! Era como un milagro, era fascinante, increíble. Este fue el comienzo... Un verdadero milagro.
¿Cuáles son sus reglas?
No hay reglas. Todo es posible y las posibilidades son infinitas. Los verdaderos maestros en el arte de Hirameki deben romper cualquier norma en cualquier momento del día.
¿Cómo nace la idea de hacer este libro?
Después de descubrir las posibilidades de Hirameki y ver el entusiasmo cuando nuestros estudiantes lo adoptaron, nos fuimos de vacaciones. Peng se fue a un largo viaje por España. Pero antes preparó un libro de bocetos, lleno de simples manchas de acuarelas para poder mantenerse entretenido. Cuando tenía ganas o simplemente se aburría en la playa, tomaba el cuaderno de dibujo para encontrar alguna cosa nueva, caras, animales, sandías o helados. Esto último fue seguramente porque hacía mucho calor en las playas españolas. Le resultó muy divertido y estimulante, y rápidamente llenó el libro. Cuando se reunió de nuevo conmigo, me mostró el libro completo y nos pusimos realmente contentos. Después desarrollamos los siete pasos del Hirameki, basándonos en el libro de bocetos, para enseñar el arte del Hirameki de una manera más estructural. Luego vino una cita con Antje Hunstmann, con nuestra editorial, que enseguida se quedó infectada por el virus Hirameki. El resto es historia.
¿Qué sensación os despierta encontrar vida en una nueva mancha?
Suerte, felicidad, sorpresa. Un ejemplo: estás de pie en una parada esperando la llegada del autobús y miras al suelo y ves un chicle pegado en el suelo. Antes de Hirameki, era solo eso, un chicle pegado en el suelo. Ahora se convierte en un elefante en una habitación.
¿Vuestra última mancha que habéis descubierto?
Una mancha maravillosa en una pared blanca; de repente vimos un perro mojado. Hasta apestaba, fue muy divertido...
¿Cómo reaccionan los niños/as? ¿Y los adultos?
Hirameki es como la famosa marca de dulces Kids and Grown (nuestros ositos de gominola), que los quieres por cómo son. Hirameki es arte en sabores para niños y mayores. Los niños enseguida se lanzan, apenas necesitan ninguna instrucción. Enseguida pasan a la acción y encuentran cosas increíbles. A los adultos les decimos: hacedlo como lo hacen los niños, no lo dudéis, ¡empezad ya!
¿Se puede compartir la experiencia 'Hirameki' a través de las redes sociales?
Por supuesto, es bueno tener un punto de partida y cientos de soluciones a las que han llegado diferentes personas.
La editorial del proyecto en España, Sexto Piso, ha invitado a tres famosos ilustradores a jugar y divertirse con el libro. Aquí tenemos un pequeña muestra de lo que fueron capaces de hacer Manuel Marsol, Bernardo Fernández (BEF) y Jorge González:
Pero Hirameki no es el único libro de creatividad y entretenimiento centrado en el arte. Aquí tienes otros dos por si te has quedado con ganas de más y otros dos teóricos sobre dos genios de la pintura, Velázquez y Picasso. Un poco de teoría divertida para presumir de conceptos, palabros y técnicas con los que poder disfrutar un poco y completar con inspiración tu libro de Hirameki.
'Dibuja, pinta e imprime como los grandes artistas'. Marion Deuchars. Coco Books.
Este libro nos va a permitir nuevas formas de crear arte mediante técnicas ingeniosas interactivas e inspiradoras. ¿Te apetece jugar con los volúmenes, los espacios positivo y negativo, como hacía Chillida? También puedes crear estampados al más puro estilo de Klimt. Aquí tienes un libro y te explican las técnicas para que aprendas cómo Matisse llegó a dominar la técnica del dibujo con tijeras. Atrévete a divertirte mientras experimentas con las manchas de tinta. Llévate tu lápiz a pasear para buscar inspiración en los paisajes. Experimenta con el color y crea tus propias formas de arte.
'Cuaderno de arte. Autorretratos'. Patricia Geis. Combel.
Mucho antes de que existieran los selfies, los artistas ya se representaban a sí mismos. Una curiosidad: el primer autorretrato que conocemos es egipcio, del año 1300 a.C., algo muy inusual durante muchos siglos, porque solo se retrataba a gente que fuera realmente famosa o muy poderosa. Este libro te va a presentar algunos de los autorretratos más famosos de la historia y te va a sorprender con las técnicas que utilizaron y los estilos, y va a proponerte que te atrevas a completar algunos y que incluso te pintes el tuyo.
'¡Mira qué artistas! Las Meninas'. Patricia Geis. Combel.
Lee, juega, experimenta, investiga, crea y descubre cosas sorprendentes gracias a Las Meninas de Velázquez, una de las pinturas más enigmáticas de la historia del arte y la joya más preciada del Museo del Prado. Este libro es tan real y está tan bien hecho que te va a ayudar a admirar la obra de Velázquez y a conocer cómo pintó el cuadro. Esta inquietante y misteriosa obra se explica paso a paso de forma interactiva con un libro pop-up, apto tanto para adultos como para niños.
'¡Mira qué artistas! Pablo Picasso'. Patricia Geis. Combel.
Muy en la línea del libro anterior, con la misma vocación pedagógica. Este volumen se centra en la figura del pintor malagueño Pablo Picasso. El libro está lleno de pestañas que levantar, sorprendentes páginas dobles y pop-up que lo convierten casi en una obra de arte. Picasso, que siempre quiso pintar como un niño, sin ideas preconcebidas, sin estar influenciado, es un artista que siempre sorprende y divierte a los más pequeños.

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'Hirameki', el divertido 'sudoku' de las manchas y los garabatos

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Si eres de los que ven formas en las nubes o te mosqueas porque la mancha del cuarto de baño se parece demasiado a una tía tuya, creo que te vas a divertir con este libro, que en Alemania ya ha enganchado a más de 20.000 lectores.

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Interwoven Alphabet is a collaborative edition of two artist's books created over an 8 month period between Alisa Banks and Diane Jacobs. Each edition consists of 26 half-inch thick squares of felt for the pages. Each page features imagery by both artists on the larger sides. Words are stitched along the four narrow edges of each page. Imagery and words correspond to the letter of the alphabet assigned to the page. Together, the artist chose four words per letter with sound playing a role in the final selection. Themes include: relationships, nature, the senses, time, politics, and the environment. The pages were exchanged back and forth between Portland and Dallas, responding to each other's marks until all were completed. wool felt blocks, thread, paper, plants, human hair, fur, bone, found objects. Stitched, carved, felted, drawn, and constructed individual felt squares - 2.5" x 2.5", closed box - H 10.5" x W 5.75" x D 3", Open: H 10.5" x W 26.2

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Interwoven Alphabet is a collaborative edition of two artist's books created over an 8 month period between Alisa Banks and Diane Jacobs. Each edition consists of 26 half-inch thick squares of felt for the pages. Each page features imagery by both artists on the larger sides.

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https://druck-ideen.de/produktwerbung

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#Endlos-Faltkarten bieten viel Platz für Ihr Bild- und Textmaterial. Durch die einzigartige #Falttech... [Video] in 2020 | Kreative visitenkarten, Visitenkarten gestalten, Faltkarten

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08.01.2020 - #Endlos-Faltkarten bieten viel Platz für Ihr Bild- und Textmaterial. Durch die einzigartige #Falttechnik können zahlreiche Motive in Szene gesetzt werden. Die #Endlos-Faltkarte findet zahlreiche Verwendungsmöglichkeiten, wie zum Beispiel für #Start-Ups, #Messeeinladungen, #Produktpräsentationen oder aber auch für Ihre #Hochzeitseinladungen, #Danksagungen, #Geburtstagseinladungen oder #Geburtsanzeigen. Auch als #Visitenkarten und #Geschäftskarten ist unsere #Endlos-Faltkarte ein Eyecatcher.

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Knowledgeable parodies institutional testing's efforts to calibrate human potential. Mimicking the style of the tests we've been so well trained to take- SATs, IQ, GMATs etc. - Knowledgeable is divided into four sections: language, reading, math, and writing. But rather than the usual questions which coerce a multiple choice answer, the questions here put the test taker in impossible and absurd situations: choose the best way to beat a woman, translate a dozen languages, tell us what you desire. Knowledgeable's questions question the very possibility of standardized testing; here the questions are loaded with emphatic perspective: feminist, non-Eurocentric, non-homophobic, as well as with humor, wit and the joy of putting on the world. letterpress, linoleum cuts, coptic stitch 9" x 13" (open)

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Knowledgeable parodies institutional testing's efforts to calibrate human potential. Mimicking the style of the tests we've been so well trained to take- SATs, IQ, GMATs etc. - Knowledgeable is divided into four sections: language, reading, math, and writing.

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The wondrous power of the sun and moon mark our cycles of circular and linear time. We rely on them for light, energy, warmth, and continuity. The oceans and forests create habitat for a diversity of species whose existence we depend on, yet many of our human choices harm the earth. The burning of fossil fuels, pollution, and exploitation of land distresses our relationship with this majestic planet. Join me on a pictorial journey to celebrate the wonders of our natural and created world. Nourish is a book about hope and stewardship, as the drum symbolizes the heartbeat – the pulse of life – it connects us all.

Nourish is an unbound artist book composed of eight twice-folded folios printed on both sides and housed in a handcrafted collapsible bamboo box. These pages have endured over 100 runs through the Vandercook letterpress. I explored new artistic territory in this project; investigating color by mapping out fifteen different multi-color reduction relief prints, and experimenting with layered images on transparent paper. 

Four folios are printed on Gampi-shi paper and four folios are printed on Gampi 2-layered paper. The starling murmuration is printed on transparent Usuyo Gampi paper. The papers measure 14 ¾” x 14 ¾” and fold into squares of 7 3/8” x 7 3/8”. When closed, the bamboo box measures approx. 8” x 8” x 2” and opens flat to 18” x 10 ¼”. Images are made from reduction-cut linoleum blocks, reduction-cut wood blocks, pressure printing, and polymer plates. The title page and colophon are handset and letterpress-printed. There is a wool felt interior cover with a cast paper pulp spoon attached. A porcelain turkey wishbone is adhered to the inside of the bamboo box lid. There are 21 copies in this edition, with 2 artist proofs. 

This project was partially funded by an individual project grant from the Regional Arts & Cultural Council. 2% of sale proceeds will be donated to Ecotrust.

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Catnip: A Selection of Cat Idioms and their Origins

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Michael Leblond et Frédérique Bertrand Moi en pyjamarama aux éditions Rouergue

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Desafiando todas as expectativas do que um livro pode ser, esta extravagância pop-up transforma-se em seis ferramentas totalmente funcionais...

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Mostra del nou llibre de Bàrbara Castro Urío, un conte per anar a dormir tot acompanyant cada gatet de color a la seva habitació.
Muestra del nuevo libro de Bàrbara Castro Urío, un cuento para ir a dormir acompañando cada gatito de color a su habitación.

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Natalia Perez Chazara

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Natalia Pérez Chazarra-libros de artista

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LICNOBIA. Libro de artista Natalia Perez Chazarra

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Pajarama fever (animacion con el barrier grid)

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Canadian Bookbinders and Book Artists Guild/ Une exposition-concours des oeuvres par les membres

en célébration du quinzième anniversaire de la Guilde Canadienne des relieurs et des artistes du livre.

Carol Chase Bjerke | United States
The Pocket Mountain Meditator
1996 Artists' Books/Livres d'artiste

UNISOURCE AWARD FOR ARTISTS' BOOKS

ONTARIO CRAFTS COUNCIL DESIGN AWARD

ST. ARMAND PAPER AWARD FOR ARTISTS' BOOKS

Three accordion books ( Life at Forty, Life on the Edge, & Life Goes By) in constructed box with hinged lid, Japanese paper covers, etching on Rives BFK paper, texts by artist, edition of 100.

Trois livres-accordéons ( Life at Forty, Life on the Edge, & Life Goes By) dans une boite au couvercle à charnière. Recouvert de papier Japonais. Eau-forte sur papier BFK et textes de l'artiste. Tirage à 100 exemplaires.

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The Art of the Book '98 - Artists' Books/Livres d'artiste

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Canadian Bookbinders and Book Artists Guild/ Une exposition-concours des oeuvres par les membres en célébration du quinzième anniversaire de la Guilde Canadienne des relieurs et des artistes du livre. Carol Chase Bjerke | United States The Pocket Mountain Meditator 1996 Artists' Books/Livres d'artiste UNISOURCE AWARD FOR ARTISTS' BOOKS ONTARIO CRAFTS COUNCIL DESIGN AWARD ST.

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Mejores Libros, eBooks o Novelas del escritor RUFUS BUTLER SEDER con su Biografía y Bibliografía. Podrás ver y comprar sus nuevos y últimos libros, novedades, packs especiales, descargar su libro digital en PDF o ePUB, obras y sagas del autor.

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This issue of Martha's Quarterly explores the climate crisis in relationship to self-care. - Passenger Pigeon Press

BODY HEAT was designed and edited by Tammy Nguyen and produced by Téa Chai Beer.

About the contributors:

Nicholas Cerone is the co-founder of Raise the Bar Fitness, a personal training facility in the Sunset District of San Francisco. He supports a whole foods diet.

Drea Cofield grew up in a small town in Indiana. She earned an MFA in Painting from Yale in 2013 and has been living and working in Brooklyn ever since.

Irene Gardner is a registered dietitian, specialist in sports dietetics, and personal trainer at IG Nutrition & Performance based in San Francisco, CA.

Eban Goodstein is an economist and public educator who directs the Center for Environmental Policy and the MBA in Sustainability program at Bard College in New York.

Here are a few things that I understand about how I can eat in a way that helps the climate crisis. I know that I should drastically limit my consumption of meat and dairy, because many of those production methods require an exuberant use of fossil fuel and energy to produce. I should eat mostly vegetables that are seasonal and local: it's good for my body, and if it has come from a closer location to where I live and produced in a smaller quantity with a slower method, it likely consumed less human and fossil fuel-based energy. I know that not all plant-based things are made equal: almond milk, for example, takes an incredible amount of energy to produce, and much of it is produced industrially. Low-level fish such as sardines and anchovies are good to eat, because they reproduce quickly and cost relatively low amounts of energy to get to our table. Oysters and seaweed are also good, because by eating them I support ocean farming, and shellfish and seaweed in particular contribute to detoxifying the ocean. But not all seafood is made equal: tuna, for example, requires an incredible amount of energy to produce and ought to be enjoyed rarely; on the other hand, wild Alaksan salmon produced by the Indigenous people of Bristol Bay, Alaska is very good to eat because their business is at risk of being taken over by pebble mining, and they keep one of the most sustainable and clean fisheries in the world. (1)

For a few months now, I have been following this diet. I have been learning about my food, where it comes from, especially what it took to produce, and how to create delicious and balanced meals in terms of flavor and nutrition to contribute to a sustainable lifestyle and planet. And, I feel good.

However, what remains abstract to me is the power of the collective and how my individual efforts can be felt on a mass scale, enough so that there is more visible action on a policy and industrial level to mitigate climate change. Politicians and other media spokespeople have used the talking point "2 degrees" on many occasions: if the planet goes up "2 degrees," if we can keep the temperature down and avoid "2 degrees..." I could tell you that I had heard it, but I could not explain to you exactly what was being said nor what I totally understood. What I did take away, though, was that something about the rise in temperature would lead to humanity's demise; still, there is a fog of confusion in terms of how to understand what exactly is happening to our planet in a clear and visceral way.

Martha's Quarterly, Issue 14, Winter 2019, Body Heat, aims to connect some of the phenomenal (and therefore abstract) aspects of the climate crisis with our bodies. By doing so, the issue hopes to make the large issues about our planet more palatable. We have invited four contributors for this season. Dr. Eban Goodstein is an economist, author, and public educator who directs the Center for Environmental Policy and the MBA in Sustainability at Bard College. He strongly advocates for a solar dominant future coupled with civic action. His piece goes into the details of his infrastructure vision, but he offered one of the most compelling analogies to the condition of our planet's suffering. At the beginning of his text, he compares the climate crisis to getting a fever, that the atmosphere around the earth is like an apple skin or a blanket, and that just as we can each die from a prolonged fever, the Earth will head inevitably towards its demise if the temperature increases more than the 2 degrees Fahrenheit it has already increased by. Passenger Pigeon Press took this analogy and expanded it into an exploration of our bodies in the context of a fever. We did so by inviting Nicholas Cerone, a physical trainer, and Irene Gardner, a nutritionist, to offer remedies in exercise and dieting that can manage and reduce a fever. Their advice is functional and useful to relating issues of the planet's crisis to our own bodies in crisis.

The structure of this book is evocative of care and aims to further emphasize the relationship between our singular human bodies and the earth. When you first see this book, it is wrapped in a flannel "blanket;" as it unravels, you'll see that one way of reading the book features Dr. Goodstein's writing, and when you flip it over you can read Mr. Cerone and Ms. Gardner's contributions. Then, you'll further notice that the background texture is the skin of a fuji apple, referring back to Dr. Goodstein's analogies.

I would also encourage you to take some of Mr. Cerone's and Ms. Gardner's advice by following the drawings made by Drea Coffield that accompany the weight and stretching routines, and by cooking "Martha's porridge," which we created as inspired by Ms. Gardner's nutritional prescription.

Just this last Dec. 12, 2019, the British elections resulted in a landslide victory for the Conservative party. This implied overwhelming support for Boris Johnson's proposal to complete Britain's departure from the European Union by January 31, 2020. (2) In the wake of this, I was reminded of Al Gore's speech at an event on his sequel documentary An Inconvenient Sequel: Truth to Power when he boldly claimed that climate change caused Brexit. In his 2017 explanation, he described that the "principal" cause of the Syrian Civil War was the extreme drought that caused the "incredible flow of refugees into Europe, which is creating political instability and which contributed in some ways to the desire of some in the UK to say 'Whoa, we're not sure we want to be part of that anymore." He further went on to say, "Some countries have a hard time even in the best of seasons, but the additional stress this climate crisis is causing really poses the threat of some political disruption and chaos of a kind the world would find extremely difficult to deal with."(3)

This relationship between people and the climate crisis is something that I think should be treated with more of a wartime mentality- when people come together, see the connections between the environment and political tension, and rally towards mitigating the problem with collective power. However, because the relationship between people and the environment has to be explained through several linked relationships, like what Vice-president Gore described, the urgency gets lost.

I'll part with this. Last Christmas (around the time this issue is being published), I entered a lovely stone cottage in County Tyrone of Northern Ireland, an area with many folks supportive of Brexit. There I was, in a beautiful warm home talking to an old man who turned out to be Pierce Kelly, the former drummer of the legendary hard rock band Thin Lizzy. I was smitten; he even wore a monocle. He was an old friend of my husband, and it had been a while since they had seen each other. We were warmly welcomed with hot tea and a basket of Christmas biscuits. As we talked, one thing led to the next, and we soon learned that Mr. Kelly didn't think that Brexit was all too bad of an idea. Something needs to be done about the refugees, his many explanations expressed. I didn't get a sense that Mr. Kelly disliked the refugees for being different; rather, I felt more of a sense of resentment and apprehension towards the local chaos the massive migration of people presented: it felt unstable and threatening. I really appreciated listening to Mr. Kelly, and it was the first time I heard firsthand from a person who supported the Brexit cause. My political opinions still differ, and we did not once talk about climate, but what is important to note here is the tea, the biscuits, and the warmth. While this issue tries to connect our planet with our personhood, I think that it also tangentially tries to hint at something else- which is that body heat, expressed through our compassion for one another over food and stories, is a reliable way to listen to the other side.

- Tammy Nguyen, Editor-in-Chief

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inc. is the world's largest non-profit organization dedicated to the promotion of publications made by artists - artists' books or artists' publications. founded as a for-profit alternative arts space in 1976 by artists and artworkers

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printed matter reincorporated in 1978 to become the independent non-profit organization that it is today. originally situated in tribeca

# data[].attributes.attachment_link.keywords[]
printed matter moved to soho in 1989 where for twelve years the book displays and artists¹ projects in the large storefront windows contributed to the artistic and intellectual vibrancy of the neighborhood. in february 2001 printed matter relocated to its current space in chelsea

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where it continues to foreground the book as an alternative venue for artists¹ projects and ideas. recognized for years as an essential voice in the increasingly diversified art world conversations and debates

# data[].attributes.attachment_link.keywords[]
printed matter is dedicated to the examination and interrogation of the changing role of artists¹ publications in the landscape of contemporary art.

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Tammy Nguyen, Nicholas Cerone, Drea Cofield, Eban Goodstein and Irene Gardner - Martha's Quarterly - Printed Matter

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This issue of _Martha's Quarterly_ explores the climate crisis in relationship to self-care. - Passenger Pigeon Press BODY HEAT was designed and edited by Tammy Nguyen and produced by Téa Chai Beer. About the contributors: Nicholas Cerone is the co-founder of Raise the Bar Fitness, a pe...

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Barrier grid

# data[].attributes.attachment_link.keywords[]
inc. is the world's largest non-profit organization dedicated to the promotion of publications made by artists - artists' books or artists' publications. founded as a for-profit alternative arts space in 1976 by artists and artworkers

# data[].attributes.attachment_link.keywords[]
printed matter reincorporated in 1978 to become the independent non-profit organization that it is today. originally situated in tribeca

# data[].attributes.attachment_link.keywords[]
printed matter moved to soho in 1989 where for twelve years the book displays and artists¹ projects in the large storefront windows contributed to the artistic and intellectual vibrancy of the neighborhood. in february 2001 printed matter relocated to its current space in chelsea

# data[].attributes.attachment_link.keywords[]
where it continues to foreground the book as an alternative venue for artists¹ projects and ideas. recognized for years as an essential voice in the increasingly diversified art world conversations and debates

# data[].attributes.attachment_link.keywords[]
printed matter is dedicated to the examination and interrogation of the changing role of artists¹ publications in the landscape of contemporary art.

# data[].attributes.attachment_link.title
Tammy Nguyen, Lê Thuận Uyên and Anaïs Duplan - Martha's Quarterly - Printed Matter

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Martha's Quarterly, Issue 2020, Mouth to Mouth_, raises difficult, fraught questions of the nuances of censorship, freedom and safety and how freedom of speech is challenged right now during the COVID-19 global pandemic, from censorship in the arts in Vietnam to the prohibition of the use of the...

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https://youtu.be/r0GcB0PYKjY

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Animalario universal del profesor Revillod

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Animalario universal del profesor Revillod, almanaque ilustrado de la fauna mundial Ilustraciones de Javier Sáez Castán Comentarios d...

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Activación a partir de la composición de la ilustración de la portada 

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Activación a partir de la composición de la ilustración de la portada 

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Objetos interactivos

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Diseñado por Megumi Kajiwara y Tathuhiko Nijima

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Ejemplos de librojuegos

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https://www.goodreads.com/book/show/99048.Maze
Escape room en forma de libro

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El misterio de chimney rock

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Testbook - March '17 - March '18consists of images of 49 material tests for new work, each photographed from the front and back and printed on half transparent paper on the front and back of each page. The objects are all printed at scale 1:1.

Cover Design
An Onghena

Print
RISO ComColor 7150 at Charles Nypels Lab / Anne Pétronille Nypels Lab

Photography
Werner Mantz Lab / Elsa Stansfield Lab

Edition
25

Special thanks to
An Onghena, Jo Frenken, Margriet Thissen, Romy Finke, Jos Nelissen, Roosje Klap, Katherine MacBride, Tamara Kuselman, Alexandra Phillips, Sophie Schmidt, Banu Cennetoğlu, Mathieu Bruls and Bas de Wit

This book was made possible with the support of the Jan van Eyck Academie / Margaret van Eyck Academie

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TESTBOOK: MARCH '17 - MARCH '18 - Vera Gulikers

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Testbook - March '17 - March '18 consists of images of 49 material tests for new work, each photographed from the front and back and printed on half transparent paper on the front and back of each page. The objects are all printed at scale 1:1. Cover Design An

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Threadingbook: A ton of OOOs is a combination of an historical overview of a selection of forgotten and underexposed female artists in art history, and photographs of painting- and material tests for new work . The overview of the female artists is featured in the layout of Honor and Flemming's book A World of Art History. The art historical texts are extracted from Wikipedia, thus a patchwork text assembled by multiple authors.

Print
Charles Nypels Lab / Anne Pétronille Nypels Lab in 2019, Jan van Eyck Academie Maastricht, The Netherlands
RISO print on 60 g/m2 Ibo One, handbound with waxed embroidery thread

Edition: 2019
Release date: March 2019
Language: English
Picture editor: Vera Gulikers
Illustrator: Vera Gulikers
Photographer: Vera Gulikers
Artist: Vera Gulikers
Publisher / commissioner: Jan van Eyck Academie, Maastricht
Designer: Vera Gulikers (Maastricht)
Lithographer: Vera Gulikers, Maastricht
Printer: Jan van Eyck Academie, Maastricht
Binder: Vera Gulikers / Jan van Eyck Academie, Maastricht
DTP / typesetting: Vera Gulikers, Maastricht
Dimensions: 204 x 287 x 12
Amount of pages: 140
Number of copies: 100
Font and foundry: Ariel, Bodoni 72
Paper interior: 60gsm IBO One, Igepa
Cover material: 300gsm Munken Pure Rough, Antalis

Winner of Best Dutch Book Design 2019

This book was made possible with the support of the Jan van Eyck Academie / Margaret van Eyck Academie

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THREADINGBOOK: A TON OF OOOS - Vera Gulikers

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Threadingbook: A ton of OOOs is a combination of an historical overview of a selection of forgotten and underexposed female artists in art history, and photographs of painting- and material tests for new work .

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Destroza este diario de keri smith

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Andrés Sandoval é artista gráfico e mora em São Paulo. Formado em arquitetura pela Universidade de São Paulo, desenvolve muitos trabalhos com livros. Desde 2006, ilustra a seção Esquina da revista Piauí. Também cria estampas para marcas como L'Occitane, Coca-Cola, Melissa e Neon.

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Dobras, Andrés Sandoval

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Dobras, Andrés Sandoval

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Dobras, Andrés Sandoval

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Dieter Roth

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Dieter Roth

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Dieter Roth Bok5A