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A category of a certain type of photography.

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Most common way to produce photos before digital photography.

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a type of camera with two objective lenses

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first ever camera; darkened room where a photo is shown on the wall through a small hole

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the most commonly used process in black-and-white photography

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An overseer or manager.

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A public display of art or items; usually held in a museum or gallery (temporary).

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A room that shows art on display or for sale.

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A building which holds historical, scientific, or important artifacts to be shown.

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A room owned by photographers where they can stage photos professionally. Usually rented out.

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A mark that travels through space from one point to another. One dimensional.

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A two-dimensional item with height and width only.

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Made up by hue, intensity, and value. Lightness, darkness, name, and brightness make up a color.

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The amount of negative or positive area an object may take up.

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Lightness and darkness of a color; Lightest value is white and darkest color is black.

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Three-dimensional object that includes height width and depth.

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How things feel, or look like they would feel.

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The distribution of visual aspects such as color, objects, texture, and space; symmetry and asymmetry.

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Catches the viewer's attention. Make one area stand out by contrasting.

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The path of the viewer's eye when looking at an image. Directed towards lines, edges, shape, etc.

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Repetition of an object throughout the image.

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Feeling of unity when parts relate well together; things can be blown out of proportion, or realistically proportioned.

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The feeling of completion/harmony in an image.

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Symmetry across the central axis; examples could be of a starfish or a tulip flower.

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An image where everything, starting from the center, is perfectly aligned and the same on both sides.

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When a image is slightly different on both sides; opposite of symmetrical.

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The idea of placing two things next to each other to create emphasis and contrast.

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Appearing as a thought, rather than a natural thing. It is meant to represent a unreal visual reality.

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Transitions of color; its a gradual blend from one color to the next.

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Cool colors include green, blue, purple, and all in between. They are calming and relaxing for the eye.

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The colors of red, yellow, and orange are associated with the sun and heat. They evoke warm feelings to people.

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A color without much saturation or intensity. A color lacking its color.

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Colors that match together well and create a color on the gray-scale when combined. Example: blue and orange.

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Every color in a single hue. As an example: every shade of blue.

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Giving feedback in a helpful way. Provides specific ideas.

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When one takes someone else's work and labels it as their own.

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Relating to moral principals or the branch of knowledge dealing with these.

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Objective is something that is not based off of personal feelings (facts). Subjective is the opposite (based off of personal feelings).

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Copyright protects original work and credits another, while trademark is directly taken without mention of the original creator.

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A composition guideline that places a subject in the left or right third of an image. It leaves 2/3 space left negative.

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The lines in a photograph that have been positioned by a photographer in a way to draw a viewers eye to a certain point.

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The ratio of about 1.618 to 1.

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The space in an image around the focal point.

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The space of an image that is the focal point.

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gives a sense of place and depth, also contrast. Subject in front of the camera and light from the back.

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Most commonly used for portraits; eliminates shadows, softens face.

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Also known as general lighting. Natural window light and most basic form of lighting.

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Intense contrast of light and dark in art.

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A dark solid image of a subject against a brighter background.

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A piece of art or painting made with two panels that can be closed like a book.

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A piece of art shown on 3 panels hinged together.

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A two dimensional view of a three dimensional object.

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Makes lines that are straight in real life are captured to appear curved.

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When an image of straight lines are captured to appear curved inward.

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A camera setting that brightens or darkens a setting. With a higher ISO, the more noise there is in an image. ISOs 100, 200, 400. 800, 1600, 3200, 6400, 12800.

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The old name for ISO.

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A sensor that detects information used to make a photograph. Converts light waves into signals.

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Optical texture of processed film. Presence of small, usually unwanted particles.

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Visual distortion or distraction. Tiny colored pixels in an image, usually unwanted.

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The amount of light a camera is letting in. Smaller numbers mean more light and bigger opening. Bigger numbers mean less light and smaller opening.

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The stop of the aperture. Then number represents the diameter of the opening.

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Longer the focal length, the narrower the focal point. The amount of space being put into focus.

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The amount of surrounding area that is in focus, in front of behind the main point.

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The way the lens renders in out-of-focus parts of an image.

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A shooting mode where the camera makes every decision for you.

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Opposite of Auto Mode. You make every decision of the camera.

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The camera handles the shutter-speed and ISO, but you change the aperture (f/stop).

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You decide the shutter speed of the camera, but the camera controls the others.

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Similar to Auto Mode, but you decide everything except the exposure. White balance is controlled by you.

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The speed at which the camera takes a picture. Smaller fraction is faster time, Bigger number is slower or more time to take the picture.

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The amount of time you hold down the shutter button is the shutter speed of the image produced. Used for light painting or to get a good motion blur controlled.

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Usually purposeful streaking or blur of a moving subject. Way to capture movement in a still image.

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Mount for a camera that is used to keep the camera still when taking a photograph. Best for low shutter speed to keep the camera in one position.

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Accidental movement of the camera due to unsteady hands that creates blur; avoidable with a tripod.

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A long exposure is a longer amount of time it takes to take a picture. There is more motion blur and the image is brighter.

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When many image frames are put together to make a fast paced sequence.

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When using a long exposure to capture light. It is possible to create a shape or design with a controlled light.

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When a camera moves (usually horizontally) to capture a moving object so the object neither is completely blurred nor looks still. It is a similar view as a human turning their neck to follow an object.

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Burst mode allows for a photographer to take many pictures during one live, fast movement. Shutter button is held down during the mode to capture. There is a very quick shutter speed.

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Takes into account only a small area in the center of the image to focus on.

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Similar to spot metering but with a larger circle.

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Gives a greater weight of light intensity in the center of your viewfinder.

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Takes into account the entire frame to carry out the light intensity.

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Halfway between black and white on the grey scale.

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Dark piece of shade coming from a building or figure.

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The medium tones in between dark and light.

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A bright emphasis in color/shade in a darker area.

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Where a main figure slowly fades into its surrounding background.

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A brownish tone imparted to a photograph.

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A point chosen to be focused on by your camera.

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When photographers take the same image, but with different camera settings to get a different exposure.

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Tells you how much over or under exposed an image is.

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Gives you the ability to change the cameras chosen exposure to your chosen exposure.

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Helps to find a base before photographing. Changes the exposure of the image based on the color of the card.

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Tells which file you're working on and lets you change the workspace to a chosen file.

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Includes all the tools on the left side of the Photoshop workspace.

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Group of tools/colors used to edit your image. Located on the right of the workspace.

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Used to save and open files/tools in Photoshop.

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Directly underneath the menu bar in Photoshop. When on a tool, it allows you to change the settings of that specific tool.

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The act of improving a photo or image by removing the unnecessary parts.