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L3 Art History - Late Renaissance prescription

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L3 Art History - Late Renaissance prescription

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The Fall and Expulsion from the Garden of Eden

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The Fall and Expulsion from the Garden of Eden

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Cardinal and Theological Virtues and the Law

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Cardinal and Theological Virtues and the Law

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Giovanni Bellini, The Madonna of the Meadow

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Giovanni Bellini, The Madonna of the Meadow

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Giovanni Bellini 'Detail from Portrait of Doge Leonardo Loredan', 1501

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Giovanni Bellini 'Detail from Portrait of Doge Leonardo Loredan', 1501

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"courtly style ... refined execution, intellectual sophistication, and his figurative treatment that emphasized elongated limbs and a sense of cold detachment ... " https://www.theartstory.org/movement-mannerism.htm

Bronzino is the most well known painter working in the high mannerist style

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is a typically Mannerist artwork due to its' treatment of form and space.
Form -  He uses figurative serpentinata, or "serpentine figure" to depict the human figures. The figures are depicted in an otherworldly way (graceful S shaped figures, elongated form and extended limbs). This was seen as a highly dramatic and expressive way of depicting the human form.

Space - The space they are presented in lacks context. It is almost entirely non-naturalistic. This invites the viewer to interpret the painting philosophically rather that literally.

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The creation of Adam shows the idealised form of man. This is created through Michelangelo's use of compositon and form. Adam’s body forms a concave shape which echoes the form of God’s body, Adam is made in God's image and is perfection. The platonic concept of ideal beauty is mirrored on earth, from the athletic and wise figure of god the father, to Adam who seems to be a perfect physical specimen. The ideal forms of God and Adam are emphasised through the chiaroscuro technique which uses light and shadow to describe the musculature in detail making the forms look come alive in the 3-D form