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Known by a variety of terms, practice-led research is a conceptual framework that allows a researcher to incorporate their creative practice, creative methods and creative output into the research design and as a part of the research output.

Smith and Dean note that practice-led research arises out of two related ideas. Firstly, "that creative work in itself is a form of research and generates detectable research outputs" ( 2009, p5). The product of creative work itself contributes to the outcomes of a research process and contributes to the answer of a research question. Secondly, "creative practice -- the training and specialised knowledge that creative practitioners have and the processes they engage in when they are making art -- can lead to specialised research insights which can then be generalised and written up as research" ( 2009, p5). Smith and Dean's point here is that the content and processes of a creative practice generate knowledge and innovations that are different to, but complementary with, other research styles and methods. Practice-led research projects are undertaken across all creative disciplines and, as a result, the approach is very flexible in its implementation able to incorporate a variety of methodologies and methods within its bounds.

Most commonly, a practice-led research project consists of two components: a creative output and a text component, commonly referred to as an . The two components are not independent, but interact and work together to address the research question. The ECU guidelines for examiners states that the practice-led approach to research is

... based upon the perspective that creative art practices are alternative forms of knowledge embedded in investigation processes and methodologies of the various disciplines of performance ... the visual and audio arts, design and creative writing ("Guidelines and Examination Report for Examination of Doctor of Philosophy theses in creative research disciplines," para. 1).

A helpful way to understand this is to think of practice-led research as an approach that allows you to incorporate your creative practices into the research, legitimises the knowledge they reveal and endorses the methodologies, methods and research tools that are characteristic of your discipline.

Additional advice and guidance on the nature and implementation of a practice-led research project may be sought from your supervisors and from the research consultants.

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LibGuides: Research Methodologies for the Creative Arts & Humanities: Practice-based & practice-led research

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LibGuides: Research Methodologies for the Creative Arts & Humanities: Practice-based & practice-led research

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Honest Truths: Documentary Filmmakers on Ethical Challenges in Their Work - Center for Media and Social Impact

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September 2009 Click here to view or download a PDF of this report. Pat Aufderheide, Co-director, Center for Media & Social Impact, American University Peter Jaszi, Professor of Law, American University Washington College of Law Mridu Chandra, Writer and Filmmaker This study provid…

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Headings you add to the document will appear here.

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Narration for Documentary

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My mom is visiting and she is on a mission to find the perfect strain to help her deal with her heath problems.

I will follow along ans see what we can find.

This story will be personal because of a couple reasons.

Firstly my mom is quite sick and needs some help now and then.
Recently we found out she also might have Alzheimer's. Despite all her issues she is a smiley happy person.

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Negatief, positief, neutraal: we zetten een review altijd online. We controleren wel eerst of 'ie voldoet aan onze reviewvoorwaarden en niet nep is. We controleren ook of 'ie is geschreven door iemand die het artikel heeft gekocht via bol.com en zetten dit er dan bij. De controles gebeuren automatisch, al kijken er soms mensen mee. Bol.com betaalt niet voor reviews. Als een reviewer door een andere partij is vergoed, staat dit in de review zelf.

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Speaking Truths with Film, Bill Nichols | 9780520290402 | Boeken | bol.com

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Negatief, positief, neutraal: we zetten een review altijd online. We controleren wel eerst of 'ie voldoet aan onze reviewvoorwaarden en niet nep is. We controleren ook of 'ie is geschreven door iemand die het artikel heeft gekocht via bol.com en zetten dit er dan bij. De controles gebeuren automatisch, al kijken er soms mensen mee.

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Orderd.

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Putting readers into the shoes of film and TV professionals, Adventures in the Lives of Others is a gripping insider's account of ethics, problem-solving and decision-making at the cutting edge of documentaries and factual television.Both accessible and authoritative, the book brings together a range of intimate, candid accounts of the struggles involved in making documentary film and television, from Grey Gardens and Hoop Dreams to Man on Wire, Super Size Me and Benefits Street. Contributors include legends of the documentary world, eminent filmmakers at the top of their game, emerging directors and producers, and some of the world's most powerful and respected executives. In specially-commissioned pieces, they explore the ethical dilemmas involved in uncovering secrets and breaking taboos, accessing closed and dangerous worlds, fighting injustice, filming raw sex and violence, documenting acts of evil, and the many challenges of turning real life into compelling entertainment.

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Adventures in the Lives of Others, Quinn Ed James | 9781784533946 | Boeken | bol.com

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Putting readers into the shoes of film and TV professionals, Adventures in the Lives of Others is a gripping insider's account of ethics, problem-solving and decision-making at the cutting edge of documentaries and factual television.Both accessible and authoritative, the book brings together a range of intimate, candid accounts of the struggles involved in making documentary film and television, from Grey Gardens and Hoop Dreams to Man on Wire, Super Size Me and Benefits Street.

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Research questions

- How can one analyse the relationship between documentary filmmaker and subject of sed film?
- How do ethics play into the filming of illegal activity?
- How does the history of "educational" films and documentaries about drugs influence such productions today?
- Should you inform the police first before filming illegal activity?
- Can one make a documentary ethically, responsibly and true to the subject matter? is it possible when the subject matter is illegal?

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Psychoanalysis and Ethics in Documentary Film