# data[].attributes.body
Já contei rapidamente sobre a Labirinto, está aberto a saber mais e buscar apoios de todo tipo.

# data[].attributes.body
Amiga do Theo Firmo
https://www.columpioprojects.com/

# data[].attributes.attachment_link.title
Columpio Projects: Susana Bañuelos - comisaria - arte contemporáneo

# data[].attributes.attachment_link.description
Columpio, Susana Bañuelos, desarrolla proyectos propios y/o colaboraciones con otros agentes, plataformas o entidades. Comisariado, gestión cultural, docencia. Arte Contemporáneo, exposiciones y proyectos. Curadora Susana Bañuelos ---- www.columpiprojects.com I Columpio Projects: Susana Bañuelos…

# data[].attributes.body
Super artista digital.
https://www.annacarreras.com/

# data[].attributes.attachment_link.title
Anna Carreras – generative art && interactive installations

# data[].attributes.body
Contato: Jelena

# data[].attributes.body
contato: Jasmine

# data[].attributes.body
https://www.condeduquemadrid.es/

# data[].attributes.body
https://coleccionsolo.com/

# data[].attributes.attachment_link.title
Colección SOLO - Espacio SOLO / Contemporary Art Collection

# data[].attributes.attachment_link.description
SOLO Collection is an international collection of contemporary art housed at Espacio SOLO, a private museum in Puerta de Alcala, Madrid

# data[].attributes.body
Contato: Ana Tomé Díaz
Regina Silveira é madrinha de casamento dela.

# data[].attributes.attachment_link.title
Museo Nacional Centro de Arte Reina Sofía

# data[].attributes.attachment_link.description
Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación en red.

# data[].attributes.body
Contato: Jacobo Fitz-James Stuart
Via artistas representados Elena Alonso e Alfredo Rodriguez, amigos íntimos do Tales

# data[].attributes.attachment_link.readable_text
Bad Times
Ben Callaw ay

Opening 15 December 2022 | Ends 10 February 2023

Bad Times is an exhibition of recent work by Ben Callaway, which continues his interrogation of images. Originating from photographs of spiritualism, clipart, patterns and nature, the process of painting and the surface of the canvas is foregrounded. Some of the paintings look as if they are on the verge of being painted out, whilst others appear to be painted in. By undermining the original source material a relationship develops between the work, which paradoxically suggests both depth and impenetrability. Using a modest scale, notions of monumentality are evaded and an underlying ambiguity pervades the paintings.

Born in 1978 Ben Callaway studied fine art at Goldsmiths College and the Slade School of Art. Selected Exhibitions: Screeners II, Selected by Chis Sharp, Helena Anrather Gallery, New York 2020. Coleccion Cerradura, Espacio Valverde, Madrid 2019. The Day Off, Espacio Valverde, Madrid 2018. Zero Budget Biennial, curated by Chris Sharp, Carlos Cadenas, Paris, Galleria Pianissimo, Milan, Rokeby, London and Klemm's Gallery, Berlin, 2010. Between Fact and Fiction, Projectesd, Barcelona 2007. Video Work, Culturgest, Lisbon, curated by Miguel Wansdchneider 2006. Fresh Moves UK, New Moving Images published by Thames and Hudson, 2006. Double Lunar Dogs, Whitechapel Gallery, London, curated by Stuart Comer (MOMA) 2005.

# data[].attributes.attachment_link.title
Galería De Arte | Espacio Valverde | Madrid

# data[].attributes.attachment_link.description
Bad Times Ben Callaw ay Opening 15 December 2022 | Ends 10 February 2023 Bad Times is an exhibition of recent work by Ben Callaway, which continues his interrogation of images. Originating from photographs of spiritualism, clipart, patterns and nature, the process of painting and the surface of the canvas is foregrounded.

# data[].attributes.body
Amigo do Tales

# data[].attributes.attachment_link.readable_text
Witte de With, Rotterdam, 2020

Participants
Athos Bulcão, Marcos Castro, Anna Franceschini, Ni Haifeng, Nicolás Lamas, Praneet Soi, Adriana Varejão, Ana Vaz, Bouke de Vries, Raed Yassin, Karlos Gil, Belén Zahera

Curators
Sofía Hernández Chong Cuy,
Bernardo José de Souza

This exhibition explores the immigration of form. It regards a cultural product that is as much the result of local traditions as it is a cosmopolitan artifact. Here, consider Delft Blue in the Netherlands. Now, consider a piece of Qinghua Porcelain in China, or Iznik Ceramic in Turkey, Azulejo in Portugal, China in Britain, or Talavera in Spain and Talavera Poblana in Mexico. These are all blue-and-white ceramics that can be traced back to global trade. This type of artifact signals a commercial approach-by and large through colonialism-that massively transformed civilizations. By focusing on an aesthetic manifestation of a world in movement, this exhibition invites you to consider a blue-and-white ceramic piece as both a vessel and a port. It gathers artworks in different media made by contemporary artists from the Americas, Asia, and Europe.

In the Netherlands, the rise in popularity of blue and white ceramics came by way of the Dutch East India Company (VOC) in the early seventeenth century. The esteem and value of these ceramics was not only because their provenance and designs were considered exotic. Their material composition was foreign, too. These imported pieces were made in porcelain, of which invention and related enterprise was protectively overseen by the Chinese Dynasty. In the fourteenth century, when porcelain was considered "white gold," The Ottoman Empire was already commissioning custom-made Chinese porcelain for export. They are also credited for having provided the Chinese with cobalt, the blue color-producing mineral, which they sourced from the region known today as Iraq. But it was long-distance maritime trade that globally internationalized the style of blue and white ceramics.

# data[].attributes.attachment_link.description
Participants Athos Bulcão, Marcos Castro, Anna Franceschini, Ni Haifeng, Nicolás Lamas, Praneet Soi, Adriana Varejão, Ana Vaz, Bouke de Vries, Raed Yassin, Karlos Gil, Belén Zahera Curators Sofía Hernández Chong Cuy, Bernardo José de Souza This exhibition explores the immigration of form.

# data[].attributes.body
Historiador de arte digital

# data[].attributes.attachment_link.description
En Fundación Telefónica trabajamos para hacer un mundo más humano, conectando la vida de las personas a través de los beneficios que nos ofrece la tecnología.

# data[].attributes.body
Jose Diaz

# data[].attributes.body
Contato: Marta

# data[].attributes.body
Jelena Martinovic

# data[].attributes.attachment_link.description
Widewalls offers a unique insight into the world of art buyers and sellers, providing valuable information for artists and aficionados.

# data[].attributes.body
Articulador, artista digital.

# data[].attributes.body
Artista emergente das mais importantes da Espanha. Amiga íntima.

# data[].attributes.body
Galeria com perfil pouco digital. Antonio, gestor do acervo, é amigo do Tales.
Contato: Antonio A. Caballero
antonio@helgadealvear.com

# data[].attributes.attachment_link.description
Galería Helga de Alvear. C/ Doctor Fourquet, 12. 28012 Madrid, España. T. +34 91 468 05 06

# data[].attributes.body
Contato: Yuri Tuma

# data[].attributes.attachment_link.description
The Institute for Postnatural Studies is a center for artistic experimentation from which to explore and problematize postnature as a framework for contemporary creation.

# data[].attributes.attachment_link.description
Duo show with Cristina Spinelli at Gresite. Madrid, Spain. Gresite is part of Studio Jardín, artist-run space and project by artist Rafa Munarriz.

# data[].attributes.body
Artista

# data[].attributes.attachment_link.description
Una cajonera, una mapoteca. Portafolio de theo firmo.

# data[].attributes.body
Jasmine

# data[].attributes.body
Filha do diretor Bigas Luna, ela tem um espaço de residencias artisticas incrivel na Cataluña.