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APPENDIX 3

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APPENDIX 5

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APPENDIX 7

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APPENDIX 9

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APPENDIX 10

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APPENDIX 11

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Appendix 12

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Costumes for our piece on the evolution of the catwalk 

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Costumes for our piece on the evolution of the catwalk 

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APPENDIX 4

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APPENDIX 2

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Appendix 13

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Explore a hand-picked collection of Pins about Piece 3 futuristic fashion on Pinterest.

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Explore a hand-picked collection of Pins about 2000s 2nd piece on Pinterest.

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Explore a hand-picked collection of Pins about Costumes piece 1/1950s on Pinterest.

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My reflection and Evaluation W1 - Costumes 

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My reflection and Evaluation W1 - Costumes 

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Appendix 14

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APPENDIX 6

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APPENDIX 8

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Appendix 16

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In this session we collaboratively created the full intro of the vogue song Madonna working with our chairs as a prop to create a runway look.

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Appendix 18

within this session we focused on the opening of the performance and how we would set the chairs out of the stage for the audience to see both left and right sides of our made ' catwalk' simple motifs and cannons

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Appendix 20

In this session me connie and Jessy adapted the choreography to the new bit of music and finished off the music section we needed to choreograph too. Also added transitions but need to create a contrasting floor section too add levels within the piece and think about who's going to be on stage during this time before the 2nd piece starts which will be heavily commerical based so we need to allow time for people to have breaks.

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Appendix 15

Vogue inspired motif using 'Vogue' magazines as a possible prop and idea for the piece. we dint end up using this in the piece as now I believe we will be starting in the audience although someone could still be using a magazine for this as an idea to set the scene.

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Week 2 Fem voguing section taught and created by cam 

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Week 2 Fem voguing section taught and created by cam 

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Appendix 17

This will be in the last section of the piece (section 3) that will be contrasting the first section of classical vogue emphasising how the vogue catwalk is changing to more robotic fast movements enhancing the sense of fast fashion in the future on a wider scale than it is now.

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Appendix 20

Within this session we figured out some group transitions brining me, Abbie, Nicole, cam and eve will come off from the jazz break section whilst connie, Jessy, violet, and ebony do a 4 group section. when that ends me and Abbie come onto stage with Nicole to do a duet around Nicole modelling throughout.

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Appendix 21

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Appendix 22

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Appendix 19*

within this session I taught the jazz choreography to the rest of the group with added transitions and changes so that we are creating the illusion of contrasting movements and shapes within the positioning for example people on the left doing the left legs and reversing the choreo to mirror the right.

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I got a lot of my inspiration for the jazz section from madonnas music videos specifically when she does the classic inverted vogue/model pose. I also took a lot of inspiration from bob fossy style choreography aiming for that classic jazz era.

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Paris gobel is our main inspiration choreographically for piece 2, she incorporates how models are not only models but also dancers too. They have become a hybrid model and dancer increasing the capability of how fashion can be portrayed with expression of dance. Within the middle section of the piece Nicole comes out of her model character into a dance break and this emphasises how this day and age model does both.

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Teyana Taylor Doesn't Miss a Beat at Vogue World: Paris | Vogue

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Savage Fenty fashion show dancers - Inspiration 

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Savage Fenty fashion show dancers - Inspiration 

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NORMANI - 'POPALIK, GET BUSY' | SAVAGE X FENTY vol.1

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Christian Louboutin: Paris Is Louboutining

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Vogue fashion show supermodels of 2000 - Inspiration

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Vogue fashion show supermodels of 2000 - Inspiration

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Supermodels Naomi, Cindy, Linda & Christy Stun the Vogue World Crowd

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Balenciaga 360° Show Winter 22 Collection

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Balenciaga 360° Show Winter 22 Collection1. David Kadouch - Slavonic Dances in E Minor2.BFRND - 360°3.BFRND - Storm#Balenciaga #BalenciagaWinter22

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Balenciaga NYC Show Spring 23 Collection

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Balenciaga NYC Show Spring 23 CollectionMusic by BFRND1. BFRND - Hedge Fund Trance2. Carey Mulligan & Liz Caplan - New York New York “Theme”3. BFRND - Hedge…

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Nicole model look idea - Costume Inspiration 

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Nicole model look idea - Costume Inspiration 

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Magazine cover made by me for 2nd section

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Magazine cover made by me for 2nd section

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Magazine cover made by me for 3rd  section (Futuristic)

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Magazine cover made by me for 3rd  section (Futuristic)

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APPENDIX 1

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Appendix 24

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Before this fashion show takes place Balenciaga inspire me to see what the future could hold. within the first 30 seconds of the video they use written word to describe how they see the future of fashion growing and I think this would look really good on our projector for the final section of the piece.

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Within the whole section of piece 1 we are focusing on the 'past' this isn't a set era but mainly focusing on the fashion/societal norms of models within the 1950s-1980s. Madonna is our main inspiration due to her song 'vogue' and the classy energy she brings with her choreography movement quality too.

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Madonna - Vogue (Live at the MTV Awards 1990) [Official Video]

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Process of creating Vogue magazine cover  - Madonna 

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Process of creating Vogue magazine cover  - Madonna 

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Draft of our piece Monday 12th APPENDIX 27

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Draft run of blocking piece Monday 12th (beginning of week 4)

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Draft run of blocking piece Monday 12th (beginning of week 4)

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W4 Mine and Abbies duet developed and changed 

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W4 Mine and Abbies duet developed and changed 

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Appendix 22

After performing our piece to jasmine we realised that some of the movements were not fitting in time with the music and took into some consideration that we will also be wearing some la ducas so we decided to take out the illusion turn and slow it down slightly to fit the music. we would like to have some feather fans for this section as this would fit the madonna vibe so well but we need to possibly use the budget on this.

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Appendix 23

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My idea for the Old fashioned countdown timer for the projection 

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My idea for the Old fashioned countdown timer for the projection 

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FREE 4K Countdown Footage | Retro Film Leader | MP4 | Commercial Use

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Zendaya COSTUME inspiration going through the ages of vogue fashion  

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Zendaya COSTUME inspiration going through the ages of vogue fashion  

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Zendaya Does 100 Years of Beauty | Vogue

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Vogue Montage clips inspired by madonna in real time now for strike a pose section before cam comes on

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Vogue Montage clips inspired by madonna in real time now for strike a pose section before cam comes on

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Costume development - costume for piece 3 that we will be wearing (futuristic section)

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Costume development - costume for piece 3 that we will be wearing (futuristic section)

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we were super pleased with what we could get from the costume cupboard as this is exactly what we envisioned for the piece as we started choreographing it further.

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Costume development  - costume for piece 1 that we will be wearing (past eara)

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Costume development  - costume for piece 1 that we will be wearing (past eara)

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This outfit won't be the same for everybody as we want the group to look like a normal audience with different styles and looks for the eras during this time. next week we will fit to the people accordingly and develop these from there.

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Cleaning the commercial sections

we had to ensure everyone was in time for these sections so it looks clean and well put together. Nicole was cleaning these as she's not in the sections.

Helping cleaning Connie's solo

Connie's solo just needed more model featured elements throughout so we were finding the time for this within her solo

Counts and cleaning of mine and Abbies duet

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Projection without final shots in Theatre. 

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Projection without final shots in Theatre. 

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First show run without costume APPENDIX 29

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within this week I have been refining all of the costumes for the piece. Giving everybody hangers with their names on has allowed all of the costumes to stay intact with their accessories listed on there too.

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'Story read really well'

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' love the message of the piece'

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Earlier this (week 5) we learned that ebony is allergic to latex which is both the top and bottoms of our outfit. this meant that I needed to find an alternative for her but still fit the realm of the piece. Leather and faux leather was okay so we found this jumpsuit that was okay for her to wear and now a short faux leather jacket.

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Inspiration - Final costume

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APPENDIX 30

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Final costume overview/show week challenges faced APPENDIX 31

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Final costume overview/show week challenges faced APPENDIX 31

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For our hair we wanted to achieve something that would suit the past, something we wouldn't need to change for the present and still suit the future. A slick back style with defined edges allowed the look to suit all of these. we all had the same but in different versions. Slick back, pony, curled bun, or slick back with fringe pinned back.

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My Jazz choreography section transitions Week 3 

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My Jazz choreography section transitions Week 3 

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Appendix 19

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song suggestions I made to the group chat 

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song suggestions I made to the group chat 

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New song suggestion I made for my  opening jazz choreography 

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New song suggestion I made for my  opening jazz choreography 

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Contribution to culture day to raise money for our show -  Cornish cookies

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Contribution to culture day to raise money for our show -  Cornish cookies

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Costumes bought with the money raised £22.50

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Costumes bought with the money raised £22.50

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Appendix 32

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Targets for today 4 weeks from submission 

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Targets for today 4 weeks from submission 

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choreograph to 'forward'

continue to manipulate the idea of the balloon being heavy

think about costume ideas

discuss not using hellium and alternatives

listen to highlighted points in the music

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Experimenting with capturing the balloon girl image through movement 

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Experimenting with capturing the balloon girl image through movement 

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APPENDIX 44.

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My audio description and emotive description.  

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My audio description and emotive description.  

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Balloon girl Bansky reference art in shop window 

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Balloon girl Bansky reference art in shop window 

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Balloon Motif 1 manipulating pressure to make it harder to move

Balloon Motif 2 tying the balloon to my arm

Balloon Motif 3 tying the balloon to my foot

Balloon Motif 4 tying the balloon to my arm and foot

experimenting 100% oxygen, 100% helium, 50% helium 50% oxygen

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Solo draft - blocking, camera angles, and motif ideas 

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Solo draft - blocking, camera angles, and motif ideas 