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Analytic focus on . . .

Synthetic focus on . . . .

The similarities between them are . . .

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There are 2 types of Cubism art, Analytical and Synthetic. Read this article and identify the characteristics of these two types of Cubism Art.

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Analytic has more geometrical and defined shapes, with little curves and large structured squares/perspectives.

On the other hand, synthetic cubism has a large presence of organic shapes and contrasting colors that makes the subject pop out.

However, both forms of cubism include different perspectives that are shown while the viewer is staring at one.

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Analytic cubism is a type of cubism that looks more real and you are also able to see it from different angles as it is in cubes.

Synthetic cubism is deformed to see details of the character for depth and for perspective

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Analytic Cubisms are the style of painting which people break down objects into basic geometric shapes, then show them from multiple viewpoints, often using muted colors and overlapping planes.

Synthetic Cubisms are the phase of the Cubist art movement, is characterized by brighter colors, simpler shapes, and the use of collage techniques.

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Analytic Cubism focuses on using geometric shapes such as cubes, spheres and cylinders with altered viewpoints. The colour palette is usually monochromatic colours (black and white) or earthy tones (brown and green).

Synthetic focuses on using organic or abstract shapes. The colour palette is usually bold and bright colours, such as reds, greens, blues, and yellows, giving the paintings a greater emphasis on the painting.

The similarities between them are that Pablo Picasso and Georges Braque were the main figures and that both of them break down different perspectives.

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Analytical Cubism focuses on natural form in geometric shapes and is more realistic than Synthetic Cubism, with curves, earthy-colored tones in the painting, and different perspectives

On the other hand, Synthetic Cubism is similar to Analytical Cubism in terms of the use of geometric shapes, but most of its colours are bright hues of red, blue and yellow. In other paintings, they also use new elements by adding new paper and sawdust to add texture too.

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Analytic Cubism focuses on breaking down an object into parts and reassembling it. It usually uses only geometric shapes and more bland colors.

On the other hand, Synthetic Cubism involves using new elements, textures, and shapes to build images. Unlike Analytic Cubism, Synthetic Cubism uses more bright colors such as red, blue and more.

The similarities between them is their both forms in Cubism and uses geometric shapes.

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Analytical and synthetic cubism are phases in cubism.

Pablo Picasso and Georges Braque were the main figures in both these movements.

Analytic focuses on geometrical shapes, angles and so much more

Synthetic focuses on many loud colours, presence of shapes, and the form of colourful shapes.

Similarities are : Analytical cubism was the early phase of cubism while synthetic cubism is the later phase.

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In Analytical Cubism, it is broken down into flattened planes and sharp angles. In Synthetic Cubism, the subject is reduced to simple shapes that are built upon each other. So like synthetic cubism have more colour and much more stand out, analytic cubism is like not that stand out and much more simple and almost using the same colour.

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Analytic Cubism-

Analytic Cubism is a kind of art. The artist takes a picture and breaks it into small pieces, like a puzzle. The pieces are made of shapes like squares and triangles. You can see the front, side, and back of something all at once. That makes the picture look a little mixed-up. The colors are not bright. The artist uses colors like brown, gray, and black. Sometimes, it is hard to tell what the picture is. But it still looks cool and smart. It makes you want to look closer.

Synthetic Cubism-

Synthetic Cubism is a happy kind of art. The artist makes big, fun shapes. They use bright colors like red, yellow, and blue. They also glue on things like paper, cloth, or words. It’s kind of like a collage—cutting and pasting! The pictures are easier to see and understand. You might see a face, a guitar, or a cup. The art looks fun, colorful, and silly in a good way. It’s like art playtime!

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Cubism is the use of different shapes and lines. However, there are not many curves. This is different from ordinary art, because ordinary art uses curves and the same shape, while cubism does not use any curves or the same shape at all, And by writing using shapes, the picture will evolve more individually.

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Analytical drawing can include contour drawings that describe outlines and basic forms of your subject.

Synthetic cubism is the later phase of cubism, generally considered to run from about 1912 to 1914, characterised by simpler shapes and brighter colours.

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Analytic Cubism focuses on analyzing and breaking down objects into geometric shapes, using neutral colors, and showing different angles at once.

Synthetic Cubism focuses on creating images by combining shapes and textures, using brighter colors and adding materials like newspaper or wallpaper.

Both Analytic and Synthetic Cubism show objects from multiple viewpoints, use geometric shapes, were created by Picasso and Braque, and focus on the structure of objects instead of realistic appearance—even though Analytic Cubism often uses all dark, black, or neutral colors.

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Analytic cubism focuses on more monochromatic colours and it more breaks down the image making multiple viewpoints and makes it with more geometric shapes, one example of this kind of art is Pablo picasso's "Girl with a Mandolin"

Synthetic cubism focuses on many simple yet bright colors and it uses more patterns and newspapers and fabric to create collages on the art, and it uses more simple shapes, on example of this kind of art is Pablo piccaso's "Three musicians"

The simi.aritkes between these can be that they both break from traditional,linear perspectives and representing objects in fragmented, abstracted ways.

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Analytic Cubism defines a style of Cubism that fractured the subject into multi-layered, angular, surfaces that brought still lifes and portraiture close to a point of total abstraction.