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The camera cuts for the first time here for the dramatic reveal, that this murderer, revealed as Micheal, is a child. His face shows that he is a messed up. The sound is merely dialogue and the end sound. We see him in a Halloween costume. The camera changes to a slow zoom out, and not from the point of view anymore,

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In this frame, we see the corpse of the sister, just after getting murdered, in a helpless position, and taken, which makes her look incredibly helpless. We still see through the eyes of the mask, and the editing hasn't changed. The Sound is the sister screaming after being murdered and the scare chord continuing the idea.

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With this, we see the clothes left giving a better idea over what happened earlier. We also see the sister naked, to give an idea of what is happened further. We see through the mask giving an idea. The sound in the background is you can hear the sister humming, and another scare chord hits when we see the sister, hinting that she will be the person murdered. The editing hasn't changed, and the camera continues to be from the same angle

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In this, we see the character, again getting a peek at his arm, picking up the mask which the boyfriend joked about earlier with. This showed that to be foreshadowing. We then see the mask cover the camera, so we just see through the eyeholes. The sound is the continued scare chord, however a bell is heard in the background to give an idea of the time. The camera and editing are the same as mentioned, as it is clearly a long shot

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In this, we hear Dialogue over the sound asking 'See you again? Sure', which gives an idea that him and the girl of the house had just had sex, showing the household to be in all honestly typical. We see light, however through a door frame which gives us the idea that this house is usual and happy, but Michael isn't. The Camera, aside from the framing, is still operated in the exact way. The editing is the same

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This frame from the opening, while being ais still an important frame. In it, we see the hand of the person we are seeing the camera from, and we get a hint to his actual age- it looks like he's wearing a halloween costume, however it is only on screen for a short while, so the audience, while getting a sneak peak, can' tell for sure. The fact he is picking up a knife shows that something will happen sinister from whoever this character is. Sound, the scare chord continues to play, as it does for a long period, and a piano is added which gives an idea that this person is younger. The camera and editing are the same as previously mentioned

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Sound is the most notable aspect of this frame, as a scare chord begins playing when the light turns off, which sticks for the rest of the clip. Mise en scene, all artificial lights are off, giving this a more natural and scary vibe to the frame. The camera is still held in the same way, and there have been no cuts, confirming to the viewer that this out of the eyes from the murderer, who is confirmed to be doing something sinister in this one

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This frame shows the aforementioned characters that were talking in the previous shot. Their postions and actions of kissing show them to be a couple. The guy asking 'are we alone' gives an idea that their relationship is going to get sexual, however the girl mentioning that 'Michael's here somewhere' gives an idea that she is related to Michael, and that this Micheal is her brother. The camera here is more of the same, and there has been no cuts, giving an idea that we will see from this mystery characters viewpoint for a while

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This frame, from the original Halloween, doesn't show much, however it is incredibly important, mainly because of the mise en scene of the Jack O lantern, showing that it is Halloween, revealing the name and context of the film. The sound you can hear is the muffled speaking which is showing whatever character this is is a stalker of some sort, as he can't hear everything which would mean that he is part of the conversation. The camera is obviously handheld, and POV, giving the idea that we are purely seeing this from the point of the view of whoever this character is.