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Due to the song having no music video, it opens a lot of opportunities for us, we can do anything for this music video, however we are deciding to go for the direct meaning to the lyrics and music approach. We are also planning a deeper meaning, which is when he is trying to get drunk and forget about his relationships. There won't be a lot of scenes showing the lip sync due to the music. We will include the lip sync scenes when it is viable.

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Khao San Road
Thonglor Road
Silom Bridge
EmQuartier

These are mostly places with active night life

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Josh Pan and X&G "Platinum"
Skrillex and Diplo ft. Kai "Mind"
Skrillex and Rick Ross "Purple Lamborghini"
A$AP Rocky "LSD"
Major Lazer: Night Rider
Dr Dre ft Snoop Dogg and Akon: K**h
Vic Mensa and Skrillex "No Chill"
Dumbfounded "Genghis Khan"
Getter "Headsplitter"

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For the MV, we will follow the laws of Andrew Goodwin where the lyrics and the video footage must relate to one another.  For example, the lyrics of the song Faded 2.0 "All I wanna do is drive you home"  will be taken alongside a track shot of a speeding car.

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More like inspirational music videos because it is difficult to find movies that a Trap genre music video can relate to. However, Some of the shots taken would be handheld, similar to the ones taken in Project X where almost the entire movie is filmed handheld as if a teenager might have taken a leaked video. Also, for the car scene in the music video, the shot taken will be inspired by Christopher Nolan's "The Dark Knight" during the scene when joker pops his head out of the window as he rides the police car.

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Used as a platform of memory and the continuing scene of the MV where the shots taken within this White Studio Room will be dancers and the girl positioned inside. Also, white shows space and emptiness which implies to how empty the protagonist's brain is and that when a certain memory pops in, he is focused to that memory only. Moreover, the dancers will be performing, circular and expressive dance movements synchronizing with the dizzy beat and rhythm of the music. We got this idea from Josh Pan and X&G's "Platinum".

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5) POV's and Close-Ups, Reverse POV Scenes

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5) POV's and Close-Ups, Reverse POV Scenes

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In order for Faded 2.0 to attract its audience, we need to illustrate the character in MV to show what it feels like when they are drunk and had lost someone they loved. Therefore, to show the audience this, POV shots of the protagonists in addition to the random focusing camera effect. Also with close up shots of the character's confused facial expression.

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7) Key: Keeping it Childish, Intercuts With Plain White Room Scenes

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7) Key: Keeping it Childish, Intercuts With Plain White Room Scenes

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By the term, keeping it childish, I mean making the scenery seem very colourful and full of imaginations. As the main protagonist of the music video becomes drunk and "faded" he sees flashbacks of his past love and would see colourful lights and hallucinations as if seeing a children's cartoon. The protagonist's mis-en-scene character movements will also be as a child, walking, jumping and playing around.

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Trap artists tend to film music videos in the evening or in the dark with colourful lighting shone in the background to create an atmosphere as if they're in an actual party.
This style of shooting can be used to support our main purpose of the music video; drunk and party vibes.

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Another popular convention for Trap Music Videos are timelapses or increased speed edited shots of cities or footage to create thrill either through the character represented in the music video or for the audience that is viewing the music video giving them an awareness of how the genre is fast growing and the rhythm is quick. It is recommended if we use it for our music video since we need to attract the audience in listening and watching.

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During the beginnings of most music videos, there are many tracks shots or pans of sceneries of random places that the artist had travelled. The purpose for having these shots is to build a vibe and feeling of the music and getting the audience to "feel" what the artist is feeling. By adding this factor with a timelapse of the city in Faded 2.0, we can be able to build the vibe of a trap genre music video and express the beginning of the scene in our MV.