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-distorted skull in forgrooud reminds us of our mortality

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-depicts Cornwall with his books and papers so you can tell he was a lawyer, showing a man of great knowledge beyond that of religious value.

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-visible, realistic cold human expression/realism

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-painting shows a man with utilities of science,  representing the fall of knowledge centered around religion and rise of science and philosophers

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An allegory of the Old and New Testaments 

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An allegory of the Old and New Testaments 

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-brought religious allegories to an Earthlike state, depicting religious figures as normal humans roaming a natural rather than religious background

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King Henrys fourth wife
-realistic, human faetures

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-painting of the humanist who accepted Holdbein into his circle.

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-pictures humanist philosopher and scholar of Norther
n Renaissance

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-Earthly background, focusing on the beauty of Earthly nature.

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-shows a King in his natural state/realism and without the(before the Renaissance) common religious allegory to relate back to the King with

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The Body off  the Dead Christ in the Tomb

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The Body off  the Dead Christ in the Tomb

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-depicts Christ with aspects of physical decay after death, a very human (not heavenly) condition

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-captured human expression even from a small aged child and very carefully detailed-realism

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Unknown Woman, formerly known as Cathrine Howard

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Unknown Woman, formerly known as Cathrine Howard

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-Henrys fifth wife, painted realistically

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-icon of traditional piety
however Mary and Jesus bother painted with no halo, Holdstein focused on Earthly human design.

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-painting evokes images of the Virgin and Child with St John the Baptist but without the halos and blatantly religious figures; instead taking a more humanistic view, painting human figures in their natural state.

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-Holbein painted in a realism style, didn't add anything of himself nor changed her features.

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-uses depth and picture space
-Bonifacius' own words of priase for artists truefullnss to nature in background
-nature background

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-Depicts Christ in a very Earthly background and with no heavenly halo.

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-Holdbein was able to depict personality and character

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-Holdbein was able to capture human expression in this very accurate painting/realism

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Hans Holdbein the Younger was born 1497 in Augsberg. He was the son of another great artist whom he studied under until he left to be an apprentice to Hans Herbst, another painter. Holdbein painted in a Northern Renaissance style. He worked mainly on religious art, satire, and reformation propaganda. Holdbein became a part of Thomas More's humanist circle and soon became Kind Henry VIII's painter.