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Berry, M. (2014). Filtered smartphone moments: Haunting places. In M. Berry, & M. Schleser (Eds.), Mobile media making in an age of smartphones(pp. 58-67). Palgrave Macmillan US.

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In this era, everyone can do the art of photographers, ready to use the equipment at any time around the shooting equipment. This is a set of photos taken by the phone and the camera "tree" and "nature", all show the tenacity of life and the beauty of nature. A good photographic work is not entirely on the equipment to win, need to refer to works of meaning, the screen performance techniques, visual impact, a smart phone can shoot a good photo a digital camera will produce visual garbage.

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Nature

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Berry, M. (2014). Filtered smartphone moments: Haunting places. In M. Berry, & M. Schleser (Eds.), Mobile media making in an age of smartphones(pp. 58-67). Palgrave Macmillan US.
De Zayas, M. (1913). Photography and Photography and Artistic-Photography. 1980) Classic Essays on Photography, Leete’s Island Books, New Haven, Conn, 125-132.

http://camramirez.com/pdf/DI_Week6_PhotoAndArt.pdf

Du, L. (1991). Fine art photography (Doctoral dissertation, Bloemfontein: Central University of Technology, Free State).

Van, J. (2008). Digital photography: communication, identity, memory. Visual Communication, 7(1), 57-76.

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TREE

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These are the cover of fashion magazine "vogue" represents two periods, the first is the photographic technology is not mature period, it can only use painting to complete the cover; the second is the digital era photographer thus using digital technology to create the cover. The two covers are the different periods and the production method, but all with the same element - feathers, feathers can be a fashion element, also represents the freedom of women, beautiful and elegant. In the visual aesthetic and the meaning of the coexistence of the premise, no matter what period of production methods are aesthetics of the performance.

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In digital period, laptops, iPad, smart phones gradually spread to the various families, and even some paper publications are replaced, full of images. People are changing the taste every moment, the late software is increasingly updated feature-rich, everyone can Photography, can use the latter part of the software to deal with the picture.

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In digital period, laptops, iPad, smart phones gradually spread to the various families, and even some paper publications are replaced, full of images. People are changing the taste every moment, the late software is increasingly updated feature-rich, everyone can Photography, can use the latter part of the software to deal with the picture.

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Berry, M. (2014). Filtered smartphone moments: Haunting places. In M. Berry, & M. Schleser (Eds.), Mobile media making in an age of smartphones(pp. 58-67). Palgrave Macmillan US.

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This  photographer from Fan Ho(Hong Kong)  in 1954 , this is his only pendulum works, this photo will be light and shadow, black and white fusion is very good. Without digital technology, the photographer with a film camera, want to have artistic performance, need to use some things, such as painting language: light, composition, color, texture, but also with the model dynamics and photographers have a great relationship , Emotional and then the social form and experience events are inseparable.

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When it comes to Digital vs Film, I think people get too caught up in the "Old vs New" aspects of it. Film gives you a warm nostalgic mood to the picture, while digital seems sharper and closer to how my eyes actually view the world. I think that, much like "practical vs CG effects", there isn't one that is downright superior than the other. It's up to the director to look at the tools at their disposal, and decide which works better for the look and mood they wish to achievehttps://www.youtube.com/watch?v=9ycBxKiGyYo

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A rough edit for a class film. Shot in HDV, 16mm and VHS

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Are Instagram & Photography Aesthetically Pointless? 

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Are Instagram & Photography Aesthetically Pointless? 

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https://www.youtube.com/watch?v=AJkOajBDedc

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Are Instagram & Photography Aesthetically Pointless? | Philosophy Tube ft. PBS Idea Channel

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Photographic artists can take advantage of some of the new software, such as Photoshop image editing software for processing pictures, photographic artists can use the "side force" to understand the beauty of their own awareness of the things attached to the original object, rather than only from the shooting object and natural conditions to look for beautiful things. With the advent of the digital era, the new technology innovation and modern image photography means that the research and aesthetic of art can not stay in the original category, the development of digital technology further promote the combination of fashion, business and art photography. Digital Image development, the popularization of digital cameras, so that photos can be conveniently presented in front of everyone, when the filming environment is bad, you can adjust the camera settings, so that the photo to a great extent to meet the photographer's ideal requirements, to achieve the concept of art.

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https://www.youtube.com/watch?v=w4uUjLt22gE

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These 2 videos describes seven ideas as useful photographic techniques, showing a unique perspective of art photography and aesthetic
https://www.youtube.com/watch?v=sieUlqQIxT8

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You may be a photographer, but are you an artist?

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Mat Marrash's "52 Project" at the Lea Gallery - The University of FindlayFriday, July 15 2011 

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Mat Marrash's "52 Project" at the Lea Gallery - The University of FindlayFriday, July 15 2011 

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This video is about traditional film photography. It is clear that function of traditional photography is recording https://www.youtube.com/watch?v=4eF7ink_d3Q

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Traditional Film Photography - Mat Marrash Gallery Show

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Gallery reception for Mat Marrash's "52 Project" at the Lea Gallery - The University of Findlay Friday, July 15 2011 About Mat Marrash Starting in June 2010, Mat Marrash, a Northwest Ohio native, picked up a medium format film camera and challenged himself to shoot at least one roll of film per week.

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Van, J. (2008). Digital photography: communication, identity, memory. Visual Communication, 7(1), 57-76.

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Van, J. (2008). Digital photography: communication, identity, memory. Visual Communication, 7(1), 57-76.

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Du, L. (1991). Fine art photography (Doctoral dissertation, Bloemfontein: Central University of Technology, Free State).

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De Zayas, M. (1913). Photography and Photography and Artistic-Photography. 1980) Classic Essays on Photography, Leete’s Island Books, New Haven, Conn, 125-132.

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Man Ray. "observatory time". Surrealismo en fotografía de moda. 1939

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Man Ray. "observatory time". Surrealismo en fotografía de moda. 1939

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In this photographic works, as the connoisseur can think about why the artist put these things there is no sign in there, the nude woman represents the temptation, the board describes the events of the unpredictable, and the most unique is the sky in the floating lips, is the sharp reality of the Ming words? We can also be understood as a nightmare or pornographic fantasy. Photo of the picture at that time enough to cause a sensational art.
https://www.pinterest.com/pin/4996249557141676/

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Du, L. (1991). Fine art photography (Doctoral dissertation, Bloemfontein: Central University of Technology, Free State).

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De Zayas, M. (1913). Photography and Photography and Artistic-Photography. 1980) Classic Essays on Photography, Leete’s Island Books, New Haven, Conn, 125-132.

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Du, L. (1991). Fine art photography (Doctoral dissertation, Bloemfontein: Central University of Technology, Free State).

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1.  The origin and development of art photography

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1.  The origin and development of art photography

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2. The aesthetics of traditional art photography and the digital photography 

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2. The aesthetics of traditional art photography and the digital photography 

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The aesthetics of traditional art photography

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The aesthetics of traditional art photography

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The aesthetics of art photography in digital technology

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The aesthetics of art photography in digital technology

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b Development and limitations of art photography 

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b Development and limitations of art photography 

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Aesthetics of Art Photography under Traditional Technology and Digital Technology

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Aesthetics of Art Photography under Traditional Technology and Digital Technology

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a. The development of art photography in daily life 

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a. The development of art photography in daily life 

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b.The impact of the development of art photography on society 

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b.The impact of the development of art photography on society 