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Ian logue
Tesserae is small stones or glass used to make arrangements in sculptures or images by arranging in pattern, color, and size.

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Ian logue
A momento mori is any form of writing or image in which shows a symbol or representation of death, or even as a reminder of death.

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Ian logue
Giornata means a literal days work, in the context of art though it means how much work an artist can do in a whole day.

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Ian logue
An anamorphic image is an image that has to be viewed at a certain angle in order to see the image in the correct stance and setting.

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Ian logue
An anamorphic image that is supposed to be viewed at a certain angle to see the image in the right context

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A flat roofed, rectangle structure with sloping sides used as a burial site.

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a method in which the original object to be cast is made from wax then encases in plaster once hardened wax is melted and molten metal is pored into mold.

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a large curricular area surrounded by bank or ditch

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megalith is the use of large stones to create a structure or monument

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Mosaics are images created from tesserae or small pieces of glass or marble

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Ceramics is working with clay. The clay formed artist hands then fired in a oven called kin. The Greeks used this to tell stories.

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Canopic Jars represents the four protective spirits that has a human head on top that has body organs inside the jar

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Chiaroscuro has a strong dark shadow and bright highlights with little middle ground

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a picture or pattern produced by arranging together small colored pieces of hard material, such as stone, tile, or glass

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wedge-shaped marks on clay tablets, made by means of a blunt reed for a stylus

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also known as egg tempera, is a permanent, fast-drying painting medium

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the triangular upper part of the front of a building in classical style, typically surmounting a portico of columns

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Is an architectural element from ancient Greece. normally stand on a base which separates the shaft of the column from the stylobate or platform.

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Is an architectural element from ancient Greece. It is thicker and heavier than Ionic or Corinthian

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The treatment of light and shade in drawing and painting. An effect of contrasted light and shadow created by light falling unevenly or form a particular direction of something.

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A stone coffin, typically adorned with an inscription on it.

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Liquids that move the pigments and binders around the surface.

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A funeral receptacle that weighed 250 pounds

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A wide mouthed vessel that has handles and is used for mixing wine and water.

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Closed jars with stoppers fashioned in the shape of heads (human, baboon, falcon, and jackal) representing the four protective spirits. These jars contain the bodily organs of the dead.

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Flat roofed, rectangular structures with sloping sides used as burial sites.

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This is a reminder of death.

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liquids that move the pigments and binders around the surface.

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This paint was also known as egg paint. This is the oldest paint used in the middle ages. Natural pigments with egg yolks used as a binder.

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Clay pots or other articles made of clay and hardened by heating them up. A lot have artwork on them.

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A rectangular shaped stepped pyramid type structure with tempo mounted on the top

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removing material from a block of material with various tools.

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Shaping clay into the desired shape and then heating it over a period of time in a kiln.

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using wax to create the desire art, covering it in a plaster and then heating it in order to remove the wax only leaving the casting of the item. then pouring your material into the casting

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a circular area encompassed by a ditch, ravine, or bank

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Chiaroscuro. This is an Italian term which literally means 'light-dark'. In paintings the description refers to clear tonal contrasts which are often used to suggest the volume and modelling of the subjects depicted. Artists who are famed for the use of chiaroscuro include Leonardo da Vinci and Caravaggio.

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Bas-relief. A kind of carving or sculpture in which the figures are raised a few inches from a flat background to give a three-dimensional effect. The term is French for “low relief

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Canopic Jars

Canopic Jars were used by the ancient Egyptian during the rituals of mummification processes. These were used as containers in which to hold the internal organs of the deceased that was going to be mummified.

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Post and Lintel is a structure consisting of vertical beams (posts) supporting a horizontal beam (lintel)

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painting entirely in shades of grey to mimic sculpture

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is a style that flourished in Europe during the High and Late Middle Ages

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•The oldest form of paint, used in the Middle ages.

Uses natural pigment, egg yolk acts a the binder and water is the vehicle

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a large stone that has been used to construct a structure or monument, either alone or together with other stones

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Sculpture in relief in which the subjects emerge only slightly from the surface.

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Wide mouthed vessel with handles, used for mixing wine and water for ceremonial drinking.

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The material used in paint that causes pigment particles to adhere to one another.

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Any coloring agent, made from natural or synthetic substances, used in paints or drawing materials.

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A PAINTING MEDIUM IN WHICH COLORS ARE APPLIED TO A PLASTER GROUND USUALLY A WALL MURAL OR A CEILING DRY FRESCO COLORS A APPLIED TO DRY PLASTER

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Painting on wall coated with a wet limestone plaster, using pigments in water

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the middle section of the three horizontal bands above a column; narrow horizontal bands decorating pieces of pottery, buildings, etc

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architecture, sculptures, and paintings from 1000-1150 AD; a combination of Roman, Carolingian, and Ottonian, Byzantine, and Germanic traditions; France really caused this art to grow

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small stone, glass, ceramic or other hard material cut into regular shapes, a type of mosaic

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a large stone coffin,weighing 250 pounds

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a large circular area surrounded by a bank or ditch.

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one of the earliest systems of writing, distinguished by its wedge-shaped marks on clay tablets, literally means “wedge shaped”

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construction method involving a horizontal header supported by two vertical beams.

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a rectangular or square stepped pyramid, often with a temple at its top

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Italian for "counterpose;" the counterpositioning of parts of the human figure about a central vertical axis, as when the weight is placed on one foot causing the hip to counter balance each other.

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Triangular, insert section above the frieze

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First a model is made from wax and encased in clay or casting plaster; when the clay is fired to make a mold, the wax melts away, leaving a void that can be filled with molten metal or other self- hardening liquid to produce a cast.

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A subtractive process in which a sculpture is formed by removing material from a block or mass of wood, stone or other material, with the use of sharpened tools.

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The top or head of a column.

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Art of working with clay, which is formed with the artist's hands and then fired in a kiln.

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A flat-roofed structure with rectangular. sloping sides that was used as a burial site during the Old Kingdom era of Ancient Egypt.

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A large, circular area surrounded by a bank or dith.

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Definition- a representation in Byzantine art of Christ enthroned and flanked by such supplicants as the Virgin Mary, St. John the Baptist, other saints and angels.