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Kayokyoku

At the turn of the twentieth century, an immensely popular song form was ryukoka, which developed from street entertainers in the Osaka region, and was set to a shamisen backing. With Western culture flooding Japan, local musicians started to catch on, and started to play jazz, tango, foxtrot, rumba, Tin Pan Alley, blues and Hawaiian.

The resultant style became known as kayokyoku, a catch-all term for Japanese popular songs that originated in the 1930s but only came into use after World War II. In 1949, Hibari Misora, the greatest popular singer of the modern era, made her debut at the tender age of twelve.

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Nettai Tropical Jazz Big Band - Akira Jimbo   (El Futuro)

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Japanese Rock and Sounds of the Underground

Many 1960s Japanese pop bands sang in English, but towards the end of the decade, some underground rock bands turned to their native language. The pioneering folk-rock band Happy End experimented with Japanese lyrics about love and politics, inspiring an entire generation of rockers.

Japan is also the home of some of the world’s most compelling underground music. Avant-garde rockers include Boredoms and Rovo. The latter feature some members from Dub Squad, dub being another genre that has become something of a Japanese speciality, with artists including Audio Active and Little Tempo.

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Taiko

The taiko (太鼓), is a Japanese drum that comes in various sizes and is used to play a variety of musical genres. It has become particularly popular in recent years as the central instrument of percussion ensembles whose repertory is based on a variety of folk and festival music of the past. Such taiko music is played by large drum ensembles called kumi-daiko. Its origins are uncertain, but can be stretched out as far back as the 7th centuries, when a clay figure of a drummer indicates its existence. China influences followed, but the instrument and its music remained uniquely Japanese. Taiko drums during this period were used during battle to intimidate the enemy and to communicate commands. Taiko continue to be used in the religious music of Buddhism and Shintō. In the past players were holy men, who played only at special occasions and in small groups, but in time secular men (rarely women) also played the taiko in semi-religious festivals such as the bon dance.

Modern ensemble taiko is said to have been invented by Daihachi Oguchi in 1951. A jazz drummer, Oguchi incorporated his musical background into large ensembles, which he had also designed. His energetic style made his group popular throughout Japan, and made the Hokuriku region a center for taiko music. Musical groups to arise from this wave of popularity included Oedo Sukeroku Daiko, with Seido Kobayashi. 1969 saw a group called Za Ondekoza founded by Tagayasu Den; Za Ondekoza gathered together young performers who innovated a new roots revival version of taiko, which was used as a way of life in communal lifestyles. During the 1970s, the Japanese government allocated funds to preserve Japanese culture, and many community taiko groups were formed. Later in the century, taiko groups spread across the world, especially to the United States. The video game Taiko Drum Master is based around taiko. One example of a modern Taiko band is Gocoo.

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Biwa hōshi, Heike biwa, mōsō and goze

The biwa (琵琶 - Chinese: pipa), a form of short-necked lute, was played by a group of itinerant performers (biwa hōshi) (琵琶法師) who used it to accompany stories. The most famous of these stories is The Tale of the Heike, a 12th-century history of the triumph of the Minamoto clan over the Taira. Biwa hōshi began organizing themselves into a guild-like association (tōdō) for visually impaired men as early as the thirteenth century. This guild eventually controlled a large portion of the musical culture of Japan. Biwa is Japan's traditional instrument.

In addition, numerous smaller groups of itinerant blind musicians were formed especially in the Kyushu area. These musicians, known as mōsō (盲僧 blind monk) toured their local areas and performed a variety of religious and semi-religious texts to purify households and bring about good health and good luck. They also maintained a repertory of secular genres. The biwa that they played was considerably smaller than the Heike biwa (平家琵琶) played by the biwa hōshi.

Lafcadio Hearn related in his book Kwaidan: Stories and Studies of Strange Things "Mimi-nashi Hoichi" (Hoichi the Earless), a Japanese ghost story about a blind biwa hōshi who performs "The Tale of the Heike"

Blind women, known as goze (瞽女), also toured the land since the medieval era, singing songs and playing accompanying music on a lap drum. From the seventeenth century they often played the koto or the shamisen. Goze organizations sprung up throughout the land, and existed until recently in what is today Niigata prefecture.