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This is an extraordinary iron human sculpture. He developed a transformative approach to sculpture, breaking solid mass into interlocking planes, lines, and geometric shapes with open spaces.

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The artist used different view of perspective building his sculptures piece by piece to create precise, linear forms, buoyed by lightness and dynamism.

He constructed a vertical column (backbone) ringed by an open circle and planes.

It is a person leaning forward in a hunched position with her hands resting in front of her. As one moves around the sculpture to the right, the head seems to turn also, until seen from the side, there is another complete face looking towards one.

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A style or movement in which assorted mechanical objects are combined into abstract mobile structural forms. The movement originated in Russia in the 1920s and has influenced many aspects of modern architecture and design.

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A style or movement in which assorted mechanical objects are combined into abstract mobile structural forms. The movement originated in Russia in the 1920s and has influenced many aspects of modern architecture and design.

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It was a circular, spiraling tower, and a very different building material, open structural steel framework in a double spiral attached to a large central vertical beam.

Its steel spiral frame was to stand at 1,300 feet, making it the tallest structure in the world at the time. It is taller and more functional.

It was envisaged as a towering symbol of modernity.

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Beat the Whites with the Red Wedge (1919)

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Beat the Whites with the Red Wedge (1919)

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El Lissitzky, he produced this politically charged work in support of the Red Army shortly after the Bolsheviks had waged their revolution in 1917. The red wedge symbolized the revolutionaries, who were penetrating the anti-Communist White Army.

A movement towards the future  while showing revolutionary changes of the future. The colors create the shapes, geometric shapes move through the picture creating war.

Four  colours such as red, black, white and a slight grey shade near throughout the whole middle picture. A huge red triangle that pierces into a white circle, which creates the center of attention.

White background creates a bright future and the black portion of the painting cuts the picture in half while having a round white center that creates a meaningful circle and also the center of attention.

The letters appear in black, white and red creates a movement into the white circle.

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In the first picture, complex typographic information is organized into a text in three parallel columns separated by thick dividers, very much in a constructivist style. Furthermore, Create a contrast between two colours by using black and red to emphasis the text from 1914 until 1924.

Next, it is a title page for the isms of art, 1924. The graphic spirit achieved by medium weight sans serif type, grid system division of the space, white areas, and bold rules established a typographic standard for the modern movement.

Vertical lines separate German, French, and English texts, and horizontal bars emphasize an important main title.

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Books -The advertisement for the Lengiz Publishing House 

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Books -The advertisement for the Lengiz Publishing House 

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The composition is typical of his use the combination of photography and text to endorse the goals of political revolution.

Therefore inspired a lot of artists  became a designer of posters and create Soviet hierarchy during that time.

Geometric shapes could evoke strong emotions. The purpose of a loudspeaker is to convey sound outwards. So he took the loudspeaker into his poster and added local language to call on the importance of education.

Her hand is up to her open mouth and she is calling out, vibrantly. Indicating that her hand is a megaphone, a triangle of expanding letters shoots out to the right.

Reds and greens, complementary colors that activated the eye. Toned down with a bit of blue around the front of the face, the black and white photograph woman on the poster is the news of the day. However, the strong value contrast of the black and white against hue draw our attention to the character.