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side View
I was working on symmetrical balance within my sculpture.  I finished the surface with a smooth texture to direct the viewers eye to the center of the piece...................................

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front view

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I was working on this project and I wanted to create a tiki head. I tried to make my negative space the eyes of the tiki that go all the way through the project. Most of my time working on this project was spent carving out the facial features and the ears.

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I wanted to create something that would be easily recognizable, relatable, and fun for the viewer. As you can see, there is a large bite taken out of it, this is not only to show that someone had just been there, but also to intrigue the viewer.

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A little robot on the planet of mars trying to find a home. He is dented and bruised and has had a long journey. Adopt him today. The negative space is his legs and trying to make it seem like his head is hovering a bit to seem futuristic.

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Janie Gardinier: Matthew Gray Gubler Tooth

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Janie Gardinier: Matthew Gray Gubler Tooth

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I was trying to recreate a 2D drawing by Matthew Gray Gubler. The halo has a big negative space and works to make it look like its off the top of the tooth. Its not smooth at all coz I suck at sanding and I got real lazy at the end.

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With this sculpture, I was trying to make a realistic yet simplistic bird in flight. I did not want to add feet, eyes, or feathers so that I could focus more on the shape of the bird. The negative space is between the wings.

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Whale, that’s really ugly. I did a little whale because I originally wanted to do a skull but was told I didn’t have time. Also I’m just really bad at this. It’s a cute paperweight though. The negative space is underneath the tail and inside the blowhole. And also in my heart because this didn’t turn out how I wanted it to.

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I wanted to do a relatively simple organic design, and was really interested in shapes like these. I wanted to give the sculpture a smooth texture to make a more peaceful feeling.
Front view:

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This piece represents an angel clasping it’s hands together, but could also be interpreted as abstract. This angel represents innocence and purity. I took lots of time to make sure my work was smooth and somewhat symmetrical.

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This is a side view of this project showing the ears and some of the facial features.

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Janie Gardinier: Matthew Gray Gubler Tooth

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Janie Gardinier: Matthew Gray Gubler Tooth

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Side view:

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My goal was to make a satisfying smooth organic shape. I kept it simple and focused on the shape of the potted plant. It’s quite nice to hold and satisfying to look at.

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Side view

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View 2

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this sculpture my goal was to make a modern fountain design. With the lower half having simulated water. I wanted a peaceful feeling of a park to be given to a person seeing it

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This is my sculpture.There is a hole to it. It was very time consuming and it required lot of patience. Mine didn't do too bad. To give it a good finishing,I just carved out a line touching through the hole.

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Front view
I made a small mammal, using negative space and angular lines. I put the negative space in the tail, to separate the shape from the body.

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Side view
I wanted to make a swole man but it ended up looking like a disabled gorrila (T＿T). I wanted most of the negative space to come from the bottom of the sculpture and that it did. I can say though I screwed myself over with the nonexistent left arm ╮(─▽─)╭ but it's okay but he can still climb a tree like a champ!

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side view

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Side view

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I had an actually decent design initially but eventually realized I suck at sculpture, so I drilled a big hole in the middle for negative space and gave up. One could say it represents a person who from the outside (just the side I guess in this case) looks pretty normalish but inside they’re just empty and rough and stuff, because you should like never judge a book by its cover, because yknow, society.  Yes, that’s absolutely what I meant to do.

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front view

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I decided to make a donut because I felt the donut hole would portray negative space in an efficient  manner whilst attracting the viewer’s attention because of the fact that many people like donuts and I wanted to provide a sense of relatability and engagement.

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This was a play on brass knuckles, I wanted to have a good balance between negative and positive space so, that's what I did. Unfortunately the finger holes weren't big enough to actually fit fingers in them but yknow, such is life.

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This is the front view of an apple. The focus was on rounding the fruit to make its shape look realistic as well as retaining a smooth texture. The negative space was achieved with a hole in the middle and the carving of the worm peeking out of the hole.

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Side view of plaster apple

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In this project, I wanted to create a beaker with negative space inside. Later, I decided to change it into a cracked flask, so that the hole had a purpose within the sculpture. I focused on learning to carve the cracks along the surface so that I could learn how to control the knife. The focus of the sculpture is the negative space.

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My goal originally, was to make a sculpture resembling a wine glass with a bark-like texture. At first I didn't know where to put the whole so once I made a big one through the middle, I put another one at the top. The hardest part for me was making the texture so intricate.

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Two roads conjoined to a point. They start afar from ground level than slowly approach one another--so close, yet barely uniting. For this project, I wanted to explore how spiraling movement can impact negative space. While I originally wanted to keep the object texture rough, I found that a smoother surface suited the visuals and feeling of the sculpture better.

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Side view of horse

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I focused a lot on the negative space in this sculpture, and getting the connecting middle piece as thin as possible without breaking. The hourglass has stopped, frozen in time. I also made the posts intentionally uneven to add character to the piece.

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This piece is meant to become a fountain sometime in the near future (a water tube will be set up through a hole running vertically through the piece). Each side looks the same and the curved motion of each wave portrays the languid movements of water. The tops of each are curved in the classic water droplet fashion. Inside the piece, the plaster is left rocky because (a) I like the way that it looks, and (b) it represents the earth and rocks from which natural fountains come from. This is a front view...

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Side view...