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Loads of ideas
Need to figure out casting and the props

Possible movie references:
- Killing Eve

possible titles:
- stitched
- death by tailor
- stitches get stitched

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The ending scene from Fractured shows the difference between insanity and reality - which is based off of the psychological thriller aspect.

Through editing, glitches are used to show the distorted vision of reality - which is completely fake. This is very effective as it shows the difference between reality and the main character’s version of events.

I intend on using this editing effect as well as using a distorted vision of reality to heighten the experience.

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Fractured _ (Netflix) _ 2019 _ movie ending scene

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- creepy scene with soft dialogue and ominous music
- the scene features a man touching his wife’s hair, gently stroking it - this seems as though it’s a lovingly adorable couple, just doing normal things, but the dialogue changes everything. It makes the lovable scene creepy and scary, especially with the accompaniment of the ominous non-diegetic music in the background.

- the voiceover of the scene makes us realise there’s more to the eyes of what we can see.
- a creepy-like scene of a man’s hand touching a woman’s hair - who is his wife (revealed in the dialogue)

- I’d like to incorporate this in my film, to sort of show how a loving scene can end up in brutality and excessive violence.

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Ma, the infamous psychological thriller film features a murderer who just wants to relive her high school days.

This clip was both amusing and scary, as it plays on the comedic effect, after Ma does a hit and run on one of her old classmates.
It starts off with the murderer walking to her class before a flashback to her high school years is shown. The cut is quick but effective.
After the flashback is shown, Ma finds herself in a position to kill one of her old classmates, just as she’s running.
Ma slowly starts to drive faster and quickly swerves to her old classmate, before driving off and turning up the music on the radio - which just so happens to be a ‘happy and groovy’ song, that most people know of (September - Earth, Wind and Fire).

I’d like to incorporate this flip-genre, in which the thriller genre appears, shortly after, a comedic scene plays out. This is something that may draw in the audience to watch the film.

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Ma (2019) - Running Over the Past Scene (6/10) | Movieclips

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Shutter Island goes into the more psychological aspects of thrillers.
In the opening scene, they use ominous music, alongside the setting.
The opening scene takes place on the sea and it first shows the main character and then the second character.

The second character (who we learn is his colleague) is shortly revealed afterwards. His character is standing in the golden ratio with his back facing the camera, thereby, not making us understand whether he’s an enemy or a friend.

This shot was really effectively and Leonardo Di Caprio’s character’s facial expressions upon seeing him, fits in beautifully.

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Opening - First Scene - Shutter Island (2010) - Movie Clip HD Scene

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Serial killer/murderer who kills those who’ve caused his trauma with a sharp needle, which he sharpens each day, to make the kill deeper and more brutal than the last.

The needle goes in an out of their body, before he weaves it around their bodies - as though, he’s sewing clothes (tailor by day)

The needle plays on the significance of his upbringing and how it was used as his protection, upon growing up in a dangerous suburb.

Focus on: mise-en-scene - the visual aspects of what we see i.e. photos, handwritten notes.

The scene starts out with a tracking shot of a hallway, leading to his room, in which a tilt shot, tilts upwards to his pov, where he’s on his sewing machine/sewing using a needle and thread and it zooms in on the needle. (Montage start)
The camera pans to show his room and his photos of him as a child stuck on his wall and photos of his next victims/those he intends on killing.

*his back is always facing the camera (mystery, tension?)
And he’s in the golden ratio, thereby the audience don’t know whether he’s a friend or an enemy *key

The golden ratio is the ratio between 2 numbers which equal to 1.618. It’s strongly associated with the Fibonacci sequence, where each number is added to the last.
The sequence happens to be pleasing to the eye. the Rule of Thirds, which, simply defined, states that "an image is most pleasing when its subjects or regions are composed along imaginary lines which divide the image into thirds — both vertically and horizontally."

?
The camera could journey out to explore his home - show his interior and what he’s got inside his room.
Camera goes on and focuses in on one aspect - the main aspect of the opening scene - a Polaroid picture of him with a sown body that’s got intricate details and designs.

Perhaps, he makes them look pretty (wishing they were good in their life)
He comes up from the right side of the camera and draws on the Polaroid with a marker, writing, “wish you were to one’s liking/match-made with a little heart drawn next to it”
Pans out again to his writings all shown on the wall, before it cuts to a 3-Polaroid sequence:
1. “I GOT THE LAST LAUGH”
2. “Not Sorry.”
3. “How unfortunate”

Mentally-ill aspect

He kills in the dark and it cuts from him sewing to killing - different narratives

A voiceover/dialogue plays and it’s of the killer describing his victims, and it shows him sewing a small shirt that then fits onto his mannequins in his room (inspiration from silence of the lambs).

He’s framed according to the golden ratio, in which the audience don’t know whether he’s an enemy or a friend (pov of someone else - second character)

Classical music plays over his sewing and killing, as though they all flow in sequence (like an orchestra playing classical music)