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What sets this series apart is its ambition and format. The narrative that Curtis presents for us spans the globe, with a particular focus on the Americas, Britain, China, and Russia. The narrative structure feels like an epic postmodern novel—Curtis singles out a few specific weird and complex (anti)heroes to tell his story. The successes, failures, contradictions, and ambiguities of these individuals mirror the global forces to which they belong more broadly. The stories of the most prominent of them spanning several episodes are: Michael de Freitas, aka Michael X — ghetto king, gangster, radical black rights activist; Jiang Qing — Chairman Mao's wife, "Chief Architect" of the Cultural Revolution, ambitious and radical individualist; Eduard Limonov - trendy Soviet exile novelist, punk enemy of global financial capitalism, Fascists. Curtis introduces viewers to a myriad of histories and their individuals, presenting topics ranging from the rise of conspiracy to the collapse of the coal mining industry to the life of Tupac Shakur's mother, Afeni Shakur. Living stories, the West German student movement, the Voynich Manuscript, and the transgender rights movement.

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The coronavirus has shown rather brutally that the closer you are to power, the less likely you are to die

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In the second research, I think this is a very failed experience for the work, but I have also learned a lot of rich experience.

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This is a failed attempt. I originally thought that splashing ink would bring a very different effect, but in fact, it was very unfree in the process.

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BBC documentary film research continue to U2 

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BBC documentary film research continue to U2 

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After studying the entire section of the first unit, I came to the conclusion that I need to draw the current story through more real events, instead of focusing on the words brought by the book. At this point, I need to continue the current theme of "Aesthetics of Violence" and focus on more real events in unit 2 to paint or shoot in a metaphorical way.

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The development of the theme continuation Research on Video Works continue to unit 2

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The development of the theme continuation Research on Video Works continue to unit 2

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However, in the first unit, in the process of the pathway, I tried to use photography, ceramics, woodcuts, etc., I used the source of the picture is red and black throughout the whole theme, and later found that there are actually many colors that can be used Try for example a photographic exposed cyanotype, which retains the original graininess of the photograph. In the process of ceramic development, I made works with nearly five or six shapes, but found that all five or six shapes failed, because in the process of shape, material, and technology, there was one place that was not perfect, which led to many failures. The method went wrong, but finally succeeded once in the last shape. However, during the development of ceramics, because the shapes that I wanted to express violent aesthetics were too complicated, I found that ceramics were not suitable for my final development, so I will not focus on the development of ceramics in the second unit. In the process of woodcutting, the shape is somewhat abstract and the form does not have large details so it is not suitable for my subject. Finally, I found that the suitable method is etching. It can express a lot of things I want to express in details, but there are many ways in etching. For example, color is not only black and white, but also can be expressed in an abstract form. In the future, I will focus on etching. way of expression.

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In researching identities, I have discovered that identities are powerful pluralities, and that the importance of one need not negate the importance of the others. In the book Identity and violence: the illusion of destiny. (Amartya Sen, 2006) it is written that people with multiple identities have to decide the relative importance of different identities for a particular decision when a conflict arises. At the same time, another book Culture of Violence visual arts and political violence (Ruth Kinna and Gillian Whiteley, 2020 new) wrote that Art can help us examine political violence and mechanisms, and expose threats of harm, used to instill fear and stifle creative ways of thinking. Based on these in-depth readings and explorations, I have a new understanding of the aesthetics of violence. By collecting a large number of real events of political violence, from various countries to China, I am constantly trying to use various illustrations to covertly depict some Real pictures, in the process of drawing, I found that etching is the most suitable for expressing the effect I want. In the process of painting, I constantly use different shapes and body movements, character structures, buildings, and symbols to express my desire to communicate with the audience The content of the story has temporarily produced some satisfactory outcomes.