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Unity and Trust: The overlapping of the ovals indicates a strong, harmonious relationship between the customer and Toyota.

Infinity: The intersecting ovals also suggest a sense of infinity, symbolizing Toyota's commitment to innovation and limitless potential in its pursuit of quality and customer satisfaction.

Toyota's Origins in Textiles:

Sakichi Toyoda: Toyota's founder, Sakichi Toyoda, was an inventor and entrepreneur who initially focused on the textile industry. He invented the Toyoda Automatic Loom in the early 20th century, which was a groundbreaking innovation in weaving technology. This loom was unique because it could automatically stop when a thread broke, improving efficiency and quality.

Transition to Automotive Industry: Sakichi Toyoda's success in the textile industry provided the financial foundation for his son, Kiichiro Toyoda, to venture into the automotive industry. In 1937, Toyota Motor Corporation was officially established, shif

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Bern, Switzerland: Toblerone was created in Bern, Switzerland, which is often referred to as the "City of Bears." The bear is a symbol of the city and is featured on the Bernese coat of arms. Including the bear in the logo is a nod to this heritage. The Matterhorn: The mountain in the logo is the Matterhorn, one of the most famous mountains in the Swiss Alps. The inclusion of both the bear and the mountain in the logo symbolizes the brand’s Swiss origins and the city of Bern.So, the bear in the Toblerone logo is a tribute to Bern, where the chocolate was first produced.

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The Yin-Yang symbol represents duality, balance, and harmony in Chinese philosophy. It reflects the interconnectedness of opposite forces, like light and dark, male and female, and good and evil, emphasizing that these forces are complementary rather than conflicting.

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Originating from ancient Egypt, the Ankh is a symbol of eternal life and the union of male and female energies. It represents the concept of life, both in the physical and spiritual realms, and is often depicted in the hands of deities.

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Found in various cultures and religions, the Tree of Life symbolizes growth, connection, and immortality. It represents the idea that all life is interconnected, with roots in the Earth and branches reaching towards the heavens, connecting the physical and spiritual worlds.

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The Ouroboros, a symbol of a serpent or dragon eating its own tail, represents the cycle of life, death, and rebirth. It signifies the concept of infinity, self-reflexivity, and the eternal nature of the universe.

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In many Eastern religions, especially Buddhism and Hinduism, the Lotus Flower represents purity, enlightenment, and rebirth. The flower’s growth from muddy waters to bloom in the sun is seen as a metaphor for the soul’s journey from ignorance to spiritual awakening.

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An ancient Egyptian symbol of protection, health, and restoration, the Eye of Horus is associated with the god Horus and symbolizes royal power, good health, and protection. It is often used as an amulet to ward off evil and negative energy.

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The dove is a symbol of peace, purity, and hope. In Christianity, it also represents the Holy Spirit. The image of a dove carrying an olive branch has become a widely recognized emblem of peace and the end of conflict.

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The Phoenix is a mythological bird that symbolizes rebirth, renewal, and immortality. According to legend, it dies in flames and is reborn from its ashes, representing the idea of overcoming adversity, rising stronger, and the cyclical nature of life.

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PATHS OF WISDOM AND PEACE

The Labyrinth is an ancient symbol of the journey of life, spiritual exploration, and personal growth. Unlike a maze, which has multiple paths, a labyrinth has a single path leading to the center and back out again, symbolizing a purposeful journey toward self-discovery and enlightenment.

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Rule of the third places your subject in the left or right third of an image, leaving the other two-thirds more open. The rule of thirds generally leads to compelling and well-composed shots.

1.4-Rule of thirds;

In photography, the rule of thirds is a type of composition in which an image is divided evenly into thirds, both horizontally and vertically, and the subject of the image is placed at the intersection of those dividing lines, or along one of the lines itself.

What is the Rule of Thirds?

Grid Layout: Imagine your image is divided into nine equal parts by two equally spaced horizontal lines and two equally spaced vertical lines, forming a grid.

Points of Interest: The four points where these lines intersect are considered the most visually appealing spots to place the key elements of your composition.

Line Placement: Important elements or lines in your image, like the horizon in a landscape, should ideally be placed along one of these lines rather than the center of the frame.

Why Use the Rule of Thirds?

Visual Balance: Placing the main subject off-center, aligned with the grid lines or intersection points, creates a more dynamic and balanced image than if the subject were centered.

Guiding the Viewer’s Eye: The rule helps guide the viewer's eye naturally through the composition, making the image more engaging.

Enhancing Interest: Off-center compositions often feel more interesting and natural, rather than static and symmetrical.

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In the context of the Rule of Thirds, it's commonly estimated that the eyes are naturally drawn to the four intersection points around 40% of the time when viewing an image. This is because these points create a balance that is more engaging and pleasing to the eye compared to a centered composition. The rest of the focus is distributed across the image, but these points tend to attract more attention.

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1.1-Signifier;

Images communicate ideas through signifiers. The message they convey is what is signified

1.2-Symbol;

An image may be a symbol, meaning that it stands for something abstract.

1.3-Logo;

A logo is a design used to represent an organization so that the company or organization becomes associated with the design.

1.4-Rule of thirds;

In photography, the rule of thirds is a type of composition in which an image is divided evenly into thirds, both horizontally and vertically, and the subject of the image is placed at the intersection of those dividing lines, or along one of the lines itself.