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Lithuanian Academy of Music and Theatre

rimvydas.leipus@lmta.lt

My interest focuses on how color is used, expressed, and perceived within the realm of digital cinema. This includes exploring how colors evoke emotions, convey meaning, and enhance visual storytelling in films created with digital technologies.

I am looking for a collaborator whose field of interest is cinema and its expression.

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FOR ALL THINGS NOVUS

Martina Mullaney

martina.mullaney@iadt.ie

Sophie Quin

sophie.quin@iadt.ie

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IADT, My research and practice encompass film, sculpture, sound and performance to adopt a hybrid, unconventional approach to understanding action, perception and empathy. Exploring embodied simulation, inner mimicry, motor imagery and the potential of touch, haptic visuality and peripersonal space. Other practice research areas cover botany, history and ecology through speculative narratives. I am a lecturer across Art and Photography in IADT and completed a PhD in the School of Fine Art at Glasgow School of Art. lynda.devenney@iadt.ie

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Call for proposals – NOVUS - FilmEU European University

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FilmEU WIRE, NOVUS invites proposals for innovative screen pieces that bridge traditional filmmaking and production with artistic research.

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FOR ALL THINGS NOVUS

Martina Mullaney

martina.mullaney@iadt.ie

Sophie Quin

sophie.quin@iadt.ie

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NOVUS Matchmaking & Information Event registration

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NOVUS Matchmaking & Information Event registration

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To facilitate this innovative call we are hosting a NOVUS Matchmaking & Information event on Thursday, 17th October 2024 @ 12:30 to 14:00 CET (11:30 TO 13:00 WET/ 13:30 to 15:00 EET). This event aims to encourage applicants to make connections across the FilmEU Alliance.

Register your interest in NOVUS Matchmaking event here: https://forms.office.com/e/8FWF4SW7Kh

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Please include:

Your name, institution, email contact,

Project description

Suggest type of collaboration you're looking for.

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LMTA

Choreographer/director/performer/artistic PhD student

My interest as an artist lies in the exploration of the intersection between choreography and cinema, with a strong focus on how these two mediums can create a resonant, multisensory experience.

In my artistic practice I'm searching the ways to challenge conventional representations of dance on screen by experimenting with the interplay between camera work, space, and movement, seeking to develop new cinematic/choreographic approaches to making dance film.

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Your name, Institution, Expertise, Link to Portfolio

Name: Md Sarower Reza Jimi

Institution: Lusófona University

Expertise: script writing, direction, photography, cinematography, basic sound recording, editing, drawing and illustration

Link to Portfolio: https://www.behance.net/sarowerjimi?fbclid=PAZXh0bgNhZW0CMTEAAabro3Z7nW32n69_DbrFJEZjv4uQaJpdlZFORueiyg8tKWy3znRNW09ndTk_aem_NedDuE5LwhDDo99MXKOciA#

https://youtu.be/pORvfYa_KHc

https://youtu.be/LsLkDP4rSKg

https://youtu.be/JTi2SkWv33k

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LMTA

Cinematography

www.rimvydasleipus.com

My field of interest is color, its expression and perception in digital film.

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Documentary film about the modern manifestation of Polynesian navigator tradition MA-URI

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Documentary film about the modern manifestation of Polynesian navigator tradition MA-URI

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Milda Al-Slamah

Lithuanian Academy of Music and Theatre

Looking to collaborate with a soundtrack composer, interested in exploring storytelling through natural or nature inspired sounds and rhythms.

Also looking for a documentary film producer with the interest in spreading the knowledge about indigenous cultures and their impact in the contemporary world.

“MA-URI Lithuania: Stories of Transformation“ is a documentary film about the indigenous knowledge of the Polynesian navigator philosophy and healing principles which, when applied in modern bodywork practices, greatly transformed the lives of many Lithuanians. MA-URI Institute, established in 1992 by Maori Hemi Hoani Fox and his Danish wife Katja Fox, was created with the commitment towards honoring the Polynesian traditions that MA-URI has its roots in. Initially the institute was meant to become a “floating island” - not confined to a specific building or a country - however eventually it formed quite a large community of MA-URI practitioners in Lithuania. Why were the people in a country across the world from the origins of this practice so greatly impacted by this indigenous knowledge? And how this impact manifested in the lives of MA-URI practitioners? These are a couple of questions that this documentary film will aim to answer.

Provided YouTube reference to MA-URI bodywork clip is just an example for better understanding what MA-URI is, it has not been created by the autor of this idea.

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BFM: Cinematographer / Director / Junior Researcher. Interested in expanded cinema, currently researching the relationship between site-specific film and nostalgia.

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A travelling peepshow in Bangladesh kown as  Bioscope

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A travelling peepshow in Bangladesh kown as  Bioscope

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My artistic project is a documentary on the traveling peepshow in Bangladesh, known as Bioscope, and the showmen who have preserved this kind of optical show and performance lost by the end of the nineteenth century in Europe and other parts of the world. I have completed the fieldwork and principal photography in Bangladesh, but I need collaborators for additional field research, shooting, and post-production. I am looking for collaborators who can join me in sharing the amazing experience of documenting the lives of these unique traveling showmen from the Bengal Delta, and help place them on the map of media archaeology.

Feel free to contact me: reza.sarower@gmail.com

Md Sarower Reza Jimi

Lusofona University,

Lisbon, Portugal

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sophie.quin@filmeu.eu

Sophie Quin (IADT, Dublin)

Research assistant.

Interested in Irish animation history, animation production collections and archives, 2d digital and analogue animation techniques

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NOVUS Read More 2024

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My name is Zdravko Ruzhev. I am a cinematographer and assistant professor at NATFA, Sofia, Bulgaria. Author of the book "Aesthetics of kinetic light in TV and cinema".

My professional interest is in the field of dynamic/moving/kinetic light. This new technology allows us to change how we (and the camera) see the set/stage. By changing the color of the light beam or its shape and size, light adds different representations of objects/bodies/sets. When combining a lot of light beams from different directions and characteristics with their synchronized and fast motion - visual magic can be created.

I am looking for a collaboration in screen or stage arts which includes the use of modern light systems.

zdravko.ruzhev@filmeu.eu

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a Site-specific film about Husik, a man who, after several decades, returns to Estonia to visit a place he helped build with his own hands, returning in search of buried memories. It is a film tailor-made for that particular space, using multiple video projections and sound installations and above all the space: Linnahall. Diego Barajas, BFM, dbarajas@tlu.ee. Looking for collaborators in different areas. Please write me for more info.