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“I Started Early, Took my Dog” (c. 1862). Poem by Emily Dickinson (1830 - 1886). United States

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A black-and-white daguerreotype portrait of Emily Dickinson, the 19th-century American poet. She is seated with a calm expression, wearing a dark dress with a white collar and a ribbon tied at her neck. Her hands rest gently on a table, holding a small bouquet of flowers. The image has a vintage, slightly worn appearance. 

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(1958/1960). Poem by Gwendolyn Brooks (1917 - 2000). United States

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A black-and-white photograph of poet Gwendolyn Brooks, seated at a desk with a vintage typewriter in front of her. She is smiling warmly, wearing a simple sweater, with bookshelves filled with literature in the background. A copy of her book Annie Allen rests on the desk, highlighting her literary accomplishments. 

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“How It Feels to be Colored Me” (1928). Excerpt from a memoir by Zora Neale Hurston (1891-1969). United States

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A black-and-white photograph of Zora Neale Hurston, the African American writer and anthropologist, joyfully playing a traditional drum. She is dressed in a ruffled blouse with a sash tied around her waist, holding a drumstick mid-motion. Her wide smile and expressive posture convey a sense of energy and celebration, reflecting her deep connection to folklore and cultural expression.  

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Trifles (1916). Play by Susan Glaspell (1876- 1948). United States

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A stage scene from the play Trifles featuring two women dressed in early 20th-century attire, kneeling on the floor. One woman, wearing a light-colored dress, is closely examining a small birdcage, while the other, in a plaid dress, watches with a solemn expression. The dimly lit setting includes rustic furniture such as a wooden table, a rocking chair, and a white ceramic pitcher, emphasizing the play’s somber and investigative tone.  

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Revelations (1960). Choreographed by Alvin Ailey (1955 - -1989). Performance by the Alvin Ailey Dance Theater in 2015. United States

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A powerful stage performance from Revelations by the Alvin Ailey American Dance Theater, featuring a group of dancers in a striking formation. Their outstretched arms create a layered, symmetrical shape, illuminated by warm golden lighting against a dark background. The dancers' fluid movements and expressive postures convey emotion and strength, reflecting the spiritual and cultural depth of the performance. 

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Christ as the Good Shepherd (c. 425 CE). Mosaic from Mausoleum of Galla Placidia. Ravenna, Italy

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A Byzantine mosaic depicting Christ as the Good Shepherd, surrounded by six white sheep in a lush pastoral setting. Christ, wearing a golden robe with a blue mantle, holds a cross-staff and gently reaches out to one of the sheep. The mosaic is framed by an intricate, starry blue and gold arch, creating a celestial backdrop. The detailed craftsmanship and rich colors highlight the spiritual and symbolic significance of the scene.  

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Blues (1929). Oil painting by Archibald Motley (1891-1981). United States

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A vibrant painting titled Blues by Archibald Motley, depicting a lively jazz club scene with African American musicians and elegantly dressed dancers. The composition is rich with movement as a band plays brass and string instruments while couples dance closely. The warm, rich colors and expressive figures capture the energy and rhythm of the Harlem Renaissance nightlife.  

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Harvest of Death (taken July 4, 1863 in Gettysburg, Pennsylvania). Photograph by Timothy O’Sullivan (1840 – 1882). United States

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A black-and-white historical photograph titled The Harvest of Death, depicting the aftermath of the Battle of Gettysburg during the American Civil War in 1863. The image shows fallen soldiers lying across a barren battlefield, with distant figures on horseback surveying the scene. The stark composition conveys the devastation and human cost of war.  

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A Young Man and His Pregnant Wife in Washington Square Park, N.Y.C.

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A Young Man and His Pregnant Wife in Washington Square Park, N.Y.C.

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A Young Man and His Pregnant Wife in Washington Square Park, N.Y.C. (1965) Photograph by Diane Arbus (1923 - 1971). United States

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A black-and-white photograph titled A Young Man and His Pregnant Wife in Washington Square Park, N.Y.C. shows a young interracial couple sitting closely together on a bench. The man, wearing a polo shirt, leans his head on his wife's shoulder, his arm draped around her. The woman, dressed in a patterned sleeveless dress with a beehive hairstyle and glasses, gazes directly at the camera. The blurred background of trees and park elements adds depth to the intimate and tender moment captured in the i

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The Gates of Paradise (1425 - 1452). Baptistry doors by Lorenzo Ghiberti (1378 - 1455). Florence, Italy

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A gilded bronze relief panel from The Gates of Paradise, created by Lorenzo Ghiberti for the Florence Baptistery. The intricate composition features a detailed architectural backdrop with classical columns and arches, depicting a biblical narrative with expressive human figures engaged in various activities. The three-dimensional depth and perspective enhance the storytelling, showcasing the artistic mastery of the early Renaissance.  

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10,000 Moving Cities (Work in progress, first version 2010/2011). Interactive net-based installation art by Marc Lee (b. 1969). Switzerland

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A contemporary art installation titled 10,000 Moving Cities featuring multiple tall, rectangular pillars arranged in a dark exhibition space. Vibrant, moving images of cityscapes, including metro stations and urban scenes, are projected onto the pillars, creating an immersive, dynamic experience. A visitor interacts with a control panel in the background, highlighting the interactive and digital nature of the artwork. 

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Pyramids of Giza (4th Dynasty, c. 2589 - 2504 BCE). Egypt

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A breathtaking view of the Pyramids of Giza in Egypt, set against a golden desert landscape under a vibrant blue and purple sky. The three iconic pyramids—Khufu, Khafre, and Menkaure—stand majestically, illuminated by warm sunlight. The ancient structures, surrounded by sand and ruins, highlight the grandeur and historical significance of this UNESCO World Heritage site.  

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Pantheon (c. 114-128). Rome, Italy

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A photograph of the Pantheon in Rome, Italy, capturing its grand façade with towering Corinthian columns and a triangular pediment inscribed with the Latin text "M. AGRIPPA L.F. COS TERTIVM FECIT." In the foreground, the Fontana del Pantheon features an ornate fountain with sculptures and an ancient Egyptian obelisk topped with a cross. The surrounding cobblestone piazza is framed by historic buildings, illuminated by soft natural light.  

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Macbeth (1606 – 1607). Play by William Shakespeare (1564 - 1616). England

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A dramatic illustration of Macbeth from Shakespeare’s Macbeth, depicting a bearded man in a red medieval-style robe with gold embroidery. He crouches behind a pillar, gripping a dagger, with a tense and intense expression. The dark background and his wary posture convey a sense of fear, plotting, or impending violence.  

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Artcirq Inuit Performance Collective (2017). Performance by The Inuit Collective.  Canada

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A vibrant performance by Artcirq, an Inuit circus and theater group, featuring a diverse ensemble of performers in traditional Inuit clothing. They are engaged in an acrobatic and theatrical act, with one performer lifted in the air wearing a polar bear skin, creating a dynamic and expressive scene. The stage is lit with colorful lights, adding to the energy and cultural storytelling of the performance.

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“Hills Like White Elephants” (1927). Short story by Ernest Hemingway (1899 - 1961). United States

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A black-and-white portrait of author Ernest Hemingway, featuring his intense gaze, rugged face, and full beard. He is wearing a thick, textured turtleneck sweater, adding to his iconic, rugged appearance. The dramatic lighting and dark background emphasize his strong features, evoking a sense of wisdom and resilience.  