# data[].attributes.body
Josaphat is bad at his job twice and gets fired over it in the movie. Does that indicate how strict Fredersen is, or was Josaphat always bad at his job?

# data[].attributes.body
Metropolis, surprisingly, has a hopeful ending

# data[].attributes.body
The original intertitles for Nosferatu were very fancy, to the point where I was attempting to figure out if the H in "Hutter" might actually be a "B."

# data[].attributes.body
I really like this shot. It conveys how tall he is as well as how unnatural he looks (the hunched shoulders, the face, etc)

# data[].attributes.body
Lots of people die in Nosferatu while only the false-Maria and Rotwang die in Metropolis

# data[].attributes.body
I personally find the editing of the coffins moving to be really funny. However, Count Orlok makes it up by being unnaturally straight as he rises

# data[].attributes.body
Count Orlok directly dies from sunlight rather than being weakened by it

# data[].attributes.body
Unfortunately, Count Orlok's appearance was based on the stereotypical looks of Jewish people during this time.

# data[].attributes.body
Lang really likes having mobs in his movies. See: Fury and M.

# data[].attributes.body
Both Hutter and Freder are ignorant to the true nature of what is in front of them until later

# data[].attributes.body
The fact that after one inspection the dirt coffins made it onto the ship

# data[].attributes.body
References to the Black Plague and the impact it had in Nosferatu

# data[].attributes.body
The carriage going really fast because of editing

# data[].attributes.body
The catacombs in Metropolis were very gothic. Maria running away from the flashlight was really scary, as you can see how frightened she is

# data[].attributes.body
Which is why the scene where false-Maria is shown as "The Whore of Babylon" is shocking, as the audience has known her as the "savior."

# data[].attributes.body
Surprisingly, the werewolf plot didn't go anywhere

# data[].attributes.body
I love this reference to the Whore of Babylon, as she is seeding chaos into the city

# data[].attributes.body
Nosferatu was more goofy to me than Metropolis, which has a more realistic feel to me despite also being outlandish

# data[].attributes.body
I really loved the tints of the film to indicate light, dark, early morning, and the like. It helps with setting the mood since it doesn't fully rely on a simple back-and-white tint

# data[].attributes.body
I really love this shot of Freder hallucinating this Moloch. It shows how awful these working conditions really were