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The Annunciation, Dieric Bouts (Netherlandish, about 1415 - 1475)

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Christ Crowned with Thorns Gerrit van Honthorst (Dutch, 1590 - 1656)

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Vincent Van Gogh, Café Terrace on the Place du Forum, Arles, 1888.

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Van Gogh wanted to move our eyes around the painting, not just by the composition, but by his use of complementary colour:

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Vincent Van Gogh, The Night Café, Arles, 1888.

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Van Gogh has used complementary colours to his advantage and often went out of his way to create contrast and tension in his paintings.

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This is where you use one colour, for example, blue and instead of using its direct complement (orange) we split the colour wheel and use the next colour along. For this example, that would be a yellow-orange. This creates a nice visual balance, but also interest for our eye.

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Danielle McKinley

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Margot Bergman b. 1934

Lifeboat, 2012

Acrylic on found canvas

20 x 16 inches
(50.8 x 40.6 cm)

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Jennie Saville

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Miriam Cahn, am strand [At the Beach], 2015, pastel on paper, 66 x 60 cm, 

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Sigrid Hjertén, Den röda rullgardinen (1916)