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Gold shino dipped glaze with copper red drops on the shino glaze.
I some places where the copper red has changed color I see some crazing.

I would change the glaze’s to copper red with rutile blue as the drops or even as lines.

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I did sgraffito on black underglaze at leather hard stage.

I dipped the whole piece in transparent glaze so it has the same glaze for inside and outside. Then I applied rutile on two small areas over the glaze.

There are so many things I'd like to change about this piece. First, I would be more careful when building the body. The bottom exploded during bisque firing, either because it was too wet/thick (which I doubt) or because I pressed and tried to reshape it when it was already too dry. Second, I would apply thinner glaze over sgraffito, maybe by brushing. Although I used transparent, it still made the design under it very blurry. Third, I would color desired part with underglaze/oxide before applying the glaze. After dipping in the glaze it was impossible to figure out the exact part I wanted to put extra color.

I can't believe I forgot to take a picture again.

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Waiting on the final piece to come out of the kiln!

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Waiting on the final piece to come out of the kiln!

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Regenerate/ CeramicNo matter how much you have went through, keep moving, the sun will shine ✨🥰

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Regenerate/ CeramicNo matter how much you have went through, keep moving, the sun will shine ✨🥰

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This is my first ceramic, I take inspiration from woman who been through have time but till have the encourage to keep going.The shape of the ceramic is a human body, inside her body, I using scrafittp technique to descripe the scar.For the inside and outside glaze I both use transparent white glaze. And I dip the whole piece in the glaze.The final result is stunning and I really like it, But if I can make any change, I would sand the piece more carefully because there are some place in the piece still have tiny grands. 

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This is my first ceramic, I take inspiration from woman who been through have time but till have the encourage to keep going.The shape of the ceramic is a human body, inside her body, I using scrafittp technique to descripe the scar.For the inside and outside glaze I both use transparent white glaze. And I dip the whole piece in the glaze.The final result is stunning and I really like it, But if I can make any change, I would sand the piece more carefully because there are some place in the piece still have tiny grands. 

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I used the technique sgraffito and then painted over it with black slip. The glaze I used was transparent glaze which I hand dipped and then the design itself depicts vines and eaten leaves (showing traces of a caterpillar) around the entire pot with minimal spots of red slip on some of the vines. A black slip butterfly towards the top, right side of the front of my vase, which is the one who had eaten the leaves, but transformed into a butterfly!

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1. Mine was a combination. I did carving as well as Sgraffito.
2. Inside glaze choice was Clear Gloss Transparent
3. Exterior glaze choice was Clear Gloss Transparent.
4. Application of glaze was dipped.
5. I really liked the final result, it looks very pretty.
6. Firing evaluation: I noticed the glaze cracked which I did not like. I also noticed that I left some harsh lines I will definitely be more careful next time.

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I completed the piece but forgot to take a photo. When dipping it into the transparent glaze there were a lot of small bubbles, I expected them to go away and they didn't. I would find a way to avoid that in the future, maybe making sure the vase isn't dusty before dipping? I also used the blue oxide and I think in the future when using the oxide I will either just sprinkle dots of it or use it very generously, I don't like the in between. Finally, I did an ombre with my slip, going from green to white, and I won't do that in the future. I really like the intense white sgraffito with the bright green, and the designs get lost when it fades to white. I like brighter and more intense colors with my clay, with that piece especially i think some brighter purples and greens would have looked nice. I am excited to play more with glazes, I'll see about uploading a completed photo of the piece on Tuesday.

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carved, slip deco, sgraffito, smooth but looks gross. All painted - Inside: class shino. Outside: moonlight, copper red (turned white), navy blue, transparent; black, pink, and white slip. I like to hate how unappealing the outer and inner glaze combos are. If I could redo this I would use more layers of copper red glaze.

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Sgraffito, smooth, carved. Painted - K9 and transparent with iron oxide for mouth and eyes. I like how this lil one turned out and I don't think I would redo anything different besides make it a little chunkier.

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Sgraffito, carved, rough texture from rutile. Painted - rutile oxide over iron oxide, redwood brown slip, metallic black for the toes and nose, black slip, orange slip, patina green (leaf). If I could redo something it would be doing a proper undercoat wash of iron oxide before the rutile, and use a green slip for the leaf.

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I used emerald, lemon yellow, white, and black underglazes for these pieces. Then I dipped them in clear glaze. 

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The surface has layers of blue, green, and white slip on top and then a sgraffito texture. I glazed the inside honey yellow and outside with transparent glaze. It came out more blue than I thought and the sgraffito wasn't as pronounced as I wanted it to be, so next time I would probably wait for the piece to be a little more drier and use a different tool. I will probably try to do a different glaze where it would give it more variation in color.

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Here is my glazed and fired sgraffito vase. For the interior, exterior, and inside I used the clear/transparent glaze. I did the dipping method for this piece. I also used "fire engine red" underglaze for the veins. If I had one thing to change I would do 2 more coats of the red underglaze to make the color a bit more vibrant. 

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Here is my glazed and fired sgraffito vase. For the interior, exterior, and inside I used the clear/transparent glaze. I did the dipping method for this piece. I also used "fire engine red" underglaze for the veins. If I had one thing to change I would do 2 more coats of the red underglaze to make the color a bit more vibrant. 

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For my pieces I used the sgraffito technique to create a design on the surface. For one of them I decided to use the navy blue glaze and for the other I also used navy blue but then washed it off and used transparent to create a lighter blue color. I dipped both pieces in the glaze but some parts did not get fully covered by the glaze.  If I could redo the project I would put a dark glaze in the sgraffito design and a lighter color everywhere else so the design would stand out more.

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I hand built this then applied green underglaze and used the sgraffito method to create a pattern. I used clear glaze inside and outside. If i had to redo this project i would make the walls thinner and make the surface more smooth.