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Night Bus is a 5 minute short that I directed last year for my 'Film Form' module. We had a 7 person crew, 2 locations, 5 actors and around 10 extras for the opening sequence. I made a visualiser from different films and TV shows I had seen to better explain the look I wanted to achieve for this film and had many conversations with the cinematographer, producer, writer, production designer and sound designer to reach this final product. I had an absolutely brilliant time, this film absolutely solidified for me that I want to direct. It is by no means a perfect film, not even close, but I was so confident giving directions and working with the actors and crew. I definitely made a big effort to stay professional but I still had so much fun that I didn't even notice time pass.

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Proof of The Pudding is 7 minute short that I was cinematographer for last year. It is an adaptation of O. Henry's short story of the same title which our writer reworked for the screen. I marked up the script, made floor plans, a shotlist, helped with the shooting schedule, made a kit list and along with the help of a Camera Assistant, shot. We had 3 locations, 4 actors and an 8 person crew. I had so much fun and learned so much. I shot on a Black Magic Pocket Cinema 6K.

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For my module, 'On-set Production' we were asked to independently make a 1 minute black and white short on the feeling of home a few weeks ago. I shot this on my Panasonic Lumix GH6 and edited it on Premiere Pro. I had so much fun doing this, I made it in a few days and it was a lot of fun to make an independent project as I'm very used to working in groups. I love watching this film back too - it is all the elements of Edinburgh that make it feel like a home - the nature, the Polish shops, lighting a candle and listening to music in my room etc.

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This is another project for my 'On-set Production' module that I made a few weeks ago with my friend Sophie. We were asked to transform a space into something else to capture a mood and make a 1 minute 30 second film. We decorated our kitchen with children's drawings, toys and birthday decorations to make it into a kitchen belonging to a mum and her 7 year old daughter. The film's mood is nostalgia - it is a mother's memory of her cleaning up after her daughters birthday. We shot on a Panasonic Lumix GH6 II and put a pair of tights with a hole over the lens to create a hazy effect. We wanted to really capture that feeling that mothers often describe as 'the moment they realised their child is growing up.' I edited this on Premiere Pro and played around with the EQ of the sound sample of children playing to make it sound like it was coming from a different room.

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This is a scene recreation me and a few others made of the Whiplash practice scene.

Click this for a link to the original scene.

I was the cinematographer and also helped out with the edit. We wanted to get every single beat right so we broke down the film frame by frame and made it as accurate as possible. We also downloaded the audio from the original scene so we had to match it as closely as possible. It was a really interesting exercise as it made you think about why the cinematographer of the original Whiplash chose the very frames you are trying to recreate.

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This was a 5 minute short we made for 'Ecology and Film' last year. I had the idea to get AI (we used Jasper.ai) to write a script for a film about the dangers of ai - I thought that that irony would be an interesting thing to explore. And so we shot the film and I edited it.

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This is a documentary that I DOPed a couple of years ago.