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Evaluation

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You will. find weekly tasks in Padlet but you can also find resources in My City, CLICK HERE PLEASE

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Click here to access the MyCity or Canvas VLE

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Use this template today for putting down you idea for your film. Please upload your idea to Padlet

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You should prepare
1.A Storyboard containing 6 images of each scene/shot
or A script
( A script will contain a) Dialogue and b) Description of scene and also include notes on important elements such as noises / weather, anything critical to the scene )

2. Shot list

3.  Production schedule  ( list of tasks )

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Different camera positions can help tell your story

Shoot from above or below, as well as from eye level

Film from different positions around the subject as well

Make sure your presenter or actors are looking in the right direction

Use different camera angles and positions, as well as using different shot sizes.

Instead of shooting everything from eye level, with the camera horizontal, try shooting with it pointing up or down. Crouch down below the subject, hold the camera above your head, climb stairs or use a tall tripod or ladder. If your camera has a swivelling screen you can use that to monitor the shot while the camera is in unusual positions. A remote control is also useful to start and stop shooting when the camera is out of reach.

You should also shoot from different positions around the subject, not just from directly in front or from the side. If they are moving, try shooting from in front and then from behind then editing the shots together.

But to make sure that shots from different camera positions work together, you need to follow a few 'rules'. I've described them on the 180 degree rule and Putting it together pages.

Camera angle

Low angle shots, where the camera points upwards from below, make people (and things) look bigger, more courageous and more important.

These shots are also good for filming people who are looking down at things, so you're filming their face rather than the top of their head.

High angle shots from above usually make people or things look weaker and less powerful.

You can put high and low angle shots together to show that one person (filmed from a low angle) is more powerful than another person (filmed from a high angle). You can be quite subtle about this, rather than using extreme low or high angles.

You can also use a high angle shot to give an overview of a scene as an establishing shot.

Birdseye shots, from directly above, can look cool. They give you another way to show how things in the scene relate to each other.

Wormseye shots, from below, are a bit more unusual but they can be useful if the scene above is interesting.

Camera position

You can position the camera in different places around the subject as well.

A head-on frontal view makes us feel really engaged with the subject. It's often used as a subjective shot, where we see the person as if we're looking through the eyes of another character. (If your shot isn't meant to be subjective, they should look close to the camera but not directly at it - see eyeline below).

With a three-quarter shot we're a bit less involved.

In a side view its more as if we're just watching them as an observer.

A back view can mean several things: we're seeing them from the view of a watcher; they are ignoring another character; or they are upset and vulnerable and hiding their emotions.

Eyeline

Actors and presenters need to be careful about where they are looking. A presenter - or an actor in a subjective shot - should look directly at the camera. In a standard interview, they should look at the interviewer (who should be close to the camera) rather than at the lens.

For most drama shots, actors should look close to the lens but never directly at it (this is called 'spiking'). Changes of gaze should be very subtle. Experienced film actors keep their gaze within a limited circle around the camera lens.
The 180 degree, camera position and eyeline match page has more information about how to use camera position when you're editing different shots together.

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Filmmaking: Camera Position and Angle - Learn About Film

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Different camera positions can help tell your story Shoot from above or below, as well as from eye level Film from different positions around the subject as well Make sure your presenter or actors are looking in the right direction Use different camera angles and positions, as well as using different shot sizes.

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Showing you how to successfully make a short documentary style film with easy hints and tips. For more information on Freecording, visit www.flickr.com/groups/freecording where you can also enter a competition for the chance to win a Canon HFS10 Camcorder.

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This is a list of tasks. You should list
Date ( i.e class date ) and tasks. Yo shield at least 8 tasks and approx dates  ( these could be added later if you don't know exactly ) including
-prepare script and storyboard ( todays date )
List hardware and software to be used in project
Plan access to locations
Shoot film
Save and label film clips onto hard drive / cloud
Download music
Edit film
Export film

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When you start creating videos, there's often a lot of preparation before you can even think about hitting the record button. If you will recording using a camera, you need to find a set, adjust lighting, and have the proper camera angles.

The best way to organize this preparation is with a shot list.

Even if your video will only use screen recordings without any camera footage, it's helpful to have a shot list to help you identify and plan for everything you want to record.

What is a shot list?

A shot list is a document that maps out exactly what will occur and what will be used in that particular shot, or scene, of the video.

And, while your video probably isn't a big Hollywood production, a shot list helps organize your thoughts and begin with a solid plan.

Shot lists go hand-in-hand as part of writing the script, creating a storyboard, and the overall pre-production process.

Download for free now

Why are shot lists important?

If you're asking yourself whether a shot list is really worth the effort, then allow us to answer that question for you: Yes it is!

A shot list is like a blueprint that acts as a roadmap for your entire project, offering a structured plan that everyone can follow. It ensures that all team members are aligned, setting the stage (quite literally!) for a successful shoot.

But why are they so important?

Firstly, shot lists save time. Having a predetermined list of shots helps you utilize your shooting hours more efficiently. It provides quick answers to questions like, "What are we shooting next?" or "Who will be on camera for this part?" Having this information in hand eliminates guesswork, speeding up the shoot and maintaining focus throughout production.

Secondly, a well-constructed shot list helps keep you prepared because it outlines what to expect at each step. This reduces the risk of misunderstandings and ensures the shoot runs as smoothly as possible.

In essence, a shot list helps streamline the creative and logistical aspects of making a video. It's a guide to staying organized, saving time, and most importantly, capturing the footage that will bring your story to life.

The essential elements of a shot list

Now that we know why a shot list is so important, let's take a look at how to make a shot list, starting with a breakdown of each of the key elements you should include:

Script / SB reference: Indicates which part of the script or storyboard the shot corresponds to, ensuring alignment between planning and execution.

Shot Number: The reference number assigned to each shot. This is essential for easy identification and organization.

Interior / Exterior: Specifies whether the shot takes place indoors or outdoors. This is crucial for lighting and equipment planning.

Shot: Identifies the type of shot - such as Wide Shot (WS), Medium Close-Up (MCU), or Very Wide Shot (VWS) - to establish the shot's visual style.

Camera Angle: Specifies the perspective from which the camera will capture the shot - like eye level, high angle, or even birds-eye view - adding layers of meaning to the scene.

Camera Move: States whether the camera will remain static or employ a specific movement like panning, which affects the energy and pacing of the scene.

Audio: Indicates if the shot includes specific audio elements like a voice-over (VO), an important note for post-production.

Subject: Listing any people needed in the shot is an important detail for scheduling and ensures all team members know what should be captured.

Description of Shot: This is a detailed summary of the shot in question, including the visual elements and type of shot to help guide the director, cinematographer, and crew.

While there is fundamental information that should be included on every shot list, there's no right or wrong way for you to put yours together. This is a tool for your production and the most important thing for you is to make sure you have all the information you and your crew will need.

With that in mind, you may wish to add, or even swap out, some columns to list other bits of information, such as:

The Scene Number: This is a number to identify each scene, which will help with the organization and workflow of the shoot.

Location: Specifying the set or location for each shot will help when planning logistics.

Framing: This should indicate how you want a shot to be composed, which will help maintain artistic coherence and consistency.

Action/Dialogue: This is where you'll describe what you want to happen in the shot, such as character actions and important lines, ensuring key parts of the story are captured.

Props Needed: It's also worth detailing the props required for each shot.

Extra Notes: You can also add a section for miscellaneous (yet essential) information, like special camera instructions, lighting requirements, or anything else that needs to be conveyed to the crew.

Download for free now

Shot list template

Now let's take a closer look at what a shot list might actually look like.

In the screenshot below, you can see a clear shot list example, complete with information about each shot to help convey to the crew who's needed on set, details of the action, and where each shot will be filmed.

We'd recommend organizing your shots based on location. Grouping shots this way will make it easier to film because you'll be able to film everything you need at one given time.

For example, if you're going to shoot a scene at a lake for the beginning and end of the video, it would make sense to film these shots at the same time, rather than separately. While you won't be filming in order of the storyboard, this makes filming much more convenient.

The different types of shots

Perhaps one of the most important aspects to consider when creating your shot list is how you want each shot to be captured. This includes information about the types of shots you want to film, as well as camera angles and movements.

For example, do you want a wide shot (WS) or a close-up (CU)? Will the camera be static or panning?

Meanwhile, camera angles could include high and/or low-level shots, whereas a move may be on a handheld camera, a crane, or a dolly. Once you've decided on your camera work, it's also important to think about how you'll record the audio, whether it's using a boom mic or a voice-over - and don't forget about your B-roll, the secret sauce of all great videos!

We've put together a quick and easy chart that you can refer to below for more shot types, camera angles, camera moves, and audio.

There's a lot to consider, but all of these details are vital to creating a shot list that ensures your shoot runs smoothly.

How to create a shot list in 5 steps:

Now, we've already covered enough information to make any video creator's head spin. But, don't worry if you're feeling overwhelmed by the idea of creating your own shot list because we're going to make it easy for you.

Whether you're making a training video, a software demo video, an animated explainer video (yes, animations need shot lists too!), or any other type of video, we're going to show you how to make a shot list in five easy steps.

Now for the actual process of creating your shot list, we suggest opening a spreadsheet. The layout makes it easy to compartmentalize all the information while keeping everything organized and easy to rearrange if and when needed.

1. Pick a scene

The first step in creating a shot list is choosing a scene from your script to focus on. Then, in your spreadsheet create column headings using the nine essential elements of a shot list that we've discussed above, such as the scene and shot numbers, location, framing, etc.

Next, each individual shot you have planned for that scene should be given its own row. Pretty easy so far, right?

2. Break down each capture

Now that you have your scene and spreadsheet ready, it's time to dissect each shot. This means going through them one at a time and thinking about how you'd like to capture each one.

This is the time to use your understanding of shot type and camera movements to fill in each column in your spreadsheet with the specifics that will guide your crew during production.

3. Number your shots

Clarity is key when organizing your shot list, which is why it's so important to number your shots. Start with the number 1 for your first shot, and for each subsequent shot, create a new row in your spreadsheet and give it a unique number.

This simple system makes it much easier to reference specific shots during a busy shoot and also helps in the editing process later on.

4. Assign a shot for every part of the scene

There's nothing worse than wrapping up production, only to realize later on that you forgot to take an important shot - but it's a mistake that's as common as it is avoidable.

While it can be really tempting to skip a "minor" shot when creating your shot list, with an "it-will-all-work-itself-out" mentality, the whole point of your shot list is to list all your shots. So, make sure that each part of your scene, no matter how small, has its own spot on your spreadsheet. By being meticulous in this way, you'll eliminate ambiguities and ensure that every element in your scene gets the attention it deserves during filming.

5. Draw rough sketches

Even if you're not an artist, drawing rough sketches or storyboards for your shot list can be incredibly useful. This visual aid will help you and your crew better understand how a scene will unfold. It's also a good way to try and spot any potential issues before you're on set. If something doesn't look quite right in the sketch, you can adjust your shot list accordingly.

You might want to think of these drawings as a second layer of planning, offering another opportunity to fine-tune your vision before the cameras start rolling.

And that's all there is to it! Your shot list can be as simple or as detailed as you see fit. The most important thing is making sure you have a shot list in the first place-while it might seem like a lot of work upfront, it will make both shooting and editing your video much easier in the long run.

Speaking of editing, once you've got all your footage together, consider using TechSmith's Camtasia - which comes with a 30-day free trial! If you're new to editing, you might also want to check out our guide on how to edit a video.

How to write a shot list, the FAQ

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How to Write A Shot List That Will Transform Your Video

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Learn how to create a shot list that will help you plan and organize the filming process so your videos are more professional and visually appealing.

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Week 1 Idea

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Production

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Shot List (Click to see full)

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Storyboard

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Idea

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We will edit the videos  over th3 following 3 weeks

Tue 25 January

Tue 1 Feb

Tue 8 Feb

Holiday on 15  Feb

We will review the  completed and uploaded videos on 22 Feb and give feedback

On Tue 22 Feb , we will also complete evaluation report and discuss any issues you found along the way., what worked and what didn’t work.

Videos to be submitted to Padlet on 1 March with planning documents ( Storyboard or Script, shot list, production schedule ) and evaluation report.

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Task Today: ~edit a short video - practice creating a video from clips and sound files

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Task Today: ~edit a short video - practice creating a video from clips and sound files

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Please use the set of files above to create a short film today.
You should complete the following steps
1. Open Premier Pro and save as Project
2. Import video clips
3. Import sound clips
4. Add clips you want to use to the Timeline .
5. Add 2 separate sound tracks , one for sound effects, another for music
6. Add title
7. Add credits
8. Add transition effect
9. Add viral effect to some of your video
10. Add sound transitions
11. Render all your work
12. Export out as H.264 file

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LEARN PREMIERE PRO IN 20 MINUTES ! - Tutorial For Beginners

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List of work to be submitted to your Padlet column for completing this unit.

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List of work to be submitted to your Padlet column for completing this unit.

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1. Your script or storyboard
2. Your shot list.
3. Your list of tasks ( Production schedule )
4. Your edited short film ( including at least eight shots . Sound to be included and titles.
5. Evaluation summary ( see below )

Evaluation Summary of video

Please in a half page document describe the following

1.Briefly explain how you made the film, Can you talk us through your process from planning, shooting, editing including where you shot it, music downloaded and any other details you think are relevant.

2.What worked well in the film?

3.What would you do differently next time to improve?

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It's cringe but it is what it is

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Day in the Life : Heading to Work

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“Day In The Life” - PJ McGowan

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I hate this

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Online tutorials - Editing with Premier Pro - Adobe tutorials

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Online tutorials - Editing with Premier Pro - Adobe tutorials

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https://helpx.adobe.com/premiere-pro/tutorials.html

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Premiere Pro tutorials | Learn how to use Premiere Pro

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Browse the latest Adobe Premiere Pro tutorials, video tutorials, hands-on projects, and more. Ranging from beginner to advanced, these tutorials provide basics, new features, plus tips and techniques.