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Barnstaple - Then and now of the 1881 Blizzard

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Barnstaple - Then and now of the 1881 Blizzard

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This shows a contrast or the architecture from the 1800's to the 2000's

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Barnstaple Long Bridge is a medieval bridge linking Tawstock with Barnstaple in North Devon, England, spanning the River Taw. One of the largest medieval bridges in Britain. The date of the first bridge as Barnstaple's main bridge across the River Taw is unclear. A will of 1274 left money for its upkeep and it underwent construction work around 1280 with further work being undertaken in 1333, and the bridge was partially destroyed in 1437 and 1646. It is unclear whether all of the arches were originally built of stone or whether three were wooden (known as "maiden Arches") until replacement in the 16th century.

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Barnstaple - Pannier Market Hall - R D Gould

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Barnstaple - Pannier Market Hall - R D Gould

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Barnstaple has had a market since Saxon times, but this market hall dates from 1827.

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Barnstaple - Albert Memorial Clock - R D Gould

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Barnstaple - Albert Memorial Clock - R D Gould

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This is a memorial for prince albert so it was built around the Victorian era.

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Stop germs from spreading, preventing illness.

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Protects people from head injuries from potential crashes or accidents.

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Protects the wearer from bees, as taking their honey upsets them.

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In the game this protects the player from the animatronics trying to kill them. I thought about protection in games as well as reality.

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I like this one much more than my first one as there is much less blank space and more things filling up the paper.

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I quite like this collage however I feel like there is too much empty space.

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"My works attempt to provide a strong impact: visually, mentally and emotionally. To observe. To document. As a result to show the current condition so that we become more aware of the various dangers faced by the wildlife, human beings and the future of our world."

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His work is defined by his handmade collages, utilising antique and vintage materials to create often colourful and detailed artworks. The collage often spills into other mediums such as sculpture, paint and illustration.

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She would cut out images of children protesting climate change and paste them along the crack of the Larsen C ice shelf.

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Elizabeth Zvonar uses collage, sculpture, and photography to question and critique Western art from the Classical period to pop culture today. Her collage works aggregate history and science textbooks with fashion magazines and objects of new media, employing hints of irony, humor, and iconography to ask viewers what we as a society worship, and to show viewers the repetitive nature of representation throughout history.

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Renée Mathews is an interdisciplinary artist with a practice that taps into drawing, sculpture, collage, writing, photography, and movement. Driven by an insatiable and often childlike curiosity, her thoughts and therefore her work tend to revolve around concepts of time, spirituality, and inner worlds.

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Matthew's work, both ceramics and mixed media collage, has been shown in numerous national group exhibitions while also exhibiting solo both nationally and internationally. His work is held in private collections in both the USA and Chile, including the Rutter Family Art Foundation, Norfolk Tug Company, Capital One, and Hilton Worldwide.

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With her effortless composing style she creates cleverly simple yet strong collage ensembles which tends to focus on topics such as women’s rights, mental health, and earth conservation.

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photographer, writer, director, artist

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Based between New York and Paris, artist Emon Toufanian has worked with fashion magazines including A Mag Curated By, Sleek Magazine, Oyster Magazine, Dazed, and Vogue Italia. Toufanian’s online portfolio is separated into collage art and fashion galleries; his collage work fills the entire screen with vibrant color and glitched-out textures.

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Mary explores her natural environment, everyday interactions and overlooked happenings through a lens of play.

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Wangechi Mutu’s collage process mimics amputation, transplant operations and torturous prosthetics. Her figures become parody mutilations, their forms grotesquely marred through perverse modification, echoing the atrocities of war or self-inflicted improvements of plastic surgery.

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A visual storyteller, german utilizes assemblage and mixed media, combining locally found objects to build protective ritualistic structures known as her power figures or tar babies. Modeled on Congolese Nkisi sculptures and drawing on folk art practices, they are embellished with materials including beading, glass, fabric, and sculpted wood, and come into existence at the axis on which Black power, spirituality, mysticism and feminism converge.

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Laslo Antal is a Serbian-Hungarian visual artist, designer, filmmaker and musician living and working in Berlin for the past 10 years. Never one to be tied down by a certain method or technique, his work is characterised by an interdisciplinary approach and a unique visual language that creates a deeply affective poetic world exposing the many layers of human experience.

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Lance Letscher is a contemporary American collage artist. Known for his meticulously constructed compositions, he sources material from a range of antique papers, discarded notebooks, magazines, and record covers.

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Van Haver works on burlap, often combining oil paint, charcoal, plaster, paper, human hair, coal, chalk and ash in heavily textured compositions. Her paintings, drawings and installations offer snapshots of daily life in and out a metropolitan and urban society, giving a voice to those who live between the borders of society.

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The core of Rembrandt’s oeuvre, however, consists of biblical and to a much lesser extent historical, mythological, and allegorical “history pieces,” all of which he painted, etched, or sketched in pen and ink or chalk. Seen over his whole career, the changes in Rembrandt’s style are remarkable.

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He is among the most influential artists in history, having left a significant legacy not only in the realm of art but in science as well, each discipline informing his mastery of the other. Da Vinci lived in a golden age of creativity among such contemporaries as Raphael and Michelangelo, and contributed his unique genius to virtually everything he touched.

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The enormous body of Picasso’s work remains, and the legend lives on—a tribute to the vitality of the “disquieting” Spaniard with the “sombre…piercing” eyes who superstitiously believed that work would keep him alive. For nearly 80 of his 91 years, Picasso devoted himself to an artistic production that contributed significantly to and paralleled the whole development of modern art in the 20th century.

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Turner’s varied activities indicate wide interests as well as a need to fund his Academy education. The flourishing market for landscape and antiquarian topography, whether watercolours for exhibition and sale or reproduction in prints and books, provided his first real income. Early trips outside London, including a visit to friends of his father’s at Bristol in 1791, alerted him to the value of sketching on the spot as the basis of studio and commercial work; he seems to have thought of having his views of the Avon Gorge – which won him the nickname ‘Prince of the Rocks’

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Wilkie achieved international recognition for his highly original paintings of events and episodes from contemporary life. His skills as a narrator were evident in the facial expressions and poses of his characters, and in the informative detail he included. He was born in Fife, the son of a rural minister and began his formal artistic training at the Trustees' Academy in Edinburgh when he was fifteen. He then moved to London in 1805 and became a full member of the Royal Academy in 1811. He was appointed Painter to the King in 1830 and knighted in 1836.

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Jean-Léon Gérôme is considered among the greatest French academic painters of the 19th century, following in the footsteps of the father of French neo-classical painting, Jacques-Louis David. Born in 1824 into a modest family in Vesoul, Haute-Saône, Gérôme moved to Paris in 1841 and enrolled at the Ecole des Beaux-Arts in the studio of Paul Delacroche.

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John Quidor was born in Tappan, New York, in 1801, and nine years later his family moved to New York City. He received his only artistic training, at the age of seventeen, in a brief apprenticeship to the successful portrait painter John Wesley Jarvis. In the mid-1820s he began to produce romantic paintings based on literary themes, most notably Washington Irving’s short stories.

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pieter bruegel was the greatest member of a large and important southern Netherlandish family of artists active for four generations in the sixteenth and seventeenth centuries. A longtime resident of Antwerp, the center of publishing in the Netherlands and a vibrant commercial capital, Bruegel brought a humanizing spirit to traditional subjects and boldly created new ones.

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William Powell Frith was an English painter specialising in genre subjects and panoramic narrative works of life in the Victorian era. He was elected to the Royal Academy in 1853, presenting The Sleeping Model as his Diploma work. He has been described as the "greatest British painter of the social scene since Hogarth".

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After his informal schooling he was sponsored by Lady Boston of Hedsor to go to the Maidenhead Technical Institute (where his father insisted he must not take any exams) and in 1908 on to the Slade School of Fine Art in London. This was the premier art school in the country and he was taught by Henry Tonks.