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A subsection of a form of art

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A type of film created in 1989 that dues to its smaller format is grainer than large format films when printed

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A point in moving space that can be vertical, horizontal, or diagonal

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A flat, enclosed area that only has width and length through a lack of value

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A distribution of visual weight on either side of the vertical axis. Symmetrical balance uses the same characteristics. Asymmetrical uses different but equally weighted features.

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The arrangement of opposite elements in a composition so as to create visual interest.

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Used to make certain parts of an artwork stand out. It creates the center of interest or focal point. It is the place in which an artist draws your eye to first.

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How the eye moves through the composition; leading the attention of the viewer from one aspect of the work to another.

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symmetry around a central axis

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the quality of being made up of exactly similar parts facing each other or around an axis.

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the quality of not being made up of exactly similar parts facing each other or around an axis.

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the fact of two things being seen or placed close together with contrasting effect

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existing in thought or as an idea but not having a physical or concrete existence

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a range of position-dependent colors

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someone who collects, exhibits, researches, and maintains the photo collection at a museum

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an event wherever the creator, painters, photographers show their artistic work in the hope of attracting the art lovers

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a large room for the exhibition of pictures

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producing photographic reproductions of objects on display in museums

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A photographic studio is often a business owned and represented by one or more photographers

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green, blue, and purple, and variations of those three colors

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Yellow, red, orange and different shades of these colors are warm colors

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neutral means without color. Neutrals such as beige, ivory, taupe, black, gray, and shades of white appear to be without color

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pairs of colors which, when combined or mixed, cancel each other out by producing a grayscale color like white or black

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containing or using only one color

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A twin-lens reflex camera is a type of camera with two objective lenses of the same focal length

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a darkened box with a convex lens or aperture for projecting the image of an external object onto a screen inside. It is important historically in the development of photography

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a helpful way of giving feedback that provides specific, actionable suggestions

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the practice of taking someone else's work or ideas and passing them off as one's own

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relating to moral principles or the branch of knowledge dealing with these

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Use subjective when you're talking about an opinion or feeling that is based on an individual's perspective or preferences. Use objective when you're talking about something—like an assessment, decision, or report—that's unbiased and based solely on the observable or verifiable facts

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Copyright protects original work, whereas a trademark protects items that distinguish or identify a particular business from another

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a composition guideline that places your subject in the left or right third of an image, leaving the other two thirds more open

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lines that appear in a photograph that have been framed and positioned by the photographer to draw the viewer's eye towards a specific point of interest

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a ratio of approximately 1.618 to 1. It has been used for centuries by artists, architects, and musicians, but it can also be found everywhere in the natural world

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the area surrounding the main subject in a photo that is left unoccupied

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any part of the photo that jumps out from its surroundings

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Lighting a subject from behind

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light filtered by something to make it softer and remove bright spots

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Lighting found in the scene withour manipulation

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Lighting that creates srong contrast between light and dark tones

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the dark shape and outline of someone or something visible against a lighter background, especially in dim light

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camera's sensitivity to light as it pertains to either film or a digital sensor

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an arbitrary rating of film speed; that is, the sensitivity of the film to light

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What captured light and createes the image in the camera

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focal length of an optical system determine the cone angle of a bundle of rays that come to a focus in the image plane

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used to denote aperture measurements on your camera

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how strongly the system converges or diverges light

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depth of field is the distance between the nearest and the farthest objects that are in acceptably sharp focus in an image

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aesthetic quality of the blur produced in out-of-focus parts of an image

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Camera controls all settings

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What you need to know to become the world’s next best blogger.

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You control all settings

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You control Aperture and the camera controls shutter speed and ISO to give the picture the right lighting

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You control shutter speed and the camera controls Aperture and ISO to give the picture the right lighting

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The camera chooses the exposure settings and you choose the rest

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How long the sensor is exposed to light, affecting exposure and motion and camera shake blur

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Shutter speed over 30 seconds which will capture a lot of motion blur and make the image very bright

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A long shutter speed that captures any movement allowing things like motion blur, light painting, and other affects

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a sequence of frames at set intervals to record changes that take place slowly over time

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using a moving light source—such as a flashlight, glow stick, light brush, or even a smartphone—to alter an image while taking a long exposure photograph

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Following a moving object to keep it not blurred with a long shutter speed and blur the background

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A shooting mode that allows several photos in quick succession to be captured by either pressing the shutter button or holding it down

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What the camera sees as perfect exposure and 0 on the exposure meter

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The exposure meter reads the exposure only at the chosen point

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The camera reads the exposure of the middle of the frame to make sure the subject is perfectly exposed

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The camera focuses on the exposurein the center but considers the whole image

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The camera considers the exposure of the whole image equally

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a specific part of the frame where the camera is able to focus on something

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Shows you if you are under exposed, over exposed, or perfectly exposed, being 185 grey

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Taking the same picture at different exposure settings

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Changes what the camera identifies as perfectly exposed to over or under 18% grey

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A card that helps you adjust the white balance and exposure settings of images by providing a reference point

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Allows you to switch between workspaces, like essentials, photography, and presaved workspaces

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Where tools like brush and eraser are

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Palettes [shown right] are groups of tools used to edit and manipulate your image. Photoshop contains over two dozen palettes that can be shown or hidden by using the Window menu and selecting the palette you wish to reveal

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The menu bar is used to open and save files, adjust the canvas size, access some of the editing tools, open and close various windows, and more. The menu bar consists of 11 items: File, Edit, Image, Layer, Select, Filter, Analysis, 3D, View, Window, and Help

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The Options Bar is the horizontal bar that runs underneath the Menu Bar in Photoshop

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Types of files on computers such as jpeg and psd which store informatio

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Common, somewhat compressed file type

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Low compatibility (only used in photoshop) and compression but holds the most information about photos

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No loss compression so it shows more detail than .jpeg and is a bigger size

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Completely uncompressed and is exactly how the photo comes out of the camera (if shooting in Raw)

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High dynamic Range (large range of colors)

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Two images laid over each other as if you took two photos on one film

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A triadic color scheme uses every fourth color, leaving three colors between each

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the period of time just after the sunset, around dusk when the sky takes on inky, indigo hues and before it becomes impenetrably black

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the period of daytime shortly after sunrise or before sunset, during which daylight is redder and softer than when the sun is higher in the sky

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A macro lens is a lens that specifically allows you to focus extremely close to a subject so that it appears large in the viewfinder

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A lens that cannot zoom

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digital single-lens reflex camera

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a set of data that describes and gives information about other data

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a small image representation of a larger image

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the use of any technique or technology to enhance the original image captured by the photographer

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nondestructive way of hiding parts of a layer

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the intensity of the color

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the global adjustment of the intensities of the colors

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a specific waveband in the visible spectrum

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allows photographers to increase the intensity of muted colors while leaving saturated colors untouched

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refers to the difference between the light pixels and dark pixels

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the ratio of a camera sensor's size to a 35mm film frame

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Moves selected parts of a picture