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Scottish National Gallery of Modern Art, Edinburgh, UK

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This painting is known for its record highest auction price and it is based on the September 1961 comic book series Girl’s Romances.

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'Accumulation No. 1' , 1962 - Yayoi Kusama

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'Accumulation No. 1' , 1962 - Yayoi Kusama

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Accumulation No. 1 is the first in an ongoing series of presciently feminist sculptures by Kusama. In 1962 she began a group of sculptures composed of household furniture that she covered with stuffed and hand-sewn canvas and then painted.

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The use of two contrasting canvases for Marilyn Diptych illustrates the contrast between the public life of the star, who at the time was one of the most famous women alive, and her private self.

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'Campbell's Soup Cans' , 1962 - Andy Warhol

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'Campbell's Soup Cans' , 1962 - Andy Warhol

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'Still Life With Dagger' , 1963 - Patrick Caulfield

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'Still Life With Dagger' , 1963 - Patrick Caulfield

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During this period Caulfield started to introduce exotic objects into his paintings.

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'Drowning Girl' , 1963 - Roy Lichtenstein

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'Drowning Girl' , 1963 - Roy Lichtenstein

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Drowning Girl is Lichtenstein's most famous painting. This painting is described as a “masterpiece of melodrama” which uses conventions of comic book art.

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Harlem River Park, Franklin D. Roosevelt Drive, NYC, USA

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This mural serves as a warning against crack cocaine use, which was rampant in major cities across the United States during the mid to late 1980s

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Louisiana Museum of Modern Art, Humlebæk

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'Infinity Mirror Room' , 1965 – Yayoi Kusama

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'Infinity Mirror Room' , 1965 – Yayoi Kusama

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The Infinity Mirror Room fused her interests in repetition, sexual exploration, psychology, and perception by filling a roughly 25-square-meter mirrored room with a thick carpet of soft, twisting phalluses camouflaged in her signature polka dots.

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This piece reflects Lichtenstein's interest in the importance of the brushstroke in Abstract Expressionism. Abstract Expressionist artists made the brushstroke to directly communicate feelings.

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He changed the way he worked after he was shot

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'Let The Sunshine In' , 1968 - Corita Kent

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'Let The Sunshine In' , 1968 - Corita Kent

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Showing a bright yellow, grainy image of Pope John XXIII, the print was accompanied with the text "LET THE SUN SHINE IN." The phrase appeared in the 1954 song "Open up your heart (and let the sunshine in)" by Stuart Hamblen but was reprised in the 1967 countercultural musical Hair, whose number "Aquarius (let the sunshine in)" became extremely popular. The combination of text and image appeals to the leaders of the Catholic Church to allow the promised "fresh air" and sunshine in, by accepting new ideas and attitudes.

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By 1969, two key changes affected Corita Kent's screen-prints; she was freed from the censorship or pressure she was under as a nun formally serving the Catholic Church, and it was clear that the Summer of Love was definitively over. The gentle calls for peace and love had given way to angry protests and a mass of political unrest in the United States.

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UCLA Grunwald Center for the Graphic Arts, Hammer Museum, Los Angeles

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'Life is a Succession, from Moments Suite' , 1977 - Corita Kent

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'Life is a Succession, from Moments Suite' , 1977 - Corita Kent

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Rough orange, blue and yellow stripes are overlaid with simply painted flowers and delicate leaves. On the yellow plane, one reads, "Life is a succession of moments. To live each one is to succeed." Even in the last few years of Corita Kent's life, as one critic put it, alongside her achievements in protest art and pop aesthetics "above all, her work sends a message of hope and love."

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Walker Art Gallery, National Museums of Liverpool, GB

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'Autumn Fashion' , 1978 - Patrick Caulfield

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'Autumn Fashion' , 1978 - Patrick Caulfield

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The leeks, oysters and vessels of the painting are arranged in a disparate way to enable us to find our way into the picture. The play between the two worlds of reality and decoration

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Kusama played with the notion of infinite repetition and infinite space. Her nets can be seen as a material form of the patterns that Kusama experiences in hallucinations, a condition that has afflicted her since childhood.

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Velvet, velveteen, cotton, cotton yarn

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Velvet, velveteen, backed with chenille

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Berkeley Art Museum and Pacific Film Archive, Californa, USA

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mixed media piece

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Medium: original lithograph on Vélin d'Arches paper

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Haring used this mural to bring attention to safe sex to

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'Projet Pour Le Champagne Carven, 1991 -René Gruau

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'Projet Pour Le Champagne Carven, 1991 -René Gruau

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Medium: gouache on paper

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This specific looks use Roy Lichtenstein’s work as a direct source of inspiration and feature Lichtenstein’s work. Lichtenstein is one of the most influential pop artists who inspired lots of high fashion designers such as the Iceberg Fashion House

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Louisiana Museum of Modern Art, Humlebæk

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While polka dots are Kusama’s most recognizable motifs, pumpkins are a close second. They have cropped up in drawings, paintings, sculptures, and installations throughout her career.

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Tiffany & Co 175th Anniversary, 2012 - Hatty Pedder

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Tiffany & Co 175th Anniversary, 2012 - Hatty Pedder

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A series of photo montage illustrations were commissioned for The Tiffany Diamond event Celebrating Tiffany’s 175th Anniversary.

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felt, mesh, polymer clay, lace, yarn

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wire, bugle beads, buttons, sequined appliqués, fabric, metal, mannequin

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felt, mesh, yarn, polymer clay, sharpie

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​felt, mesh, tin, beads, plaster

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"A show that combined magisterial anguish with carefully corralled disarray. Our heroines began their pursuit in ghostly, raw calico" - Luke Leitch

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'Christian Dior Couture Autumn 12' , 2017 - Blair Breitenstein

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'Christian Dior Couture Autumn 12' , 2017 - Blair Breitenstein

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Materials: Oil pastel, pencil and acrylic paint on Brown Sketch Paper

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'Louis Vuitton A/W 11' , 2017 - Blair Breitenstein

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'Louis Vuitton A/W 11' , 2017 - Blair Breitenstein

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Materials: Oil pastel, pencil and acrylic paint on Brown Sketch Paper

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'Yasmin Le Bon' , 2018 - Blair Breitenstein 

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'Yasmin Le Bon' , 2018 - Blair Breitenstein 

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Materials: Acrylic paint on Brown Sketch Paper

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​felt, mesh, beads, plaster

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One Bennett Park, Chicago, Illinois, USA

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Made of repurposed materials such as sequined fabric, wire and bugle beads

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Jeremy Scott, eccentric designer of Moschino, was inspired by Picasso who reinterpreted masterpieces as a form of pop art during his late years.

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Fashion Forward Season 1 Campaign, 2021 - Hatty Pedder

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Fashion Forward Season 1 Campaign, 2021 - Hatty Pedder

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'Cacti 7' , May 7th 2021 - Marian Jazmik

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'Cacti 7' , May 7th 2021 - Marian Jazmik

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'Cacti 6' , May 7th 2021 - Marian Jazmik

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'Cacti 6' , May 7th 2021 - Marian Jazmik

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'Cacti 8' , May 7th 2021 - Marian Jazmik

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'Cacti 8' , May 7th 2021 - Marian Jazmik

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Alexander Mcqueen Showroom Trip - 20th September 2021

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Alexander Mcqueen Showroom Trip - 20th September 2021

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I looked for materials I could use to help create my textile samples. I picked out ribbons, pendants, zips, trims, and many other haberdashery products that connected to my colour chosen scheme of: pink, purple, red and blue tones and shades.