# data[].attributes.body
Humming is a great way to slowly warm up your singing voice without actually having to sing.

# data[].attributes.headline
Starting at a lower range and then getting higher in the warm up.

# data[].attributes.subject
Starting at a lower range and then getting higher in the warm up.

# data[].attributes.body
Great Example Song - Click Me

# data[].attributes.headline
Start softer and Getting louder so you don't over work your voice off the get go

# data[].attributes.subject
Start softer and Getting louder so you don't over work your voice off the get go

# data[].attributes.body
So you get your fingers working/moving

# data[].attributes.body
you can learn way more from actually taking the time to listen. In my case I learn more from listening than actually playing

# data[].attributes.body
make a low muh sound to engage the respiratory system more

# data[].attributes.body
“I like to eat M&M’s on a Monday morning aAa”
Go a higher octave each time after finishing sentence

# data[].attributes.headline
Every pianist either has or will encounter Hanon Exercises at some point in their piano playing career. These exercises, titled The Virtuoso Pianist by Charles-Louis Hanon, is a compilation of sixty exercises meant to train the pianist in speed, precision, agility, and strength of all of the fingers and flexibility in the wrists.Exercises 1 – 20: Labeled “preparatory exercises”, these are also the most famous exercises, and are used to develop finger strength and independence. Each exercise contains a sequence of 8 sixteenth notes, beginning on a C, which is then repeated starting on D, and so on across two octaves. The exercise is then repeated in reverse down two octaves to the starting C. The exercises are intended to be practiced in groups of three, except for the first two which are practiced together.Exercises 21 – 43: Labeled “further exercises for the development of a virtuoso technique,” this more difficult section is meant to be played after the pianist has fully mastered Part 1. Part 2 includes scales and arpeggios.Exercises 44 – 60: Labeled “virtuoso exercises for mastering the greatest technical difficulties,” this section is considerably more difficult. Hanon recommends the mastery of both previous parts before proceeding to this one. This part includes repeated notes, repeated double notes, scales in thirds and octaves, tremolos, and more.

# data[].attributes.subject
Every pianist either has or will encounter Hanon Exercises at some point in their piano playing career. These exercises, titled The Virtuoso Pianist by Charles-Louis Hanon, is a compilation of sixty exercises meant to train the pianist in speed, precision, agility, and strength of all of the fingers and flexibility in the wrists.Exercises 1 – 20: Labeled “preparatory exercises”, these are also the most famous exercises, and are used to develop finger strength and independence. Each exercise contains a sequence of 8 sixteenth notes, beginning on a C, which is then repeated starting on D, and so on across two octaves. The exercise is then repeated in reverse down two octaves to the starting C. The exercises are intended to be practiced in groups of three, except for the first two which are practiced together.Exercises 21 – 43: Labeled “further exercises for the development of a virtuoso technique,” this more difficult section is meant to be played after the pianist has fully mastered Part 1. Part 2 includes scales and arpeggios.Exercises 44 – 60: Labeled “virtuoso exercises for mastering the greatest technical difficulties,” this section is considerably more difficult. Hanon recommends the mastery of both previous parts before proceeding to this one. This part includes repeated notes, repeated double notes, scales in thirds and octaves, tremolos, and more.

# data[].attributes.headline
Finger exercise (hammer-on, little finger stretch, involvement in fingers)

# data[].attributes.subject
Finger exercise (hammer-on, little finger stretch, involvement in fingers)

# data[].attributes.body
1st finger on the 2nd fret A string and hammer on/pull off to the 3rd fret (index finger) then hammering on/puling off to the E string 5th fret with the little finger, going up in octaves