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The final design for Notebook B mocked up on a 3D model

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The design for Notebook B, on a sheet big enough to wrap around the A5 notebook.

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The final pattern block used in Notebook B

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Notebook B's pattern on an A5 sheet.

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Final Diary B on a sheet big enough to wrap around the A5 notebook.

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Diary B design mocked up on a 3D template

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Created on illustrator, using the techniques that Ian showed us in the videos. The colours are a little harsh in this PDF, but this problem solves itself upon transferring the pattern from illustrator to photoshop. Because this was made on illustrator, it does not have a pattern block as I filled the diamonds with the pattern on the additional pattern block.

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Additional patternblock used to create final set B

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Additional patternblock used to create final set B

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This pattern block along with a similar one with the hue slightly adjusted make up final notebook and diary B

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Notebook A's design, mocked up on a 3D model.

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The pattern for Notebook A on an A5 sheet.

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The final notebook A pattern, filled up on a sheet with dimensions necessary to wrap around the full A5 notebook

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My final notebook A pattern on the illustrator template

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Final pattern block for notebook A. I'll use this pattern block to fill patterns onto the cover of the notebook.

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The final diary A pattern, filled up on a sheet with dimensions necessary to wrap around the full A5 diary.

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Diary A's design, mocked up on a 3D model

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Notebook/Diary A on the illustrator template

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Final block pattern (Diary A) on A5 sheet

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Final block pattern (Diary A) on A5 sheet

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Pattern block used to fill A5 page

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Final pattern block for diary A. I used this pattern block to fill a pattern into the diary.

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A rough I made by combining the texture I liked and the patterns I had experimented with. It's interesting, but I think its messy and disorganised looking and contrasts too heavily with the modern, linear and tidy feel my other designs have. Still. I do like it.

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A rough created experimenting with filling pattern into shape

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A rough created also filling patterns into shapes, however I wanted to experiment more with colour and try to have the traffic light imagery in the composition as well as the subject matter itself.

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Some expressive/experimentive work based on objects my lecturer brought in. This work was based on a slice of cucumber, a rock, and a seashell. This was a part of my research which I forgot to upload so please pretend its at the bottom with the rest of my research. Worked with media, colour, overlapping objects, shape and tone.

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Some expressive/experimentive work based in objects my lecturer brought in. This work was based on a moldy piece of fruit and a rock. This was a part of my research which I forgot to upload so please pretend its at the bottom with the rest of my research.

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Some expressive/experimentive work based in objects my lecturer brought in. This work was based on seashells and wood chunks. This was a part of my research which I forgot to upload so please pretend its at the bottom with the rest of my research. A chalk drawing and a continuous line drawing where I rotated the page every couple of minutes.

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Some expressive/experimentive work based on objects my lecturer brought in. This work was based on seaweed. This was a part of my research which I forgot to upload so please pretend its at the bottom with the rest of my research. Experiments with media, line and shadow

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Composition experiments done in photoshop using the offset tool I liked this arrangement the most so I decided to make it a rough

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composition experiments done in photoshop. I tried to make this a pattern block, but it didn't quite work.

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Same as texture experiment 2 but with the acrylic texture. It looks cool, but it makes me think of burning buildings. A bit too graphic for a journal.

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Another digital experiment where I selected a handful of texture pixels from the textured painting and photoshopped in some of my watercolour texture. I think it looks really interesting and cool, however I'm concerned it might be overkill for a journal/diary design.

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A digital experiment. I inserted my ink drawing, colour range selected it, and then used the selection tool to copy and paste some textures into it. I really like the effect of this piece, however I'm not sure how I could incorporate it into a final just yet.

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A texture developing using another one of my ink drawings. I don't like it as much as the other one, but I still think the illusion of having the pattern scraped out of paint that this piece gives is super cool

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Additional experiments with ink drawing concepts

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A digital experiment with my ink drawing concepts

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a digital experiment with my ink drawing concepts

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Some textures I created using watercolour and acrylic paint with the purpose of editing them into my work

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Ink drawing based on extended thumbnails

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Ink drawing based on extended thumbnails

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One of the detailed ink drawing concepts created to experiment around with

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Extended thumbnails for my third thumbnail. These thumbnails have more of a focus on creating a strong, repetitive, highly detailed pattern.

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My fourth rough. The same as my digital developments but in a more desirable colour.

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Digital experiment alternate colour pallet

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Digital experiment alternate colour pallet

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I have added colour to my initial digital experiment with the techniques I have used in my earlier developments. I think while my initial digital experiment was good, the black and white buildings were so drabby, so adding colour makes all the difference!! I tried this colour pallet and didn't enjoy it so much, which is why I have chosen rough 4 as my rough.

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I tried to replicate my textured collage in photoshop. While it doesn't have quite the same effect, I quite like it! It has its own charm, and I think the chessboard-like grid is very modern looking.

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Collage concept - digital and offset/Rough 3

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Collage concept - digital and offset/Rough 3

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A rough created via experimenting with the offset tool

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Collage concept - digital and offset/Rough 2

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Collage concept - digital and offset/Rough 2

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A rough created with offset tool

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My black and white pattern with colour digitally added. I quite like this form of colouring my art, as its very clean and smooth. It was hard to colour and could be a little more graceful, however I think its just because I didn't have access to a scanner and had to photograph this experiment.

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By cutting my ink drawings into tiles, I tried to rearrange them into new patterns/shapes by sticking them together at different angles. I also tried to spot colour in some details with watercolour just to experiment with a colour pallet/texture. I plan on adding colour digitally to the uncoloured pattern

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A collage created by taking my ink drawings, cutting them into angled tiles, and sticking them to a textured background. I particularly liked the watercolour collage. I think its very effective as it reminds me of the reflections of old Glasgow buildings on the modern skyscrapers.

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An ink drawing to be used for collages

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An ink drawing to be used for collages

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A collage I did made out of card and fabric. I used this to experiment with media, techniques and textures - however I don't really like this piece too much.

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Some extra thumbnails I did based on my second thumbnail, experimenting with composition. Unlike the first thumbnail though, I wanted to focus more on form and shape than on movement.

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A photoshop edit with my george square painting with textures added.

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A test of the block pattern on A5 picture. I think I'll have to make the block a bit bigger, but I'm pretty happy.

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Created a pattern block for my pattern. When uploaded to adobe photoshop via defined pattern, it can be used to fill pattern in. This is also my first rough.

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Tried to create a background by inserting textures into my painting and toning it down however I think it looks somewhat bland. I'm pretty happy with the spiralling cars though, however if I decide to take this to my final, I'll probably redraw the cars.

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A texture I plan on experimenting with. A ghost print I printed over.

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A texture I'm going to use to experiment with development. A ghost print.

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A watercolour painting of george square that I plan to edit and experiment with.

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A texture I'm going to use to experiment with development.

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A similar idea but I distorted the image and inverted the colours. Still not the happiest with it but I like the idea of flipping around the image to create something different. I might experiment with this further but remove the cars.

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A digital experiment where I took a watercolour painting I did of George square and inserted the cars into it. I'm not the happiest with it, but it was an attempt. I put this piece in black and white because the colour pallet of the painting clashed too much with the cars.

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I drew out a few ideas in A5 size and coloured them quickly using watercolour to envision what my compositions that I planned out would loosely look like and experiment with colour pallets. My first pallet experiment was a triadic colour scheme with red, green and blue - as red and green are colours associated with traffic lights, however I also messed around with blue and orange. I think I want to push forward with a contrasting pallet for this particular concept. I did some traffic lines in ink and watercolour with the intention to take them into photoshop.

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Alternate compositions for the first thumbnail I decided to take into development. I wanted to create patterns that had a heavy focus on movement, so I tried to make the cars move through different ways, such as in squares to give the idea of a 'hypnotic' pattern, around Glasgow landmarks such as George square buildings and Kelvingrove art gallery or around the M8 as I take the M8 home from college and it ties into my theme "The journey home"

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I plan to take thumbnails 1, 2, 4, 5 futher into development however I plan to incorporate elements of 3 into these developments.

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The last two thumbnails I couldn't fit on the first page.

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My first 6 thumbnails

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Some extra rubbings I couldnt fit on the last A3 page + some sketches of some shapes I liked from the cathedral trip.

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Rubbings I made with greaseproof paper and a pencil. I think the pencil was a little ineffective. Next time I'll use oil pastel instead.

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A continuous line drawing of bike

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An A3 drawing based on my class of water. I tried to go for something abstract, but I dont think it quite worked out.

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An A3 drawing of a building I saw in Glasgow, quickly drawn and painted from where I was sitting having lunch

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A3 drawing of a person (I'm not very good at portraits lol)

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Some annotated photos of George square buildings

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Some annotated photos of some Buchanan street photos

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Pictures of windows.

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Some notebooks I was inspired by

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A construction site I found very interesting due to how busy and linear it was.

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Some buildings focusing on windows and construction work

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Some photos of glasgow street art as well as some notebooks I was inspired by

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Some photos from the outside of kelvingrove art gallery

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Some photos from the inside of Kelvingrove art gallery.

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https://www.pinterest.co.uk/amywhiten/digital-industrial/

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More shapes and architecture I like.

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https://cityofglasgowcollegeac-my.sharepoint.com/:w:/g/personal/amy_whiten_cityofglasgowcollege_ac_uk/EURLKnco1LZBqqeyUd06T00BkUHyLzq4V9eshEDpDnF94Q?e=cmFdgs

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Shapes and forms I liked. Zoomed crops of specific details included.

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A collection of emblems.

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Cropped and annotated.

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Details to note:
- Designs must be A5
- The competition will require at least 2 finalised, finished designs.
- Prize includes a free notebook and a £1000-100 cash prize.
- Winners are announced Mid-October and deadline is September 30th
- Designs must relate to a theme.

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My working logs during this project

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A mindmap I created as a starting point for my research

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A 20 minute timed continuous line drawing of the doors of Glasgow's Cathedral. I also did small sketches of patterns I enjoyed that I didn't quite get down in my timed sketch as well as notes of things being told to me by my lecturer.

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Some symbols and shapes that I managed to find from the Cathedral's Necropolis. Other notes include the names on occupations of the person associated with the gravestones.