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HELPFUL HINTS: Click ONCE on text to expand. To close, click again, outside the text box. Select play button to listen to YouTubes or recordings. Computer viewing is best. 

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HELPFUL HINTS: Click ONCE on text to expand. To close, click again, outside the text box. Select play button to listen to YouTubes or recordings. Computer viewing is best. 

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Sung by Daria

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Yaw Yaw Puka Polleracha - A Song in Quechua

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From the Archives:          Quechua Folksong from Peru - International Night

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From the Archives:          Quechua Folksong from Peru - International Night

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https://www.cityofchicago.org/city/en/depts/dca/supp_info/chicago_blues_festival.html

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Blues Legend Charlie Musselwhite & Richard Bargel performing "Mississippi Beat Part I" at Altes Pfandhaus, Cologne, Germany March 26, 2007. This video is authorized by Charlie Musselwhite. Please watch the other video "Charlie Musselwhite with Richard Bargel -- It's Crap!" http://www.youtube.com/watch?v=rEgstnhA6Xs&list=UU3UUBCGrCkzjGBsKbDpDc6w&feature=share&index=1

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Paul Butterfield   Blues Band  (Walking Blues - Live 1978 )

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Little Walter (Little Walter's Jump - 1967)

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Little Walter playing "Little Walter's Jump" live in 1967 with Hound Dog Taylor & the Houserockers.

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Joshua King, 10 yrs old, Plays Harmonica with   James Cotton Band         (2:22 -3:05 harmonica)

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Joshua King, 10 yrs old, Plays Harmonica with   James Cotton Band         (2:22 -3:05 harmonica)

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Hoochie Coochie Man by 10 year old Joshua King with the James Cotton Band

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with the James Cotton band at Riverfront Blues Festival in Wilmington, Delaware August 5 2011 Here is a link to Josh's website where it says he has been following James Cotton around and playing with him on stage since he was 9 years old.

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James Cotton - Slow Blues (Angel Of Mercy / Blues in my sleep)

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Playing the Wildwood Blues - History and Homework

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Playing the Wildwood Blues - History and Homework

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Blues progression, Chugging Patterns and Sound Words

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Roots - Kokomo Arnold Milk Cow Blues, 1934

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Roots - Kokomo Arnold Milk Cow Blues, 1934

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Kokomo Arnold - Back To The Crossroads: The Roots Of Robert Johnson

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Back To The Crossroads: The Roots Of Robert Johnson

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Roots - Scrapper Blackwell Kokomo Blues, 1928                      (Sweet Home Chicago), 

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Roots - Scrapper Blackwell Kokomo Blues, 1928                      (Sweet Home Chicago), 

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Scrapper Blackwell - Back To The Crossroads: The Roots Of Robert Johnson

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Back To The Crossroads: The Roots Of Robert Johnson

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Blind Blake - Back To The Crossroads: The Roots Of Robert Johnson

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Back To The Crossroads: The Roots Of Robert Johnson

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III. PLAYING THE BLUES AT WILDWOOD - HARMONICA! 

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III. PLAYING THE BLUES AT WILDWOOD - HARMONICA! 

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After learning how to play simple melodies, we're diving into the blues, and learning the part Chicago played in developing and keeping this musical form alive. The 12-bar blues progression has been introduced, as have the techniques of using tongue-blocking, sound words, and chugging patterns.  We're slowly putting together a piece that will include rhythm and lead parts.

Harmonica - with thoughtful practice and experimentation - can be an enormously fun and satisfying instrument to play.
Each student has their own book (with a CD) and harmonica, which will be theirs to keep.

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We shall overcome-Bruce Springsteen and the Seeger Sesions Band

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Uploaded by eduardovidalpardo on 2010-01-21.

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Melanie DeMore                  San Francisco, 2008

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Melanie DeMore                  San Francisco, 2008

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Live performance w/ pianist Mary Watkins " Storm of Roses: Women Against War"

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Joan Baez - We Shall Overcome (BBC Television Theatre, London - June 5, 1965)

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Pete Seeger, We Shall Overcome (Version #02), Berlin, DDR (GDR), 1967

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The power of music to affect social change and support current events has been a major focus of our music making. We sang the world of Dr. Martin Luther King, learned the Schoolhouse Rock versions of the Preamble of the Constitutation, and are now exploring "We Shall Overcome," writing our own verses, and listening to performances from from Pete Seeger and Joan Baez to Mahalia Jackson, Melanie DeMore and BRUCE. Each interpretation has its own unique power and effects listeners (us!) differently.

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I. SEL: Mindfulness through Music.
We start our class off with social-emotional-learning activities that include regulated breathing, stretching and simple yoga poses. Music deepens the experience, and our listening examples have drawn from the Beatles, Pink Floyd, Quechua songs from South America, and the soundtrack from "Avatar" The students have become more focused, stronger and more flexible due to these activities. Ask your student to demonstrate drawing around the hand  to regulate breathing, decrease anxiety,  and increase focus.

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TUNEFUL TUESDAYS!                                          Wildwood's first Tuneful Tuesday on April 18, 2017, was a lovely and lively gathering of ten students and a surprise guest -  Ms. Cunat!                                                                We sang and danced "Looby Loo" - and added square dance moves like "swing your partner"  and "do-si-do" to the dance. We celebrated spring celebration with "Chee Chee Cha" and ended with "Ecology Round." Please join us every Tuesday through May from 8:30-8:45. No experience needed - only a voice to sing and a body to move.

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TUNEFUL TUESDAYS!                                          Wildwood's first Tuneful Tuesday on April 18, 2017, was a lovely and lively gathering of ten students and a surprise guest -  Ms. Cunat!                                                                We sang and danced "Looby Loo" - and added square dance moves like "swing your partner"  and "do-si-do" to the dance. We celebrated spring celebration with "Chee Chee Cha" and ended with "Ecology Round." Please join us every Tuesday through May from 8:30-8:45. No experience needed - only a voice to sing and a body to move.