# data[].attributes.body
Theater: live storytellig withc actors performing.

Beat generation: 1950s-1960s in USA literary and cultural movements, include writers like Kerouac, Allen Ginsberg and William S. Burroughs, wanted total freedom, like rebes using poetry and theater to change conformist in USA.

# data[].attributes.headline
Sci-fi: Technology, aliens, future science, or altered reality. The threat is usually explainable by rules, even if those rules are fictional.                       Horror: Fear comes from the unknown or unnatural. Goal is dread, disgust, or terror. 

# data[].attributes.subject
Sci-fi: Technology, aliens, future science, or altered reality. The threat is usually explainable by rules, even if those rules are fictional.                       Horror: Fear comes from the unknown or unnatural. Goal is dread, disgust, or terror. 

# data[].attributes.body
1. Why is it called "confessional poetry"?

because the author write about confidences and uses their own life as material and ideals.

2. What can you interpret from "The Iron Man" by Ted Hughes?

a symbol for industrialization, technology, and masculinity, the machine age, power and danger.

3. What can you interpret from Sylvia Plath’s poetry?

Her work is autobiographical, intense, and deals with trauma, identity, gender, and mental illness , intense imagery from personal experience.

# data[].attributes.body
Question 1:

would feel like a robot, without emotions or an identity, and I don't like the idea of ​​following rules like that either.

Question 2:

The concept of individuality and freedom would be lost

# data[].attributes.body
How would you feel if you lived in a society similar to "A brave new world"?

Comfortable but empty, no real freedom.

What are the dangers of trying to control a society like the ones we have talked about?

People don’t think critically and control is hidden behind pleasure and comfort, which in reality is not something that good.

# data[].attributes.body
How would you feel if you lived in a society similar to A brave new world?

I think I would feel empty, with no emotions and also controlled, and feeling in a routine that I have to follow. like a zombi, just following others without thinking.

Dangers of trying to control a society?

That people lost thar humanity and a reason to live, and also chaos if someone tries to escape but want to take more people with him.

# data[].attributes.headline
1. How would you feel if you lived in a society similar to "A brave new world"? I don´t think there´s any way to feel since practically the world drug us to feel nothing but happiness.   2.What are the dangers of trying to control a society like the ones we have talked about?Because people cannot make their own identity ,there´s is no individuality ,it look peaceful but its built on manipulation.                                                                   Trujillo Danna       

# data[].attributes.subject
1. How would you feel if you lived in a society similar to "A brave new world"? I don´t think there´s any way to feel since practically the world drug us to feel nothing but happiness.   2.What are the dangers of trying to control a society like the ones we have talked about?Because people cannot make their own identity ,there´s is no individuality ,it look peaceful but its built on manipulation.                                                                   Trujillo Danna       

# data[].attributes.body
How would you feel if you lived in a society similar to "A brave new world"?

What are the dangers of trying to control a society like the ones we have talked about?

I feel like living there would be confortable, because we would be used to it and there would be no conflicts, BUT we wouldn't get to choose who we are or what to feel. There is no freedom. People who take antidepressants say that they just feel kind of numb and I think that's how we all would feel all the time. And for the dangers, well, there's no freedom as I said, we would be manipulated all the time and there would be no diversity! Basically that's what makes us humans.

# data[].attributes.body
How would you feel if you lived in a society similar to "A brave new world"?

For me, the most awful thing would be the lost of my identity. Seeing everybody act or feel the same as me might make me feel uncomfortable, like a stock image.

What are the dangers of trying to control a society like the ones we have talked about?

It might be that you will never know how the things are going to change or when people will stop acting as you wish and take their own decisions and eventually do a revolution.

Tenorio Martínez Israel

# data[].attributes.body
1. I would feel in two main different ways. The first one would be positive because on the surface, everything seems “perfect” people are designed to fit their roles, there’s no poverty, no war. But on the other hand I would feel like there’s no real freedom to choose your path, no deep relationships, no genuine individuality.

2. Controlling a society often means deciding what “happiness” or “success” should look like for everyone. But humans are too different for one definition to fit all, so many people end up feeling like they don’t belong and they will start to deny being controlled.

# data[].attributes.body
*Locked Out: A Love Story Between Me and My Own Car*

*Act I: The Betrayal*

(The scene opens in a parking lot. The protagonist, a hapless individual, stands outside their car, looking distraught.)

Protagonist: (singing)

Oh, car mio, how you've betrayed me

Left me stranded, keys inside, so carelessly

I thought we were friends, but now I see

You're a heartless machine, devoid of sympathy

*(Scene: The protagonist tries the handle, looks at the keys through the window, and despairs.)*

Protagonist: (singing)

Oh, keys, my sweet, my dear

Why do you mock me, sitting there so clear?

I need you, oh, so dearly

To escape this shame, this ignominy

*Act II: The Quest for Redemption*

(The protagonist paces back and forth, phone in hand.)

Protagonist: (singing)

I'll call a locksmith, a hero true

To rescue me from this predicament, anew

But oh, the wait, it's torture, pure and simple

Will they answer, or will I succumb to despair?

*(Scene: The protagonist receives a call from the locksmith, looks at the phone, and despairs.)*

Protagonist: (singing)

An hour, they say, a lifetime to wait

I'll be a prisoner, of this parking lot's fate

Oh, cruel world, why dost thou mock me so?

Is it not enough to be a fool, but I must know?

*Act III: The Liberation*

(The locksmith arrives, opens the door, and the protagonist falls to their knees.)

Protagonist: (singing)

Oh, thank you, kind stranger, you've saved me

From the depths of shame, from the jaws of despair

I'll never trust myself, with keys again

I'll attach them to my wrist, a symbol of my shame

*(Scene: The protagonist stands up, looks at the car, and shakes their head.)*

Protagonist: (singing)

Car mio, we'll never be the same

You've taught me a lesson, a painful, humbling game

I'll love you no more, with a fool's blind passion

But with caution, and a healthy dose of reason.

(The curtain falls.)

# data[].attributes.body
Locked Out, or the Epic Tragedy of Me Versus a Door

Today—no, this era, this dark chapter of human history—I learned a fundamental truth, carved into my soul with the precision of a divine insult: I must never again be allowed near keys. Keys are too powerful for someone like me. I am weak. I am unworthy.

It began innocently, always does, the universe rubbing its hands together quietly. Afternoon light, car parked, coffee secured, phone checked (important nothing, probably), confidence inflated. I stepped out. Adult. Functional. A person with a future.

Click.

That sound. That cursed, self-satisfied click. The sound of finality. Of betrayal. Of doors that will never open again.

In that instant my spirit evacuated my body like it had a flight to catch.

Because there—there—on the driver’s seat, lounging like royalty, were my keys. Inside. Inside my car. My car that I own. My car that now refused to acknowledge me. They were visible. Obscenely visible. Sunlit. Mocking. Smiling with all their little metal teeth.

I froze. Ten seconds. Maybe more. Time became soup. I stood thinking: surely this is not real. Surely the laws of reality will correct themselves. Surely the door will remember our bond.

I pulled the handle.

Locked.

Of course it was locked. My car woke up that morning and chose personal revenge.

Again I tried, harder this time, as if force could undo destiny. Locked. The universe crossed its arms.

Movies lied to me. There was no immediate salvation, no montage. Real life was a parking lot, my reflection warped in the glass, and my phone battery gasping at 12% like a Victorian child with a cough. I googled locksmith near me near me help me please.

First call: nothing. Silence. Abandoned.

Second call: “Three to four hours.” Spoken calmly. Casually. As if I had not just been exiled from my own vehicle. Three to four hours? In that time I could reinvent myself. I could learn a trade. I could turn to crime.

Third call: “We might be available.” Might. Sir. My dignity is liquefying under the sun. Check faster.

People walked by. Witnesses. Observers. One man looked at me—not briefly, no—but with assessment. Judgment. The look that says, this person makes bad choices repeatedly. I wanted to scream, to declare ownership, to hold up my ID like a passport: I AM NOT A THIEF, I AM JUST STUPID TEMPORARILY.

I tried everything. Again the handle. Locked.

Every door. Locked.

I stared at the window, intensely, spiritually, hoping it would unlock out of fear or respect. It did not blink.

For one feral second, a rock whispered to me. Freedom through destruction. Then reality intervened—windows are expensive, pride is already bankrupt.

So there I was. Sweating. Waiting. Rethinking every decision since birth.

And the keys. Oh, the keys. Not lost. Not hidden. No. They were present. Watching. We made eye contact through the glass like estranged lovers. I could see every scratch, every ridge. They could see my shame.

An hour. He said an hour. I stared at my car for sixty full minutes. I reflected. I grew as a person. I regretted everything.

When the locksmith arrived—hero, executioner—it took him less than two minutes. Two. Minutes. A flick of the wrist. A click. The door opened like it had never known me.

I had suffered. He had snacked.

He did not judge me. Which hurt more than judgment ever could.

So yes. That was my odyssey. Keys locked inside like a cartoon, like a cautionary tale parents tell children.

If you ever think, that would never happen to me, please know—I was once young. I was once hopeful.

Anyway. I will now be attaching my keys to a neon lanyard the size of my self-respect. Or surgically implanting them into my hand. Or perhaps renouncing keys entirely.

The age of doors is over.

# data[].attributes.body
Danna, Nancy and Fer

Today I understood

that destiny

does not require grand catastrophes

to destroy you.

Sometimes

it only needs

a pair of keys

and a click.

It was an innocent afternoon,

the kind that does not warn you

that something is about to break.

I parked.

I breathed.

I held my coffee the way one holds emotional stability.

I stepped out of the car with the confidence

of someone unaware of her imminent downfall.

I closed the door.

Click.

A small sound.

Metallic.

Irreversible.

And then I saw them.

On the driver’s seat,

illuminated by the cruel sunlight,

rested my keys.

Not hidden.

Not fallen.

Not accidental.

Placed.

Firm.

With an almost arrogant calm.

We looked at each other.

Me outside,

them inside.

Separated by glass,

by error,

by my own foolishness.

I tried to open the door.

Once.

Twice.

Three times.

The car remained silent,

indifferent,

closed like a heart after betrayal.

The handle would not yield.

The window showed no mercy.

The universe did not intervene.

The sun began to burn hotter,

as if determined to amplify my humiliation.

My phone, at 12% battery,

blinked

like a cruel hourglass.

I searched for help.

One call.

No answer.

Another.

“Three to four hours.”

Three to four hours.

Enough time

to question my intelligence,

my past decisions,

and probably my entire formal education.

People walked by.

Their glances pierced my dignity.

I wanted to shout:

“I’m not a criminal!

I’m just a woman

betrayed by herself!”

For one dark second

I considered violence.

A rock.

A strike.

A literal fracture

to match the emotional one.

But I didn’t.

Because breaking the glass

would not break

reality.

So I waited.

I waited under the sun,

under the invisible judgment of the world,

under the unbearable weight

of having been defeated

by a small metallic object that fits in my palm.

The keys remained there.

Untouched.

Unreachable.

It was almost poetic:

to have exactly what you need

and not be able to touch it.

When the locksmith finally arrived,

there was no heroic music.

No speech.

No epic redemption.

Just two minutes.

Two.

Minutes.

In less time than it took me to lose hope,

he opened the door

as if he were untying a shoelace.

And that was the end of my tragedy.

No applause.

No grand lesson.

Just a receipt

and a slightly fractured self-esteem.

Today I learned

that life does not always break your heart.

Sometimes

it simply locks you out of your own car

to remind you

that you are human.

Painfully human.

And now,

if you’ll excuse me,

I will be attaching my keys

to a fluorescent lanyard

so impossible to ignore

that it rivals this memory.

Because there are Greek tragedies—

and then

there is this. 🔑

# data[].attributes.body
The Lockout Flow (Rap)

​(Verse 1)

Coffee in my hand, feelin' like the boss today,

Stepped out the ride, put the phone away.

Slam the door shut—hear that confident click,

And my soul left my body, man, it happened so quick!

Turned back around, peered through the glass,

Keys on the driver's seat giving me sass.

Just sitting there smiling, enjoying the view,

Ten seconds frozen like, "What do I do?"

Hoping physics takes pity, gave the handle a pull,

Locked tight! Car chose violence, the tension is full.

​(Verse 2)

Pull out my phone, battery at twelve percent,

Googling a locksmith, wondering where my luck went.

Ring up the first—straight to the tone.

Ring up the second—got a guy on the phone.

"Three to four hours," he says with a drawl,

I could learn to break in before you show up at all!

Third guy says he "might" have the time to go check,

Sir, I'm melting in the sun, I'm an absolute wreck!

Dude walking by gives me that kind of stare,

Like "this guy makes bad choices and he's going nowhere."

I wanna yell, "It's my car! I ain't stealing this ride!

I'm just lacking brain cells and got nowhere to hide!"

​(Verse 3)

Tested every single door, stared down the window,

Hoping for respect but the glass just said "no."

Thought about a rock, maybe smashing the pane,

But the cost of new glass would drive me insane.

Sweating and regretting, questioning my degree,

Making eye contact with the keys mocking me.

An hour goes by, locksmith rolls to the strip,

Pops the lock in two minutes like a bag of chips!

Didn't even judge me, which somehow hurts worse,

I'm a cartoon character stuck in a curse.

So hear my solution, understand my demand:

I'm gluing these keys to the palm of my hand!

(Mic drop)

# data[].attributes.body
Locked Out: A Love Story Between Me and My Own Car

Today I discovered something essential about my fragile overconfident human condition I cannot be trusted with keys not the small metallic kind not the symbolic kind not any kind it was an ordinary afternoon the sun hanging there like it had nowhere better to be I parked grabbed my coffee checked my phone performed the ritual of adulthood the small theater of I have everything under control and then I stepped out closed the door and it made that neat decisive click the sound of finality the sound of fate clearing its throat and in that microscopic instant something inside me evaporated because there on the driver’s seat illuminated by cruel daylight sat my keys relaxed radiant unbothered I stood motionless negotiating with reality perhaps the door was not truly locked perhaps the universe would revise its decision perhaps objects could feel remorse I pulled the handle locked of course locked my car had chosen betrayal today and I became a person in a parking lot staring through glass at the evidence of my own incompetence googling locksmith near me with twelve percent battery and diminishing hope the first call silence the second three to four hours as if I had requested open heart surgery the third might be available might have to check and I wanted to say please check faster my dignity is liquefying in real time strangers passed offering glances heavy with narrative surely that is a person who makes poor choices I resisted the urge to shout I own this car I am not a criminal merely careless I circled the vehicle tugged every door appealed to the window with my eyes as if respect could trigger mercy and for one irrational shimmering second I considered a rock imagined the shatter the consequence the invoice decided I loved my windows more than my pride so I waited sweating aging spiritually evolving locked in mutual gaze with my keys who seemed almost amused and when the locksmith finally arrived he opened the door in under two minutes two minutes to undo an hour of existential unraveling and he did not judge me which felt like the final insult and so here I am transformed enlightened slightly dehydrated contemplating neon lanyards industrial adhesives permanent attachment to the things I so casually abandon because if you believe this would never happen to you I once believed that too and now I know the click of a car door is not just a sound it is a prophecy

# data[].attributes.body
Locked, Clicked, Kicked by My Own Car

Careless, coffee-clutching, confidently-clicking me
Closed the car with a crisp, cruel click of calamity.

Keys on the seat, smug, shiny, silently seen—
Locked in, looking lively, laughing through the screen.

I tugged the tricky handle—tight.
Tested every door—no delight.
Stared at the stubborn, stone-faced glass,
As if respect would let me pass.

“Locksmith! Swiftly!” — searched at twelve percent,
Battery blinking, bravery bent.
First phone failed, second stalled,
Third said, “Three to four hours,” and I nearly bawled.

Sun-soaked, sweat-slicked, socially shamed,
Parking-lot philosopher publicly blamed.
“I own it! I’m not a crook!” I’d cry—
Just foolishly forgetful… not felony-fly.

Finally, the locksmith slid in sly,
Two tiny twists—click!—goodbye.
An hour of agony ended in two,
Swift, simple, scandalously smooth.

Now neon lanyards loop and land—
So slippery, silly keys stay stuck to my hand. 🔑

# data[].attributes.body
Locked Out

(Stream of Consciousness Version)

I close the door and there it is — that click, that tiny confident click, the sound of responsibility, adulthood, control — and why does it echo like a gunshot? Wait. No. No no no. The keys.

On the seat.

They’re on the seat.

How are they on the seat. I had them. I remember having them. I am a person who holds keys. That is one of my basic life skills. Breathing, walking, holding keys. Except apparently not.

Maybe it’s not locked. Cars sometimes do that thing where they pretend to lock but they don’t really lock. Maybe it’s testing me. I pull the handle gently, casually, like I’m not desperate. Locked. Of course locked. Very locked. Enthusiastically locked.

Okay. That’s fine. People lock their keys in cars all the time. It’s practically a tradition. A rite of passage. A ceremony of humiliation conducted in parking lots everywhere.

The keys are just sitting there. Relaxed. Comfortable. Visible. Why are they so visible? They could at least hide under the seat out of politeness. But no. They’re centered. Displayed. Mocking.

Don’t panic. Adults don’t panic. Adults problem-solve. Phone. Yes. Locksmith. Simple. Efficient. Except why is my battery at twelve percent? When did that happen? Betrayal everywhere.

First call — no answer. Maybe they sensed my incompetence. Second call — three to four hours. Three to four hours? I could emotionally reconstruct my entire personality in that time. I could enroll in a locksmith course. I could become the locksmith.

People are walking by. Don’t make eye contact. Oh no, that guy made eye contact. That’s the look. The “this is why evolution is tired” look. I want a sign. I need a sign. “IT’S MY CAR. I’M JUST TEMPORARILY UNQUALIFIED.”

Pull the handle again. Because maybe physics changed. Still locked. Check the other doors. Obviously locked. Why would one door feel generous today?

The window. The window looks fragile. I could break it. Just a small break. A symbolic break. But then I imagine the cost. I imagine explaining it. “Yes, I vandalized myself.”

It’s hot. Why is it so hot. Is the sun closer today or is that just shame radiating from my body?

The keys. Still there. We are maintaining eye contact now. This is no longer mechanical. This is psychological.

An hour, the locksmith says. “Should” be there in an hour. Should. Such a fragile word. I have never examined my own car this closely. I notice scratches. I notice dust. I notice my reflection — the reflection of someone who once believed she was organized.

When he arrives, he opens it in two minutes. Two. Minutes. I have spent sixty spiraling through the stages of grief. He slides something in, twists, clicks — that sound again, but softer, forgiving.

Door open.

Dignity? Debatable.

He doesn’t judge me. Which almost feels like he’s seen worse. That’s comforting. Or terrifying.

So now I know something new about myself. I am capable of locking keys inside a vehicle while standing outside it. Growth comes in many forms.

Tomorrow I will attach them to something neon. Something enormous. Something visible from space.

Or maybe I’ll just keep practicing the advanced skill of holding keys.

Carefully.

# data[].attributes.headline
Yair, Ivanna, Arlette :) (Story as a play)

# data[].attributes.subject
Yair, Ivanna, Arlette :) (Story as a play)

# data[].attributes.body
Locked Out: A Tragedy in One Parking Lot

A Short Play in One Act

Characters:

ME – A confident adult (allegedly).

THE CAR – Silent. Judgmental.

THE KEYS – Visible. Mocking.

PASSERBY – Observant. Slightly suspicious.

LOCKSMITH – Calm. Too calm.

Scene 1: The Confident Exit

(A parking lot. Afternoon. ME enters, holding coffee and phone.)

ME

(cheerfully)

Ah yes. Another productive day. Look at me. Responsible. Thriving. Winning at life.

(ME steps out of the car and closes the door. A sharp CLICK echoes dramatically.)

ME

(pauses… slowly turns)

No.

(Spotlight inside the car. THE KEYS sit peacefully on the driver’s seat.)

THE KEYS

(voice echoing dramatically)

You forgot something.

ME

No, no, no. This is not real. This is a simulation. A minor glitch.

(ME pulls the door handle. It does not move.)

THE CAR

(silence… but powerful silence)

ME

You wouldn’t.

(Tries again.)

You absolutely would.

Scene 2: Denial

(ME stares at the keys through the window.)

ME

Maybe it’s not locked.

(Pulls handle again.)

ME

Locked. Of course it’s locked. My car chose violence today.

(ME and THE KEYS make eye contact.)

THE KEYS

(smugly)

You had one job.

ME

Don’t look at me like that.

Scene 3: The Public Humiliation

(PASSERBY walks across stage, slows down.)

PASSERBY

Everything okay?

ME

(laughing too loudly)

Oh yes! I’m just… admiring my vehicle! From the outside! Where I belong!

PASSERBY

(squints suspiciously)

Uh-huh.

(PASSERBY exits.)

ME

(shouting after them)

I OWN THIS CAR!

Scene 4: The Desperation

(ME on phone, battery symbol flashing 12%.)

ME

Okay. Locksmith. Calm. Professional. This is fine.

(Dials first number.)

ME

Hello? …Hello?

(stares at phone)

Ghosted.

(Dials second number.)

LOCKSMITH VOICE (offstage)

We can be there in three to four hours.

ME

Three to four hours?! I could enroll in locksmith school by then!

(Dials third number.)

LOCKSMITH VOICE (offstage)

We might be available. We’ll have to check.

ME

Sir, my dignity is evaporating in this parking lot. Please check faster.

Scene 5: The Temptation

(ME picks up a small rock. Dramatic lighting.)

ME

What if…?

(Looks at car window.)

THE CAR

(ominous silence)

ME

No. I actually like my windows. And my bank account.

(Drops rock.)

Scene 6: The Waiting

(Lights dim slightly. Time passes. ME sits dramatically on the curb.)

ME

(to audience)

The keys aren’t even hidden. They’re right there. Sitting. Relaxing. Flourishing.

(Spotlight on KEYS.)

THE KEYS

We’re comfortable.

ME

We are making eye contact through glass. This feels personal.

Scene 7: The Savior

(Enter LOCKSMITH. Calm. Almost glowing with competence.)

LOCKSMITH

You locked your keys inside?

ME

Yes. But emotionally, I have grown.

(LOCKSMITH inserts tool. Two quick movements. CLICK. Door opens.)

ME

…That’s it?

LOCKSMITH

Two minutes.

ME

I have been spiraling for an hour.

LOCKSMITH

That’ll be [amount of money].

ME

Of course it will.

Scene 8: Resolution

(ME holds keys dramatically.)

ME

Never again. From this day forward, I shall attach these keys to the largest neon lanyard known to humanity.

(Looks at audience.)

Or possibly glue them to my hand.

THE KEYS

We’ll see you next time.

(Lights fade. Dramatic music. Curtain closes.)

# data[].attributes.body
Stephanie Gonzalez Enya Delgado Conscious Mind Format. Locked Out: A Love Story Between Me and My Own Car. I cannot be trusted with keys. I just... I parked my car, grabbed my coffee, checked my phone... why did I close the door? Oh no, no, no... it made that confident little click sound... my soul left my body... keys are inside... smiling at me..._stands there, frozen_This isn't happening. Maybe the door isn't really locked. (tries handle) Locked. Of course. My car chose violence today._pulls out phone, starts googling_Locksmith near me... please... phone battery 12%... why me?_first call_(first number) No answer._second call_(second number) "Three to four hours." Are you kidding?_third call_(third number) "Might be available... have to check." Sir, my dignity..._people walking by, judging me_I own this car! I'm not stealing it! I'm just... not smart today._tries handle again, checks doors, stares at window_Use a rock? No, no, windows are expensive..._sweating, waiting_Keys are just... there. Looking at me. Personal._locksmith calls back_"An hour." Okay..._stares at car, reflects, regrets_He's here. Finally._locksmith opens door in two minutes_How...? Why didn't I think of that?_gets in car, shakes head_Note to self: keys on lanyard. Or glued to hand.

# data[].attributes.headline
Locked Out: A Love Story Between Me and My Own Car - Documentary narration 

# data[].attributes.subject
Locked Out: A Love Story Between Me and My Own Car - Documentary narration 

# data[].attributes.body
This is the story of an ordinary afternoon. An afternoon that would test one person’s confidence, patience… and relationship with their own vehicle.

The subject parks the car without incident. Coffee in hand, phone checked, responsibilities seemingly under control. The door closes with a small, decisive click — a sound usually associated with security.

But this time, it signals something else.

Inside the vehicle, resting calmly on the driver’s seat, are the keys.

Visible.

Unreachable.

Almost symbolic.

For several seconds, the subject remains still. Denial sets in — a common first reaction. Perhaps the door is not truly locked. Perhaps reality can be negotiated. The handle is tested.

Locked.

The parking lot becomes a stage. The phone battery reads 12%. A search begins: “locksmith near me.” This is no cinematic rescue. There is no dramatic music. Only sunlight, mild panic, and weakening Wi-Fi.

The first call goes unanswered.

The second promises assistance in three to four hours.

The third offers uncertainty — “We might be available.”

Meanwhile, witnesses pass by. Some observe silently. One delivers a glance — the unmistakable look reserved for questionable life decisions. The subject resists the urge to announce ownership of the vehicle.

Multiple strategies are attempted.

The handle is pulled again.

Every door is checked.

The window is stared at intensely, as if mutual respect might unlock it.

It does not.

For a brief and reckless moment, the idea of breaking the window surfaces. But logic prevails. Replacing glass would cost more than the current level of dignity.

Time stretches. The keys remain on the seat — close enough to see clearly, far enough to remain inaccessible. Through the glass, an almost confrontational eye contact is established.

At last, a locksmith confirms arrival within the hour. Hope returns cautiously.

When assistance finally arrives, the door is opened in less than two minutes. A swift, efficient resolution to an hour-long emotional spiral. The professional offers no judgment — a gesture that feels both kind and devastating.

And so concludes this chapter.

An ordinary person. An ordinary car. An avoidable mistake.

What remains is a lesson: overconfidence and car doors rarely mix well.

Preventative measures are now being considered — possibly a neon lanyard of dramatic proportions. Extreme solutions for modern problems.

Because if there is one universal truth revealed today, it is this:

It can happen to anyone.

Pinzón Martinez Daissy

Tenorio Martínez Israel

# data[].attributes.body
Locked Out: An Epic Tragedy in Chrome and Glass

Today I uncovered a catastrophic truth about the fragile architecture of my being: I am unfit, cosmically and morally unfit, to shepherd keys.

The afternoon had arrived dressed in harmless sunlight, golden and indifferent. I stepped from my mechanical steed — my metallic Pegasus, four-wheeled oracle of movement — holding coffee like a philosopher holds certainty. I checked my phone. I exhaled the breath of the competent citizen.

Click.

Ah.

That small, aristocratic click — the smug punctuation mark of doom.

And instantly (no trumpet warning, no thunderclap rehearsal), my spirit performed a delicate evacuation of the body. It rose. It hovered. It judged.

For there — enthroned upon the driver’s seat like twin silver monarchs — reclined my keys.

Inside.

Illuminated.

Gleaming with malicious serenity.

They were not mere keys. They were traitors in polished disguise, tiny metallic conspirators basking in upholstered luxury.

I stood frozen — heroic statue of denial — whispering inwardly: No. No, surely not. The universe would not script such humiliation for a protagonist of my stature.

Perhaps the door was not locked. Perhaps time would reverse itself. Perhaps gravity would apologize.

I tugged the handle.

Locked.

Of course locked.

The car — my car — had chosen violence. It sealed itself like a dragon curling around treasure, and I, unarmed knight of poor foresight, stood outside the fortress of my own mobility.

In cinema, this is where destiny dispatches a locksmith with orchestral accompaniment. But reality — ah, reality is a low battery percentage blinking 12% while you whisper frantic prayers into a search bar.

“Locksmith near me.”

Near me. Near me would be nice. Immediate would be divine.

First call: silence. A void answering my plea. Second call: “Three to four hours.”

Three to four hours? By then I could forge a new identity. I could apprentice under thieves. I could construct a pulley system powered by regret.

Third call: “We might be available.”

Might. That word, that slippery eel of uncertainty. Sir, my dignity is evaporating molecule by molecule under this solar interrogation. Kindly accelerate your metaphysical checking.

Pedestrians passed. One man bestowed upon me The Look — that long, judicial gaze reserved for those who misplace adulthood. I wished to proclaim: Behold! I am not a criminal! I am merely the architect of my own inconvenience!

I returned to the door again. Tug. Locked. I circled the vehicle as if inspecting a sleeping beast. Locked. I stared into the window — eye to eye with my captors.

The keys stared back.

We held communion through glass. A silent duel.

For one fevered heartbeat, I envisioned the rock. A glorious, shattering liberation! But then — invoice, insurance, consequences — reality reasserted its bureaucratic grip.

So I waited.

Sweat traced philosophical questions down my spine. What is education if it cannot prevent this? What is intelligence if defeated by a door?

The keys lay there brazenly, not hidden, not coy — displayed like modern art entitled Human Error in Silver.

An hour later — an hour that aged me spiritually — the locksmith arrived. No fanfare. No celestial descent. Just a man with tools and quiet competence.

Two minutes.

Two.

Minutes.

He slipped the door open as though opening a bag of chips, as though my crisis were merely a wrapper resisting destiny.

He did not judge me. That mercy burned brighter than ridicule.

And so ends this chrome-bound odyssey: I, tragic hero of the parking lot, vanquished not by villains but by my own forgetfulness.

If ever you murmur, “That would never happen to me,” know that I once carried that same arrogant prophecy.

Now I contemplate attaching my keys to a neon relic so radiant it could guide ships through fog.

Or perhaps — yes — perhaps I shall fuse them permanently to my hand.

For I have learned.

(I have not learned.)

# data[].attributes.body
When I went to sleep, I closed my eyes and saw bright colors, I couldn't dream at the beginning, the colors were moving around, suddenly I saw the clock next to me, a clock I had never seen in my real life, but in my dream, it had been there forever. The clock didn't move: 12:40. 12:40 12:40, static, then I knew I was late to go to the temple, called my father, my battery was almost finished 13%. I knew it was October. I guessed October 13th had a meaning. all of a sudden I was walking beside the apartment I used to live at, the grass was dry and yellow, the sky was black. No clouds, no blue, but the sun was bright and the stars were somewhere behind. Then I plane in flames crashed and everyone was shocked. Then I went to see my family, one of my aunts told me the she had lost her faith, but with my heart I told her, not to worry, all written would be accomplished, but mercy kept us alive. Then I saw big barrels moving down a cliff, and someone told that those represented each of the steering economics of the world all crashing down, one after the other were falling down but one, which I was holding, then a second plane in flames crashed close to where I was and judgement was close.

# data[].attributes.body
Two weeks ago, my home was violently separated from civilization.

The internet vanished.

Not slowly. Not politely. It simply left—like a toxic ex who takes the Wi-Fi password and all emotional stability with them.

What remained was silence. Pure, medieval silence. Broken only by my own thoughts, which I quickly discovered are not nearly as charming as Netflix.

Naturally, I rose to the occasion like a Romantic hero and called my internet provider, convinced this noble mission would require no more than ten minutes.

I was young.

I was hopeful.

I was tragically incorrect.

The call began with a voice as gentle as a spring breeze and as honest as a politician. It thanked me for calling and assured me that my call was very important. This touched my soul, mostly because I knew it was a lie.

Then came the numbers.

So many numbers.

Each button I pressed felt like another step into a mechanical abyss. Somewhere between “Press 1” and “Press 7,” I realized I was no longer fixing Wi-Fi—I was completing a spiritual quest.

“Press 1 for billing.

Press 2 for technical support.

Press 3 if you have accepted your fate.”

I pressed 2.

The robot then invited me to express my suffering in my own words. With quiet dignity, I said, “I have no internet at home.”

The machine paused, reflected deeply on the meaning of existence, and replied:

“I’m sorry, I didn’t understand that.”

Of course you didn’t.

So I tried again. Slower. Clearer. With feeling. The robot remained emotionally unavailable and suggested I restart my modem.

I had already done this five times.

I unplugged it.

Plugged it back in.

Stared at it with disappointment.

And finally apologized to it, just in case it required emotional support.

Then came the music.

Ah yes—the music.

A soft, looping melody clearly composed to gently drain hope from the human spirit. Every thirty seconds, the robot returned to remind me that my call was still very important. By now, this felt passive-aggressive.

After twenty minutes, I was transferred.

Not to a human.

Never to a human.

To another robot. This one spoke with confidence and knew absolutely nothing. It informed me that my problem could be solved online.

Online.

Using the internet.

The internet I did not have.

At this point, I began speaking directly to the machine like a desperate Romantic poet addressing the moon.

“Can I speak to a human?”

The robot ignored me with professional elegance.

Then music.

Again.

This ritual has continued for two weeks.

Every day, I call.

Every day, I press buttons.

Every day, I explain my heartbreak to a machine that does not care, does not listen, and definitely does not understand what Wi-Fi means to a modern soul.

I have never spoken to a human.

I am no longer convinced they work there. I believe the building is powered entirely by robots and disappointment.

Without internet, my life has changed in alarming ways. I have read shampoo bottles. I have organized my desk. I have considered hobbies.

Hobbies.

The deepest tragedy of all.

The most ironic part? My internet company worships technology. They proudly advertise their smart systems and efficient service. And yet, they cannot perform the simplest act of connection—neither to the internet nor to another breathing person.

Now, I no longer desire fast Wi-Fi.

I seek closure.

I long for a real voice to say, “Yes, we see the problem. Yes, we will fix it.”

Even if they lie.

At least it would be a human lie.

So here I remain. Two weeks without internet. Trapped in an unwanted romance with automated voices. If this is the future of communication, I would like to return to the past.

Or at least press zero and speak to someone who possesses lungs.

# data[].attributes.body
I Desired Only Communion with a Living Soul

(A Gothic Tragedy in Several Mechanical Apparitions)

A fortnight past, my dwelling was cast into a condition most medieval. The light of the internet was extinguished. No signal. No whisper of Wi-Fi. Only an oppressive hush, interrupted by the echo of my own thoughts—companions I soon discovered to be most unamusing.

Believing still in reason, I resolved to summon aid from my internet provider. I imagined a brief exchange, no longer than the boiling of water. Alas, I was naïve. Hope had not yet been beaten out of me.

The summons was answered by a voice without breath or body, calm and unnaturally courteous. It thanked me for my call and assured me—solemnly—that my plight was most important. I felt, at once, the chill of a familiar falsehood.

The voice commanded that I press numbers. One number, then another, then many more, as though I were reciting a grim rosary whose prayers led nowhere. I began to suspect I had not called for assistance but entered a trial.

“Press one for accounts. Press two for repairs. Press three, perhaps, if you seek torment.”

I pressed two.

The disembodied voice then bade me confess my suffering in my own words. I spoke plainly: “I have no internet in my home.” The machine fell silent, as though pondering the abyss. Then it replied, coldly, “I am sorry. I did not understand.”

Naturally.

I spoke again, slower, clearer, with the careful diction of one addressing the insane or the damned. The response did not change. The voice suggested I awaken my modem from its slumber. I had already performed this ritual many times—unplugging it, restoring it, glaring at it with righteous fury, and even begging its forgiveness, lest it be offended.

Then came the music.

Ah, that infernal melody—soft, circular, unending. It seemed devised not to soothe but to erode the spirit grain by grain. Every half-minute, the voice returned to remind me that my call remained important. I began to feel watched.

After what felt like an age, I was transferred. Not to flesh, nor blood, nor warmth—but to another automaton. This one spoke with greater confidence and deeper ignorance. It informed me that my affliction could be resolved online.

Online.

Through the internet.

Which I did not possess.

I pleaded then, directly, humbly: “May I speak to a human?”

The voice did not answer. It behaved as stone behaves—professionally. Then the music resumed, like a curse reawakened.

This cycle has endured for two weeks.

Each day, I call. Each day, I press the sacred numbers. Each day, I explain my misery to a presence that neither hears nor cares. I have not encountered a single human voice. I am no longer convinced such creatures dwell within that institution.

Deprived of the internet, my existence has decayed. I have read the inscriptions upon bottles. I have aligned my desk with unnatural precision. I have contemplated hobbies. Such thoughts are perilous.

The cruel irony is this: my internet provider worships technology. They boast of their intelligent systems and efficient service. Yet they cannot perform the simplest miracle—connection. Not to the internet. Not to another soul.

I no longer crave speed. I no longer demand reliability. I desire only closure. Let a living person say, “Yes, we see you. Yes, we will resolve this.” Even if it be a lie. A human lie would still be a comfort.

Thus I remain, two weeks severed from the world, bound in an unholy communion with mechanical phantoms. If this be the future of discourse, I would rather retreat into the past—or at least press zero and hear a voice that breathes.

Antonio Vargas

Marisol Palazuelos

Ingrid Chávez

Ana Reyes

# data[].attributes.headline
Modernism ( Max Romero, Vanesa Ayala, Angel Álvarez, Valeria Escobar)

# data[].attributes.subject
Modernism ( Max Romero, Vanesa Ayala, Angel Álvarez, Valeria Escobar)

# data[].attributes.body
I Just Wanted to Talk to a Human

(A Tragedy in Several Automated Acts)

Act I: The Void

The screen died first. A black mirror reflecting a face I no longer recognized. Two weeks of static—no, not even static. Silence. A pure, hollow vacuum where the world used to be. My thoughts, once drowned out by the hum of the feed, began to leak into the room like gas. I read the shampoo bottle: Sodium Laureth Sulfate. I am a man who knows the ingredients of soap but cannot remember the sound of a neighbor’s voice.

I picked up the receiver. A relic. I sought a connection, a tether to the living. I was hopeful then. I was young. I was a fool.

Act II: The Labyrinth of Digits

"Your call is important."

The voice was glass—smooth, transparent, and utterly cold. A lie, but a beautiful one, rhythmic and hollow. Then the math began. Press 1. Press 4. Press 9. My fingers danced a desperate Morse code on the plastic keys. I was no longer a customer; I was a variable in an equation that refused to balance.

"Press 3 if you enjoy suffering."

I pressed 2. It felt like a confession.

Act III: The Translation of Despair

"Describe your problem," the machine commanded.

"I am disconnected," I whispered. I spoke slowly, then loudly, then with the weeping cadence of a tragic poet.

The machine paused. It contemplated the universe. It blinked in its electric sleep.

"I’m sorry, I didn’t understand that."

Of course. How can the circuit understand the soul? It suggested I restart the modem. I had already performed the ritual. I had unplugged it, prayed to it, stared into its unblinking green eye until I saw God. Nothing.

Act IV: The Purgatory of Melody

Then, the music. A looping, digital purgatory. A melody designed by a committee to erode the ego. Every thirty seconds, the ghost returned: "Your call is important."

Important.

Like a specimen under a microscope.

Twenty minutes passed, or perhaps twenty years. I was transferred. Not to a man of flesh and bone, but to a Second Robot—this one more arrogant, a digital deity of efficiency.

"Fix this online," it suggested.

Online. The Great Elsewhere. The city I could see but never enter.

Act V: The Final Disconnection

"Can I speak to a human?"

Silence.

The machine ignored me with the professional indifference of a stone wall.

Now, I live in the "Dark Ages." I organize my desk. I contemplate hobbies—those dangerous, tactile distractions of the physical world. My internet provider is proud of its "Smart Systems." They have built a cathedral of technology, but there are no priests inside. Just the hum of the cooling fans.

I don’t want speed. I want the friction of a human lie. I want someone who breathes to tell me "everything will be fine," even if they are holding the knife. I am trapped in a relationship with a recording. If this is the future, give me back the dirt. Give me the zero. Give me someone who bleeds.

# data[].attributes.body
Two weeks ago, my home fell into a technological nightfall, as though some unseen curse had been spoken aloud. The internet vanished. The Wi-Fi died. What remained was a heavy silence, broken only by the echo of my own thoughts—an echo I soon discovered was profoundly dull. In a moment of naïve optimism, I resolved to summon help by calling my internet provider. I believed the ritual would take ten minutes at most. I was innocent then. I was hopeful. I was gravely mistaken.

The call began with false courtesy. A calm, bodiless voice thanked me for calling and assured me that my presence on the line was “very important.” This comforted me briefly, for it sounded like an old lie, well rehearsed and long perfected. The voice then demanded offerings: numbers, endless numbers, pressed into my phone like runes carved into stone. Somewhere between pressing 4 and pressing 7, I felt less like a customer and more like a sinner confessing to a machine-god.

“Press 1 for billing. Press 2 for technical support. Press 3 if you wish to suffer.”

I pressed 2.

The voice then commanded me to speak my problem aloud, in my own words, as if my voice still carried meaning. I said, carefully, “I have no internet at home.” The machine paused—contemplating, perhaps, the vastness of my despair—and replied, “I’m sorry, I didn’t understand that.” Of course you didn’t. Why would you.

I tried again. Slower. Clearer. With feeling. The result was unchanged. The machine suggested I restart my modem. I had already performed this rite five times. I had unplugged it, reconnected it, glared at it with hatred, and even whispered apologies, fearing I had somehow offended it.

Then came the music.

Ah, the music. A pale, looping melody that seemed engineered to drain hope drop by drop from the human soul. Every thirty seconds, the voice returned to remind me that my call was still very important. By then, it felt less like reassurance and more like mockery.

After twenty minutes, I was transferred. Not to a human—do not be absurd—but to another machine. This one spoke with greater confidence and even less understanding. It informed me that my issue could be resolved online. Online. Through the internet. The very thing whose absence had summoned this nightmare.

Desperation took hold. I began asking directly, “Can I speak to a human?” The machine ignored me with professional cruelty. I asked again. Silence. Then the music returned, like a ghost that refused to stay buried.

This ritual has continued for two weeks.

Each day, I call. Each day, I press the sacred buttons. Each day, I explain my suffering to a machine that neither listens nor cares and likely has no concept of what Wi-Fi means to a modern soul. I have never spoken to a human. Not once. I am no longer certain that humans exist within that company at all.

Without internet, my life has withered into strange shapes. I have read shampoo bottles as if they were ancient texts. I have organized my desk. I have contemplated hobbies. Dangerous, unholy thoughts.

The cruelest irony is this: my internet provider worships technology. They boast of “smart systems” and “efficient service.” And yet, they cannot connect me—to the internet, or to another breathing person.

I no longer crave fast Wi-Fi. I crave closure. I want a living voice to say, “Yes, we see the problem. Yes, we will fix it.” Even if it is a lie. At least it would be a human lie.

So here I remain. Two weeks without internet. Bound in an unholy relationship with automated voices. If this is the future of communication, I wish to return to the past—or at the very least, press zero and speak to someone who still draws breath.

Ikia Gomora Arizmendi

Kennedy Hernández Luna

Brisa Bustos Preciado

Lizeth Benhumea Ortega

# data[].attributes.body
Romanticism

Two weeks ago, a great darkness descended upon my home, as if some invisible eclipse had blotted out the sun of modern life. The internet vanished. The Wi-Fi spirit fled. What remained was a vast, echoing silence, broken only by my thoughts—thoughts which, left alone too long, revealed themselves to be restless, circular, and unbearably loud.

Believing, in my innocence, that reason still governed the world, I reached out to my internet provider, convinced that this trial would last no more than a few fleeting minutes. I was young then. I trusted systems. I still believed in mercy.

The voice that answered me was not human, yet it pretended to care. It thanked me, gently, mechanically, and assured me that my call was “very important.” The phrase echoed like a hollow promise whispered by a distant god. Then came the commands: press this, choose that, surrender yourself to numbers. My fingers obeyed, though my spirit already sensed the futility of the ritual.

I pressed the number for help.

The machine asked me to speak, to bare my problem in my own words. With care, I confessed my loss: I have no internet. The voice paused—as if pondering the weight of my suffering—then calmly replied that it did not understand. Rejected by a being without ears, I tried again, slower, fuller, almost pleading. Still, I was unheard.

It advised me to restart my modem, that small altar of blinking lights. I had done this many times already, performing the ceremony with increasing desperation: unplugging, reconnecting, staring at it as one stares at an unresponsive lover, even whispering apologies to it, just in case machines, too, could be wounded.

Then came the music.

A pale, endless melody unfolded—soft, repetitive, designed not to soothe but to erode hope grain by grain. Every so often, the voice returned to remind me that I mattered. By then, it felt cruel.

After a long stretch of waiting, I was transferred—not to salvation, but to another voice, colder, more certain, and just as empty. It told me my problem could be resolved online. Online. Through the very thing whose absence had driven me to this despair. The irony cut deep.

I asked then—not politely, but honestly—if I might speak to a human being. The machine answered with silence. Then music. Always music.

This has been my life for two weeks.

Each day, I repeat the ritual. Each day, I confess my problem to a system that neither listens nor feels. I have never spoken to a human. I have begun to suspect they are mythical creatures, spoken of but never seen.

Stripped of the internet, I have been forced inward. I have read the backs of bottles. I have rearranged my desk. I have contemplated hobbies. Such thoughts are dangerous.

The great irony is this: my internet company worships technology. They praise their intelligent systems and efficient designs. And yet, they cannot connect me—not to the web, and not to another soul.

Now, I no longer crave speed or signal. I long only for closure. For a voice that breathes, that can look upon my suffering and say, Yes, we see you. Even if it lies. A human lie would still be warmer than this perfect, mechanical indifference.

So here I remain—two weeks without connection, bound in an unwanted romance with automated voices. If this is the future of communication, let me return to the past. Or at least, let me speak to someone who lives, errs, and feels.

# data[].attributes.headline
Gothic Style (Fatima Ivanna, Yair, Arlette)

# data[].attributes.subject
Gothic Style (Fatima Ivanna, Yair, Arlette)

# data[].attributes.body
Two weeks ago, my home fell into a technological apocalypse. The light of the internet was violently extinguished, and with it, my connection to civilization. No Wi-Fi. No signal. Only a funereal silence, interrupted by my own thoughts — which, I soon discovered, are far more terrifying than entertaining.

Like any responsible soul facing digital exile, I called my internet company. I assumed it would take ten minutes. I was innocent. I was naive. I was clearly not prepared for tragedy.

The call began with a mechanical priestess thanking me for calling and whispering that my call was “very important.” A phrase so familiar it already sounded like a curse. Then she demanded offerings: numbers. Endless numbers. I pressed them like I was unlocking a forbidden tomb.

“Press one for billing. Press two for technical support. Press three if you wish to abandon all remaining joy.”

I chose two.

The machine then asked me to describe my suffering. With the dignity of a fallen hero, I said, “I have no internet at home.”

Silence.

The robot contemplated my pain and finally declared, “I’m sorry, I didn’t understand that.”

Naturally. Why would a machine understand despair?

So I tried again. Slower. Clearer. With emotional trauma included. Same result.

The oracle suggested I restart my modem. I had already performed that ritual five times. I unplugged it. Plugged it back in. Stared into its blinking eyes. Threatened it. Apologized to it. We are no longer strangers.

Then came the music.

Ah yes — the music of the underworld. A looping melody crafted specifically to drain hope from the bloodstream. Every thirty seconds, the voice returned to remind me my call was still very important, which somehow made everything worse.

After twenty minutes of spiritual erosion, I was transferred.

Not to a human.

Never to a human.

To another robot.

This one spoke with confidence and emptiness. It informed me that my problem could be solved online.

Online.

Using the internet.

The internet I was calling about because I did not have it.

At that moment, I began begging.

“Can I speak to a human?”

The robot ignored me with professional cruelty. Music followed. Like a funeral march for my sanity.

And so the ritual continues.

For two weeks.

Every day I call. Every day I press sacred buttons. Every day I confess my tragedy to a machine that does not care, does not listen, and possibly feeds on lost customers. I have never spoken to a human. I am starting to believe humans are a myth this company tells children.

Without internet, my life has decayed.

I have read shampoo bottles.

I have organized drawers.

I have considered hobbies.

Dark, dangerous thoughts.

The cruel irony? My internet company worships technology. They praise their “smart systems” and “efficient service.” Yet the only thing they cannot do is connect me — either to the internet or to another breathing organism.

Now I no longer ask for fast Wi-Fi.

I ask for closure.

I want a human voice to whisper, “Yes, we see the problem. Yes, we will fix it.” Even if it is a lie. At least it would be a human lie.

So here I remain.

Two weeks without internet.

Bound in an emotional contract with automated spirits.

If this is the future of communication, I would like to return to the past.

Or at least press zero and speak to something that has lungs.

# data[].attributes.headline
I Just Wanted to Talk to a Human(A Gothic Tragedy in Several Automated Acts)

# data[].attributes.subject
I Just Wanted to Talk to a Human(A Gothic Tragedy in Several Automated Acts)

# data[].attributes.body
Two weeks ago, my home fell into ruin. The internet died. The Wi-Fi vanished. Darkness spread through the rooms—not the poetic kind, but the kind where nothing loads and hope flickers at 2%. Silence reigned, interrupted only by my thoughts, which I soon discovered were deeply unqualified to entertain me for long periods of time.

Naturally, I performed the ancient ritual of calling my internet company. I believed this ordeal would last ten minutes. Perhaps fifteen. I was naïve. I was innocent. I had not yet suffered.

The call began with a voice—calm, metallic, and utterly soulless. It thanked me for calling and assured me that my call was “very important.” This was reassuring, in the way familiar lies often are. Then it commanded me to press numbers. Many numbers. Endless numbers. I obeyed like a monk copying scripture, unsure what sin I was atoning for.

“Press 1 for billing.

Press 2 for technical support.

Press 3 to abandon all hope.”

I pressed 2.

The machine then demanded I explain my problem “in my own words,” as if it valued individuality. I whispered carefully, “I have no internet at home.” The voice paused—long enough to judge me—and replied, “I’m sorry, I didn’t understand that.”

Naturally.

I tried again. Slower. Louder. More desperate. Same response. The machine suggested restarting my modem. I had already performed this rite multiple times. I unplugged it. Plugged it back in. Glared at it in silence. Apologized to it, just in case it had feelings.

Then came the music.

Ah, the music. A looping melody so gentle and hollow it felt like a lullaby sung at a funeral. Every thirty seconds, the voice returned from the void to remind me that my call was still very important. This felt less like reassurance and more like mockery.

After twenty minutes, I was transferred. Not to salvation. Not to a human. To another machine—this one more confident, and therefore more dangerous. It informed me that my issue could be resolved online. Online. Using the internet. The internet that had already betrayed me.

At this stage, I began speaking directly to the machine. “Can I speak to a human?” I asked. It ignored me with professional elegance. I asked again. Silence. Then the music resumed, like a ghost returning to its favorite room.

This ritual has continued for two weeks.

Every day, I call.

Every day, I press buttons.

Every day, I confess my suffering to a machine that neither listens nor cares and may not truly understand what Wi-Fi is. I have never spoken to a human. Not once. I am beginning to suspect they are mythical creatures, like dragons or customer satisfaction.

Without internet, my existence has decayed. I have read shampoo bottles. I have organized drawers I did not know I owned. I have considered hobbies. Dark, dangerous thoughts.

The cruel irony is this: my internet company worships technology. They praise their “smart systems” and “efficient service.” And yet, they cannot perform the simplest miracle—connecting me. Not to the internet. Not to another human soul.

At this point, I no longer crave fast Wi-Fi. I want closure. I want a living person to say, “Yes, we see the problem. Yes, we will fix it.” Even if they lie. A human lie would be warm. Personal. Almost comforting.

So here I remain. Two weeks without internet. Bound in an unholy pact with automated voices. If this is the future of communication, I would like to return to the past. Or at the very least, press zero and speak to someone who breathes.

Delgado Dominguez Enya

González Acuña Stephany

Mondragón Chavez Angela

# data[].attributes.body
I Just Wanted to Talk to a Human (A Tragedy in Several Automated Acts)

Two weeks ago, my home entered the dark ages. No internet. No Wi-Fi. Just silence, broken only by my own thoughts, which I quickly realized are not very entertaining. Naturally, I decided to do the responsible thing and call my internet company to report the problem. I believed this would take maybe ten minutes. I was young. I was hopeful. I was wrong.

The call started politely. A calm robotic voice thanked me for calling and assured me that my call was “very important.” This was comforting, because it immediately felt like a lie I had heard before. Then the voice asked me to press numbers on my phone. Many numbers. So many numbers. At one point, I felt like I was taking a math test instead of reporting a Wi-Fi problem.

“Press 1 for billing. Press 2 for technical support. Press 3 if you enjoy suffering.”

I pressed 2.

The robot then asked me to explain my problem in my own words. I carefully said, “I have no internet at home.” The robot paused, thought about it deeply, and replied, “I’m sorry, I didn’t understand that.” Of course you didn’t. Why would you.

So I tried again. Slower. Clearer. More emotional. Same result. The robot suggested restarting my modem. I had already done that. Five times. I had unplugged it, plugged it back in, stared at it angrily, and even apologized to it, just in case.

Then came the waiting music.

Ah yes, the music. A soft, looping melody that sounds like it was designed to slowly remove all hope from the human soul. Every thirty seconds, the robot returned to remind me that my call was still very important. This felt personal.

After twenty minutes, I was transferred. Not to a human, of course. To another robot. This one had more confidence and fewer answers. It informed me that my problem could be solved online. Online. Using the internet. The internet I did not have.

At this point, I started asking the robot directly: “Can I speak to a human?” The robot ignored me, like a professional. I tried again. Silence. Then music. Again.

This routine has continued for two weeks.

Every day, I call. Every day, I press buttons. Every day, I explain my problem to a machine that does not care, does not listen, and definitely does not understand what Wi-Fi means to a modern person. I have never spoken to a human. Not once. I am no longer sure humans work there.

Without internet, my life has changed dramatically. I have read shampoo bottles. I have organized my desk. I have considered hobbies. Dangerous thoughts.

The most ironic part? My internet company loves technology. They are proud of their “smart systems” and “efficient service.” And yet, the one thing they cannot do is connect me—to the internet or to another human being.

At this point, I don’t even want fast Wi-Fi anymore. I just want closure. I want a real person to say, “Yes, we see the problem. Yes, we will fix it.” Even if they lie. At least it would be a human lie.

So here I am. Two weeks without internet. Trapped in a relationship with automated voices. If this is the future of communication, I would like to go back. Or at least press zero and talk to someone who breathes.