# data[].attributes.attachment_caption
Hoa Hakananai’a (‘lost or stolen friend’), Moai (ancestor figure), c. 1200

# data[].attributes.body
would have been painted, made of basalt material

# data[].attributes.attachment_caption
Robert Campin, The Merode Altarpiece, c. 1425-28

# data[].attributes.body
intuitive perspective, angular not naturalistic drapery, disguised symbolism

# data[].attributes.body
Contrapposto = Revival of classicism from greeks, arches in architecture, repeated figures in the scene, continuous narrative

# data[].attributes.attachment_caption
Jan van Eyck, Giovanni Arnolfini and His Wife, 1434

# data[].attributes.body
vibrant, saturated, bright colors

# data[].attributes.body
free standing, made of basalt stone, Goddess of War, would have been painted

# data[].attributes.attachment_caption
Michelangelo, Sistine Chapel Ceiling, Creation of Adam, 1508-1512

# data[].attributes.body
Idealized "perfect" bodies like the classical greeks

# data[].attributes.attachment_caption
Titian, Meeting of Bacchus and Ariadne, 1522-23

# data[].attributes.body
emotional, dramatic, movement, energetic

# data[].attributes.attachment_caption
Jacopo da Pontormo, Descent from the Cross, 1525-28

# data[].attributes.body
Disproportionate bodies; elongated torsos

# data[].attributes.attachment_caption
Pieter Bruegel the Elder, Netherlandish Proverbs, 1559

# data[].attributes.body
bright, vibrant colors

# data[].attributes.attachment_caption
St. Peter’s Basilica, Vatican City, ca. 1500-1660

# data[].attributes.body
Dome = same as in Roman architecture

# data[].attributes.attachment_caption
Peter Paul Rubens, Elevation of the Cross, 1610

# data[].attributes.body
one scene of triptych, diagonal lines, foreshortening, painterly technique in horse hair and dog hair, overly muscular

# data[].attributes.attachment_caption
Frans Hals, Officers of the Militia of St. Adrian, c. 1633

# data[].attributes.body
realistic figures, movement

# data[].attributes.attachment_caption
Nicolas Poussin, The Burial of Phocion, 1648

# data[].attributes.body
classical baroque, linear and atmospheric perspective, calm

# data[].attributes.body
Breath scroll coming from nose meaning king has power to give life, Mayan hieroglyphics on back

# data[].attributes.attachment_caption
Jean Honore Fragonard, from The Progress of Love (1771-73) series: The Swing

# data[].attributes.body
movement, atmospheric perspective, dramatic scenes and movements

# data[].attributes.attachment_caption
Angelica Kauffman, Cornelia Presenting Her Children as Her Treasures, c. 1785

# data[].attributes.body
pastel colors, the moral message of raising good children, sky similar to Rococo but contained

# data[].attributes.attachment_caption
Thomas Gainsborough, Mrs. Richard Brinsley Sheridan, 1787

# data[].attributes.body
feathery trees, painterly brushstroke in hair, idealized

# data[].attributes.attachment_caption
Jacques-Louis David, Death of Marat, 1793

# data[].attributes.body
naturalistic body, muted colors, drapery

# data[].attributes.attachment_caption
Francisco Goya, The Family of Charles IV, 1800 

# data[].attributes.body
portrait showing royalty, contrapposto

# data[].attributes.attachment_caption
Casper David Friedrich, Abbey in the Oak Forest, 1810

# data[].attributes.body
medieval ruins reveal desire to escape religious past, power of nature and God over little humans

# data[].attributes.attachment_caption
Te Pehi Kupe, portraits of Maori chief Te Pehi Kupe, 1826

# data[].attributes.body
artist identity as part of Maori ancestry and culture. Anchor-shaped koru on his lower jaw signify he is a master carver, and descends from master carvers as well.

# data[].attributes.attachment_caption
Eugene Delacroix, Liberty Leading the People, 1830

# data[].attributes.body
figure like Nike statue, escapism leading people into battle, painterly brushstroke, dramaticism, movement

# data[].attributes.body
lack of color, naturalistic bodies

# data[].attributes.attachment_caption
Charles Barry and A.W.N. Pugin, Houses of Parliament, London, 1836

# data[].attributes.body
asymmetrical towers, crinilation, finials, gothic architecture, classical plan

# data[].attributes.attachment_caption
Joseph M. W. Turner, The Slave Ship, 1840

# data[].attributes.body
thick paint applied to canvas, no defined lines, painterly brushstroke

# data[].attributes.body
paint brush strokes painting, no major details

# data[].attributes.attachment_caption
Georges Seurat, Sunday Afternoon on the Island of La Grande Jatte, 1884-86

# data[].attributes.body
abstract, bright colors

# data[].attributes.attachment_caption
Pablo Picasso, Les Demoiselles d’Avignon, 1907

# data[].attributes.body
abstract, disproportionate, neutral colors

# data[].attributes.attachment_caption
Vasily Kandinsky, Improvisation 28, 1912

# data[].attributes.body
abstract, bright saturated colors,

# data[].attributes.attachment_caption
Jean Arp, Collage Arranged According to the Laws of Chance, 1916-17

# data[].attributes.body
abstract, muted colors, geometric

# data[].attributes.attachment_caption
Le Corbusier, Villa Savoye, Poissy-sur-Seine, France, 1928-9

# data[].attributes.body
international style, geometric, clean, functional, efficiently designed

# data[].attributes.attachment_caption
Frank Lloyd Wright, Kauffman House (Falling Water), Bear Run, Pennsylvania, 1936

# data[].attributes.body
geometric, abstract, simple

# data[].attributes.body
abstract, muted colors, expression artwork

# data[].attributes.attachment_caption
Frank Lloyd Wright, Solomon R. Guggenheim Museum, New York City, 1959

# data[].attributes.body
spiral concrete (like parking garage), built by George Kohan

# data[].attributes.body
extra-referential, challenging that art has to be original, Marilyn has faded as a commodity

# data[].attributes.body
abstract, geometric

# data[].attributes.body
built from mud, salt crystals, and rocks

# data[].attributes.body
geometric, clean, modern, controversial and was eventually removed

# data[].attributes.attachment_caption
Maya Lin, Vietnam Veterans Memorial, Washington, D.C., 1981-83

# data[].attributes.body
simple, clean, names in chronological order, see yourself in the men who died

# data[].attributes.attachment_caption
Brian Kershisnik, Sleeping Musicians, 2002

# data[].attributes.body
bright, saturated colors, natural movement, abstract