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Gideon, 1951, lithograph on paper, 20 x 15 1/3 inches

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Gideon, 1951, lithograph on paper, 20 x 15 1/3 inches

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Birmingham Totem, 1964, ink and charcoal on paper, 71 1/2 x 40 inches

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Birmingham Totem, 1964, ink and charcoal on paper, 71 1/2 x 40 inches

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Portrait of a Woman, 1950, Charcoal, with smudging, erasing and scratching, on tan wove paper, 24 x 17 3/4 inches

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Portrait of a Woman, 1950, Charcoal, with smudging, erasing and scratching, on tan wove paper, 24 x 17 3/4 inches

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Harvest Talk, 1953, charcoal, carbon and graphite on paper board, 26 x 39 inches

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Harvest Talk, 1953, charcoal, carbon and graphite on paper board, 26 x 39 inches

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Alexander, Sebastian, Valeria, Minntah

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Sophia Chen
Meghna Rao
Sophie Smith
WeiLai Nathan

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we thought the proportion was interesting, especially the size of the arms and hands of the man on the right, we also liked the use of highlights in the piece and we thought the background complimented the people and make them the focal point of the piece.

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we thought the proportion was interesting, especially the size of the arms and hands of the man on the right, we also liked the use of highlights in the piece and we thought the background complimented the people and make them the focal point of the piece.

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Paula, Lance, Anaiya, Riley

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What we noticed was how Charles white subject’s large eyes are inviting and warm, but the noticeable bags, along with her wrinkled face, imply that her life has been hard. He uses a lot of depth and shading to make the face really stand out.  She still has her dignity. Another thing we  was her striking large eyes address the viewer directly with a  gaze.

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i think the use of value shows the volume of the face really well

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we think that the way the eyes are drawn help show the dignity that is part of the purpose of the drawing

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Gabriella Breda
Jacob Pixton
Luke Northrop
Chloe Gilmore

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The figure in the picture is naked which shows vulnerability and a layer of protection.

The debris could represent something that the person is looking for, and the small amount of protection this person got as an African American boy could be what the blanket represents.

Figure is portrayed as small and is made to seem vulnerable, but he also seems strong because he is still standing with an area of dead/debris around him.

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Face is drawn with tiny but long lines, with more lines in the places of his face that aren't highlighted from the light (like his jaw, under his eyes, top of his nose). The places on his face that are lighter because of the light positioning are smudged. There is nothing going on in background, which gives all the focus to the face. He looks somber, or might be thinking, because he is looking off to the side. His face is tilted up, so the light is hitting the places that are elevated.