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The focal protagonist of the film. An orphaned boy amidst the walls of the station, he receives much of the obstacles on his main ethos to find purpose/fit in within the "greater machine of life"

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People who are not familiar with orphanage in early 20th century might be confused by the strong repulsion from Hugo.

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Time, magic, purpose, technology, vapor coming out

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Antagonist. The person who is continuously trying to catch Hugo. But he did save him and the automation from being ran over by a train in the near ending?

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At the beginning, it uses a long shot , high-angle shot, and dolly in.

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Protagonist: Hugo
Antagonist: George

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imran

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the clock and the ticking sound which is used throughout the movie to build tension.

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the clock and the ticking sound which is used throughout the movie to build tension.

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Main characters are all in search of a main goal in their life.

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Protagonist: Hugo
Antagonist: Station Inspector

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Family and Friendship

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Dolly in at the beginning
Shot+editing

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Protagonist: Hugo.
Antagonist: Station Inspector

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Protagonist: Hugo
Antagonist : The station inspector who wanted to catch Hugo in the orphanage.

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The whole film tries to connect a little boy who has no home like a broken robot with the missing pieces, but if you dream the fix the missing pieces of the robot, there is always a right part of the robot that can make it move again, just like us, people ever got the meaning of living there won’t be any left-over or meaningless.

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Sound of running time

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The protagonist in this movie is Hugo while the antagonist is the station inspector.

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A secondary protagonist, possibly a deuteragonist in the narrative. A foil to Hugo, he shares the boy's love of machines as it ties to his values of healing and repairing. He also shares his experience of his wonder shattered by the death of someone (Geoges with the Great War, Hugo in his family's passing).

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The motif is the clock and automaton.

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Low-angle shot

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Clocks and heart shape key

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dream

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how a heart shaped key brings a robot to life

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how a heart shaped key brings a robot to life

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Eye level , high angle, extreme close-up

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Eye level , high angle, extreme close-up

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In my opinion I think the theme is about do not give up the dream

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Hugo feels alienated from the city and is trying fit back in society since his father's death. He not only fixes machines but also people around him.

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Vapor everywhere!!!

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low angle shot, high angle

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Different angle shot (low, high)
uncut long shot
Dolly in

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Sadness

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Low angle shots, close up shots

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The automaton's shaped key.

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low angle shot

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The metal crutch of the train inspector symbolizes his suppressed childhood trauma as an orphan and time in war, which he is embarrassed of. The automaton symbolizes Hugo's inner workings through his nightmare and Isabelle's heart necklace

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Purpose

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Implicit Meaning: Realism vs Escapism and the Importance of both in the film

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Implicit Meaning: Realism vs Escapism and the Importance of both in the film

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Martin Scorsese alludes to many of the original films and uses CGI and 3D technology to provide the bridging gap between the people at the  turn of the camera's inception and the people of modern times enjoying the work of the pioneers. It helps that Scorsese has his stylistic choices to help rein the more fantastical aspects to make it palatable to an audience introduced to Nolan's Inception.

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Supporting character and author of The Creation of Dreams. He helps out Hugo and Isabelle recover Melies' old work and come to terms with his past

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The film reinforces the values of consumerism and capitalism by putting forth that everyone should have a single purpose for life that serves for the functioning of the dominant system, which is the train station in this case.

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Scorsese puts forth that art such as books and films have the ability to heal people through Georges' past story.

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PTSD and prevalence to a Western Audience

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PTSD and prevalence to a Western Audience

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Claude, though brief and posthumously important to the tale as the culmination of Gustave and Hugo's final conflict, helps to emulate soldiers who suffered PTSD. Though not implicitly a soldier, he presents qualities of those returning from the very bloody Great War, from his thousand yard stare to his penchant of drinking. Even his distant relationship with his nephew is haggard and tactless, not too dissimilar to those who came home exhausted both mentally and physically.

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dolly in
low-angle shot
cutting an action

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Everyone's existence is meaningful.

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low angle shot
dolly in

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Each of us struggles to find meaning in life in this cruel world. If we give up our dreams easily, life brings us only an endless sense of sadness.

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Each of us struggles to find meaning in life in this cruel world. If we give up our dreams easily, life brings us only an endless sense of sadness.

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the Clock, the automaton, the voice of clock, and the poster of the movie.

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Cutting on action--when Mama, Hugo, Isabelle, and the author of the book saw the A TRIP TO THE MOON.

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When Hugo went to pick up the love key in his dream, the train came. Before the train hit Hugo, the camera switches very quickly between the train and Hugo. This is a short shot. This shows the tension at the time, rather than calm, giving the audience a sense of tension and excitement.

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Antagonist: Station Inspector (Gustav)
Flower shop owner: Lisette

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Heart shaped key, automaton, gears, clock, station

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Protagonist: Hugo Cabret
Antagonist: Gustav ( Station Inspector)
other character: Lisette ( flower shop owner)

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Heart shaped key, automaton, clocks, station, train, gears

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low angle shot, zoom shot, close up shot, dolly in,

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Nobody in this cinema is actually living a happy life. Each and every main character is in need of some thing. Gutave has a injured leg and in love with Lisette. madam Emillie is in a romantic relationship with the old man. They were all looking for a purpose of living.