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Entirely self-catering

in the heart of the West End "Community"

Controlled area in the centre of west end with no access to locals or non users, this creates fragmentation

http://www.arenabrisbane.com.au/

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Although Westender claims to be the voice of West end, it can still be considered exclusive. Accessibility is contingent upon access to the Internet, and article submissions must be approved, meaning the voices of poorer, less-educated and homeless groups and individuals within West End are not represented. In this way, despite its seeming democratic nature, Westender is still "not a unified, monolithic entity that neatly encapsulates something designated as 'the local' by local consensus, but is rather the mercurial and heterogeneous outcome of different definitions of, first, news gathering and writing and, second, that which constitutes the local" (Griffin, 2002, p. 116). The Westender does not accurately capture the voice of all local residents, despite its claim to do so.

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Article "Musgrave Park Pool Turns Fifty" shows how a sense of continuity with West End's heritage are espoused and centred around connection to place. This is evidence of how "an attention to local history, memory and nostalgia... balances out the shifting and deterritorialising influence of those who are 'passing through' by injecting a note of permanence and continuity to [a place's] makeup" (Griffin, 2002, p. 115)

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Articles such as "Diversity Key to Community Harmony" show "constant hortatory allusions to [a place's] iconography and identity" (Griffin, 2002, p. 115). Discourses surrounding 'cultural diversity' and 'harmony' construct the illusion of a coherent and unified identity and act to manufacture a shared sense of belonging. Here, what is essentially a mixture of fragmented and heterogeneous identities is spun into a unified conception of local community. Articles such as this exhibit an espousal of consensus and continuity to counteract increasing dislocation and discordance.

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Deterritorialisation can come to mean a loss and weakening ties between culture and a place due to the transformation of an area . This is because Deterritorialisation is the process of which involves undoing things which have already been done and taking control away from a place which has already been established.  Place (2012) considered that deterritorialisation has caused Aboriginal people to move from newly developed urban areas, as a result forcing them to reallocate elsewhere. When looking into West End, it could be considered that the Aboriginal community feel dislocated due to not being able to use the land as they had historically. This can be shown with the example and history of Boundary Street, which represented the boundary between both the Aboriginal people and white people (McGillvray, 2011). This can lead them feeling unwanted and excluded within the area.

Place (2012). The health of Aborignial
McGillvray (2011) Geography of people and landscapes in Transition

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The theory of despatialization and its translation into West End

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The theory of despatialization and its translation into West End

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Despatialization has been linked with the term detemporalization, whereby these processes remove the restrictions of time and space from former connections, such as culture, due to globalisation (Brink, 2009). Globalisation has dramatically altered the landscape and the working of the city, as businesses build global bases across the world. As discussed in the New Mobilities Paradigm, Sheller and Urry (2006) suggest globalisation has been possible through the increased mobility of people and resources, from improvements in overseas travel and interactions through the internet. Despatialization usually encompasses the globalisation of consumption, whereby global companies replace local, independent stores.

When discussing this concept in relation to West End, it is clear to see how the process of despatialization has operated within this suburb. For example, the 2 7/11 shops on Vulture Street and Boundary Street respectively, are convenience stores, but in the past these would have been independent corner shops, which have now been bought out by this company. 7/11 is an American-Japanese international chain of convenience stores, which operates in 18 countries. This shows how with globalisation, this company has been able to make the leap overseas. Other chains seen in West End are Coles, the Gear Shop and Baskin Robbins.

However one could argue that West End has been able to resist the pressures of despatialization, as the suburb's culture has helped retain the community stores under this process. West End is renown for its independent Greek and Chinese restaurants, which have acted as importance culture ties for the community. Some may argue that West End becoming 'gentrified' and 'hipsterified' has allow more independent cafes and stores to stay on the high street and resist the process of despatialization. Examples of these stores include Bent Books, Nook and the Happy Cabin.

Therefore this allows us to question the extent to which West End has been involved in the process of despatialization. Even though global chains have admittedly come in, they have exited alongside the independent, 'hipster' like shops, adding cultural variety to this suburb, and making West End the 'cool' suburb we know today.

References:
Brink, S. 2009. Detemporalization and Despatialization - The Radical Transformation of Time

and Space by New Media in Globalization. In: The Conference of European Sociological Association, 2-5 September 2009, Libson.

Sheller, M. and Urry, J. 2006. The New Mobilities Paradigm. Environment and Planning A. 38, pp.207-226.

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How the local situates itself within a globalised context

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How the local situates itself within a globalised context

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Subsections of community news, national news, global news shows Westender "extracting audiences from local identifications and commitments and submerging them in virtual and fluid global information and entertainment 'flows' disconnected from temporal and spatial constraints and locations" (Griffin, 2002, p. 110); positions West End on a global spectrum.

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The urban village of West End hums to its own beat amid eclectic sights and sounds of a huge multicultural community. It's a pedestrian affair with all manner of grocers, urban cafes and retro store chic. For more information on West End please visit http://www.queensland.com/explore-queensland/brisbanehttps://www.youtube.com/edit?o=U&video_id=O_nZHpGo5tg

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Postmodernity, 're-territorialisation' and West End: constructions of identity and community within processes of de-territorialisation

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Postmodernity, 're-territorialisation' and West End: constructions of identity and community within processes of de-territorialisation

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Local news production, Westender, as a site in which to analyse:

1. The relationship of the local and the global in postmodernity;

2. The role of local media in "representing (reflecting, mediating and constructing)…[West End] and its communities through the determination, selection and interpretation of local news" (Griffin, 2002, p. 105)

Theorists explain the return to the certainties and reassurances of ideas of local community and cohesive identity as a reassertion and reclamation of a sense of control and connection to place, space and community during an epoch where communities are increasingly heterogenious, fragmented and threatened by changing social and globalised forces (Griffin, 2002, p.108).

I argue that Westender constructs and reinforces coherent and self-conscious identifications with the idea of community in West End as a process of re-territorialialisation in the wake of globalising and de-territorialising pressures.

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Westender - West End 4101 - Brisbane's Urban Voice

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Posted by Kerrod Trott | | Live!, Visual arts | |

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Global expansion within West End, with chain businesses on the rise pushing out locally or family owned retailers and a contrived heritage within the area. With the rise of fast fashion stores in the area, it has caused smaller businesses to lose business due to the affordability aspect.This Despatialization can be seen especially within food sector of West End.

Johnathan Sri, Green's candidate for the Gabba ward recently organized a “cash mob” to take place at Charlie and Liz’s Family Fruit Market on October 1, 2015, which more than 100 people attended in a bid to raise the business’ profile and encourage regular shoppers. Sri believed that fruit market was the heart and soul of West End and with the expansion of large supermarket chains, small businesses are important to retain.

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The postmodern cycle of civilization has become independent from the historical processes we once saw in West End. We have moved back to the settlement design which had no correlation to nature, quality of life, or any identity of place. Instead of settlements, it is now 9 story's high with everything a person could want. The postmodern world has been determined through the intrinsic breakdown of territorialized socioeconomic systems, which is now organized with artificial replacements of space.

The shift to a cyberspace world means many human activities e.g. production, consumption, entertainment, art, socializing (Magnaghi, 2006) neglect place. Once ordinary physical contact has now become a superficial form of a phenomenon. The desire for social interactions no longer take place in an urban space, instead, throughout the cyberspace age, the aspects of a relational life has greatly diminished the city's symbolic function and representation.

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A high-rise apartment was planned to be built in the suburb of West End

The development planning was going to stretch along Montague Road, which include a major supermarket, retail space, and 193 units across two buildings; one eight storeys and one nine storeys

It will be entirely privately owned, and despite its advertisement as a "cultural, social and retail centre" it will create an exclusive environment

those who reside in the property will always be the priority whereas undesirables will be excluded

The large size of the development raised local's concern; as mentioned by Cr Sri "I've written a 17-page submission because it raises so many glaring, concerning issues in terms of traffic management because that area is quite congested already."

The proposal of establishing a very large supermarket, however, could threaten the local businesses such as small delis, smaller fruits and vegetables shops, and also the West End's famous Davies Park markets.

http://www.brisbanetimes.com.au/queensland/controversial-west-end-development-could-be-left-to-bureaucrats-20160510-goqman.html

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1. A statement of style
An architectural style in response to the formal, sterile and high-rise modernist architecture. Typified by its playfulness, ambiguity and illusoriness. Usually involves a decontextualisation of historical form and then a reconstruction for functions of spectacle, entertainment or distraction.

2. A method of analysis
Associated with deconstructionist analysis and critiques of existing authorities and interpretations to reveal underlying 'cultural codes' within discourses. Emphasis on criticality, skepticism and fragmentation.

3. An epochal transition
A view of modernity's dominant narratives of human reason, science and progress as having failed. Critique of modernity as having led to ecological and social degradation.

Hannigan, J. A. (1995). The Postmodern City: A New Urbanization?. Current Sociology,
43(1), 151-217.

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Heritage has become valued as that aspect of postmodern society emphasising
authenticity, diversity, texture, and a sense of place. The past has become a source of ideas and inspiration, with a kind of forward-looking retrogression
taking hold. Conservation of historic resources has lately also become identified with both environmental and economically sustainable development.

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An exact definition of postmodernism remains elusive. It is an opaque term that is 'rich, open and contested' (Doel & Matless 1992: 1). It is used variously to describe a beginning and an end; a transition and a climax; a state of mind and a
process. It describes both reaction and critique; rhetoric and substance; subject and object. In his seminal essay on planning and postmodernism, Dear (1986) ascribes three legitimate dimensions to the term: as a statement of style (for example, in architecture and urban design), as a method (deconstructionism), and as an epochal transition. Postmodernism is approached here in an heuristic
sense as an epoch, defining the Zeitgeist of the present era. In the theatre of urban planning, new trends are discernible which reflect fundamental shifts in social life and economic organisation. The mantle of postmodernism helps highlight both disjunctives and continuities from the past.