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Don't read this.. we don't want you to.. but if you must...

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talks about the families background.

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While the Medici family was predominant, Florence became the cultural center of Europe and also became the cradle of new Humanism.

BACKGROUND

The Medici were possibly the richest family in Italy. In the 13th Century the family began to gain wealth. At the end of the thirteenth century, the family's wealth increased when one of the members of the family served as gonfalero (bearer of a high ceremonial office).

In the fourteenth century their wealth increased again.

Savestro de Medici led people in revolt against the ciompi (small artistanate) and later he became so popular that he became defacto dictator of Florence. Then in 1383 his wealth decreased when he was banished.

Giovanni Bicci de Medici regained family power by making the family the richest family in Italy, possibly Europe. The growth in political power also increased when he became gonfalero in 1421.

Giovanni's son, Cosimo de Medici, was to be the real founder of the family's fortune. In 1434, Cosimo controlled the government in Florence. For the sixty years Cosimo ruled Florence but he had no official title. He ruled in the early 15th Century when he ran for office. He held office in Florence's highest magistry and at the same time he managed interests in banking, trade, and industry. Later on in a political battle with another powerful family called the Albizzi family, Cosimo lost and was banished. But since a lot of people supported him, he was recalled and the Albizzi family was banished in return.

Cosimo had done a lot for the city of Florence. He had spent lots of his money on his city and supported artists and sculptors. Churches were built and many large libraries were produced with the books he collected. After Cosimo had died he won the title of Pater Palrige (father of his country).

Cosimo had two sons and while his first son, Pier, ruled things kind of slipped. Then once again their wealth increased because of his other powerful son named Lorenzo.

Lorenzo was a poet, statsman, politician, banker, patron of artists, writer, philosopher, and he played an important role in Italian politics. He had spent some of his time writing poetry and carnival songs. Although he didn't occupy any official post, he did a lot of good things for the people. An example of one of his qualities was he paid for artists' education and supplied them with homes by buying their work. He was truly a man of the Renaissance.

ACCOMPLISHMENTS

One of the many accomplishments that the Medici family offered in the Renaissance period was when their wealth had first begun. One member became gonfaler standard bearer. From then on the word success fitted the Medici family well. While they ruled the city of Florence they did many incredible acts, such as spending money on their city, and making it the most powerful state in Italy. They also made it the world's most beautiful city. It became the cultural center of Europe and was known as an art center and cradle of New Humanism. They also spent some of their wealth on having the largest library in Europe; they brought in many Greek sources. They founded the Platonic Academy and supported artists by feeding them, educating them, and providing them with the necessities. Some of those artists were Donatello, Michelangelo, and Raphael. The family also did a lot of charitable acts such as cultivating literature and the arts. The Medici family was very helpful.

The Medici family members were very interested in the rebirth of learning in Europe and under their patronage the Renaissance flourished.

The Medici family tree

1.) Chase, Marilyn. The Italian Renaissance. St. Louis, Milliken Publishing Company, pp. 3-4.

2.) [http://galileo.imss.firenz.it/museo/b/emedicif.html]."The Medici Family." 1996.

3.) [http://www.settingsun.com/medici/page8.html].

4.) Martin, Geoffrey John. "Mercator, Gerardus." Grolier Electronic Publishing, Inc., 1995.

5.)"The Medici Family." The World Book Encyclopedia.1991, vol.13 p. 362.

6.) Van Helden, Albert. [http://es.rice.edu/ES/humsoci/Galileo/people/medici.html]. "The Medici Family." 1996.

This page was prepared by Stephanie, grade 8, Riverdale Secondary School.

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In the fourteenth century their wealth increased again. Savestro de Medici led people in revolt against the ciompi (small artistanate) and later he became so popular that he became defacto dictator of Florence. Then in 1383 his wealth decreased when he was banished.

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The House of Medici ( MED-i-chee, Italian: ) was an Italian banking family and political dynasty that first consolidated power in the Republic of Florence under Cosimo de' Medici, during the first half of the 15th century. The family originated in the Mugello region of Tuscany, and prospered gradually until it was able to fund the Medici Bank. This bank was the largest in Europe during the 15th century and facilitated the Medicis' rise to political power in Florence, although they officially remained citizens rather than monarchs until the 16th century.

The Medici produced four popes of the Catholic Church- Pope Leo X (1513-1521), Pope Clement VII (1523-1534), Pope Pius IV (1559-1565) and Pope Leo XI (1605)-and two queens of France- Catherine de' Medici (1547-1559) and Marie de' Medici (1600-1610). In 1532, the family acquired the hereditary title Duke of Florence. In 1569, the duchy was elevated to the Grand Duchy of Tuscany after territorial expansion. The Medici ruled the Grand Duchy from its inception until 1737, with the death of Gian Gastone de' Medici. The grand duchy witnessed degrees of economic growth under the early grand dukes, but was bankrupt by the time of Cosimo III de' Medici (r. 1670-1723).

The Medicis' wealth and influence was initially derived from the textile trade guided by the wool guild of Florence, the Arte della Lana. Like other families ruling in Italian signorie, the Medici dominated their city's government, were able to bring Florence under their family's power, and created an environment in which art and humanism flourished. They and other families of Italy inspired the Italian Renaissance, such as the Visconti and Sforza in Milan, the Este in Ferrara, the Borgia and Della Rovere in Rome, and the Gonzaga in Mantua.

The Medici Bank, from when it was created in 1397 to its fall in 1494, was one of the most prosperous and respected institutions in Europe, and the Medici family was considered the wealthiest in Europe for a time. From this base, they acquired political power initially in Florence and later in wider Italy and Europe. They were among the earliest businesses to use the general ledger system of accounting through the development of the double-entry bookkeeping system for tracking credits and debits.

The Medici family have claimed to have funded the invention of the piano and opera, financed the construction of Saint Peter's Basilica and Santa Maria del Fiore, and were patrons of Brunelleschi, Botticelli, Leonardo da Vinci, Michelangelo, Raphael, Machiavelli, Galileo, and Francesco Redi, among many others in the arts and sciences. They were also protagonists of the counter-reformation, from the beginning of the reformation through the Council of Trent and the French wars of religion.

The Medici family came from the agricultural Mugello region north of Florence, and they are first mentioned in a document of 1230. The origin of the name is uncertain. Medici is the plural of , meaning "medical doctor". The dynasty began with the founding of the Medici Bank in Florence in 1397.

Giovanni di Bicci de' Medici, founder of the Medici bank

The Confirmation of the Rule, by Domenico Ghirlandaio

For most of the 13th century, the leading banking centre in Italy was Siena. But in 1298, one of the leading banking families of Europe, the Bonsignoris, went bankrupt, and the city of Siena lost its status as the banking centre of Italy to Florence. Until the late 14th century, the leading family of Florence was the House of Albizzi. In 1293, the Ordinances of Justice were enacted; effectively, they became the constitution of the Republic of Florence throughout the Italian Renaissance. The city's numerous luxurious palazzi were becoming surrounded by townhouses built by the prospering merchant class.

The main challengers to the Albizzi family were the Medici, first under Giovanni di Bicci de' Medici, later under his son Cosimo di Giovanni de' Medici and great-grandson, Lorenzo de' Medici. The Medici controlled the Medici Bank-then Europe's largest bank-and an array of other enterprises in Florence and elsewhere. In 1433, the Albizzi managed to have Cosimo exiled. The next year, however, a pro-Medici Signoria (civic government) led by Tommaso Soderini, Oddo Altoviti and Lucca Pitti was elected and Cosimo returned. The Medici became the city's leading family, a position they would hold for the next three centuries. Florence remained a republic until 1537, traditionally marking the end of the High Renaissance in Florence, but the instruments of republican government were firmly under the control of the Medici and their allies, save during intervals after 1494 and 1527. Cosimo and Lorenzo rarely held official posts but were the unquestioned leaders.

The Medici family was connected to most other elite families of the time through marriages of convenience, partnerships, or employment, so the family had a central position in the social network: several families had systematic access to the rest of the elite families only through the Medici, perhaps similar to banking relationships. Some examples of these families include the Bardi, Altoviti, Ridolfi, Cavalcanti and the Tornabuoni. This has been suggested as a reason for the rise of the Medici family.

Members of the family rose to some prominence in the early 14th century in the wool trade, especially with France and Spain. Despite the presence of some Medici in the city's government institutions, they were still far less notable than other outstanding families such as the Albizzi or the Strozzi. One Salvestro de' Medici was speaker of the woolmakers' guild during the Ciompi revolt of 1378-82, and one Antonio de' Medici was exiled from Florence in 1396. Involvement in another plot in 1400 caused all branches of the family to be banned from Florentine politics for twenty years, with the exception of two.

Giovanni di Bicci de' Medici (c. 1360-1429), son of Averardo de' Medici (1320-1363), increased the wealth of the family through his creation of the Medici Bank, and became one of the richest men in the city of Florence. Although he never held any political office, he gained strong popular support for the family through his support for the introduction of a proportional system of taxation. Giovanni's son Cosimo the Elder, Pater Patriae (father of the country), took over in 1434 as gran maestro (the unofficial head of the Florentine Republic).

Cosimo Pater patriae, Uffizi Gallery, Florence

Three successive generations of the Medici-Cosimo, Piero, and Lorenzo-ruled over Florence through the greater part of the 15th century. They clearly dominated Florentine representative government without abolishing it altogether. These three members of the Medici family had great skills in the management of so "restive and independent a city" as Florence. When Lorenzo died in 1492, however, his son Piero proved quite incapable of responding successfully to challenges caused by the French invasion of Italy in 1492, and within two years, he and his supporters were forced into exile and replaced with a republican government.

Piero de' Medici (1416-1469), Cosimo's son, was only in power for five years (1464-1469). He was called "Piero the Gouty" because of the gout that pained his foot and led to his death. Unlike his father, Piero had little interest in the arts. Due to his illness, he mostly stayed at home bedridden, and therefore did little to further the Medici control of Florence while in power. As such, Medici rule stagnated until the next generation, when Piero's son Lorenzo took over.

Lorenzo de' Medici (1449-1492), called "the Magnificent", was more capable of leading and ruling a city, but he neglected the family banking business, which led to its ultimate ruin. To ensure the continuance of his family's success, Lorenzo planned his children's future careers for them. He groomed the headstrong Piero II to follow as his successor in civil leadership; Giovanni (future Pope Leo X) was placed in the church at an early age; and his daughter Maddalena was provided with a sumptuous dowry to make a politically advantageous marriage to a son of Pope Innocent VIII that cemented the alliance between the Medici and the Roman branches of the Cybo and Altoviti families.

The Pazzi conspiracy of 1478 was an attempt to depose the Medici family by killing Lorenzo with his younger brother Giuliano during Easter services; the assassination attempt ended with the death of Giuliano and an injured Lorenzo. The conspiracy involved the Pazzi and Salviati families, both rival banking families seeking to end the influence of the Medici, as well as the priest presiding over the church services, the Archbishop of Pisa, and even Pope Sixtus IV to a degree. The conspirators approached Sixtus IV in the hopes of gaining his approval, as he and the Medici had a long rivalry themselves, but the pope gave no official sanction to the plan. Despite his refusal of official approval, the pope nonetheless allowed the plot to proceed without interfering, and, after the failed assassination of Lorenzo, also gave dispensation for crimes done in the service of the church. After this, Lorenzo adopted his brother's illegitimate son Giulio de' Medici (1478-1535), the future Pope Clement VII. Lorenzo's son Piero II took over as the head of Florence after Lorenzo's death. The Medici were expelled from Florence from 1494 to 1512 after Piero acceded to all of the demands of invader Charles VIII of France.

The Medici additionally benefited from the discovery of vast deposits of alum in Tolfa in 1461. Alum is essential as a mordant in the dyeing of certain cloths and was used extensively in Florence, where the main industry was textile manufacturing. Before the Medici, the Turks were the only exporters of alum, so Europe was forced to buy from them until the discovery in Tolfa. Pius II granted the Medici family a monopoly on the mining there, making them the primary producers of alum in Europe.

In the dangerous circumstances in which our city is placed, the time for deliberation is past. Action must be taken... I have decided, with your approval, to sail for Naples immediately, believing that as I am the person against whom the activities of our enemies are chiefly directed, I may, perhaps, by delivering myself into their hands, be the means of restoring peace to our fellow-citizens. As I have had more honour and responsibility among you than any private citizen has had in our day, I am more bound than any other person to serve our country, even at the risk of my life. With this intention I now go. Perhaps God wills that this war, which began in the blood of my brother and of myself, should be ended by any means. My desire is that by my life or my death, my misfortune or my prosperity, I may contribute to the welfare of our city... I go full of hope, praying to God to give me grace to perform what every citizen should at all times be ready to perform for his country.

The exile of the Medici lasted until 1512, after which the "senior" branch of the family-those descended from Cosimo the Elder-were able to rule until the assassination of Alessandro de' Medici, first Duke of Florence, in 1537. This century-long rule was interrupted only on two occasions (between 1494-1512 and 1527-1530), when anti-Medici factions took control of Florence. Following the assassination of Duke Alessandro, power passed to the "junior" Medici branch-those descended from Lorenzo the Elder, the youngest son of Giovanni di Bicci, starting with his great-great-grandson Cosimo I "the Great".

Cosimo the Elder and his father started the Medici foundations in banking and manufacturing-including a form of franchises. The family's influence grew with its patronage of wealth, art, and culture. Ultimately, it reached its zenith in the papacy and continued to flourish for centuries afterward as Dukes of Florence and Tuscany. At least half, probably more, of Florence's people were employed by the Medici and their foundational branches in business.

The Medici Wedding Tapestry (1589).

The Medici briefly became leaders of Christendom through their two famous 16th century popes, Leo X and Clement VII. Both also served as political rulers of Rome, Florence, and large swaths of Italy known as the Papal States. They were generous patrons of the arts who commissioned masterpieces such as Raphael's Transfiguration and Michelangelo's The Last Judgment; however, their reigns coincided with troubles for the Vatican, including Martin Luther's Protestant Reformation and the infamous sack of Rome in 1527.

Leo X's fun-loving pontificate bankrupted Vatican coffers and accrued massive debts. From Leo's election as pope in 1513 to his death in 1521, Florence was overseen, in turn, by Giuliano de' Medici, Duke of Nemours, Lorenzo de' Medici, Duke of Urbino, and Giulio de' Medici, the latter of whom became Pope Clement VII.

Clement VII's tumultuous pontificate was dominated by a rapid succession of political crises-many long in the making-that resulted in the sack of Rome by the armies of Holy Roman Emperor Charles V in 1527 and rise of the Salviati, Altoviti and Strozzi as the leading bankers of the Roman Curia. From the time of Clement's election as pope in 1523 until the sack of Rome, Florence was governed by the young Ippolito de' Medici (future cardinal and vice-chancellor of the Holy Roman Church), Alessandro de' Medici (future duke of Florence), and their guardians. In 1530, after allying himself with Charles V, Pope Clement VII succeeded in securing the engagement of Charles V's daughter Margeret of Austria to his illegitimate nephew (reputedly his son) Alessandro de' Medici. Clement also convinced Charles V to name Alessandro as Duke of Florence. Thus began the reign of Medici monarchs in Florence, which lasted two centuries.

After securing Alessandro de' Medici's dukedom, Pope Clement VII married off his first cousin, twice removed, Catherine de' Medici, to the son of Emperor Charles V's arch-enemy, King Francis I of France-the future King Henry II. This led to the transfer of Medici blood, through Catherine's daughters, to the royal family of Spain through Elisabeth of Valois, and the House of Lorraine through Claude of Valois.

In 1534, following a lengthy illness, Pope Clement VII died-and with him the stability of the Medici's "senior" branch. In 1535, Ippolito Cardinal de' Medici died under mysterious circumstances. In 1536, Alessandro de' Medici married Charles V's daughter, Margaret of Austria; however, the following year he was assassinated by a resentful cousin, Lorenzino de' Medici. The deaths of Alessandro and Ippolito enabled the Medici's "junior" branch to lead Florence.

Another outstanding figure of the 16th-century Medici family was Cosimo I, who rose from relatively modest beginnings in the Mugello to attain supremacy over the whole of Tuscany. Against the opposition of Catherine de' Medici, Paul III and their allies, he prevailed in various battles to conquer Florence's hated rival Siena and found the Grand Duchy of Tuscany. Cosimo purchased a portion of the island of Elba from the Republic of Genoa and based the Tuscan navy there. He died in 1574, succeeded by his eldest surviving son Francesco, whose death without male heirs led to the succession of his younger brother, Ferdinando, in 1587. Francesco married Johanna of Austria, and with his consort produced Eleonora de' Medici, Duchess of Mantua, and Marie de' Medici, Queen of France and Navarre. Through Marie, all succeeding French monarchs (bar the Napoleons) were descended from Francesco.

Ferdinando eagerly assumed the government of Tuscany. He commanded the draining of the Tuscan marshlands, built a road network in southern Tuscany and cultivated trade in Livorno. To augment the Tuscan silk industry, he oversaw the planting of mulberry trees along the major roads (silk worms feed on mulberry leaves). In foreign affairs, he shifted Tuscany away from Habsburg hegemony by marrying the first non-Habsburg marriage candidate since Alessandro, Christina of Lorraine, a granddaughter of Catherine de' Medici. The Spanish reaction was to construct a citadel on their portion of the island of Elba. To strengthen the new Franco-Tuscan alliance, he married his niece, Marie, to Henry IV of France. Henry explicitly stated that he would defend Tuscany from Spanish aggression, but later reneged, after which Ferdinando was forced to marry his heir, Cosimo, to Maria Maddalena of Austria to assuage Spain (where Maria Maddalena's sister Margaret was the incumbent Queen consort). Ferdinando also sponsored a Tuscan expedition to the New World with the intention of establishing a Tuscan colony, an enterprise that brought no result for permanent colonial acquisitions.

Despite all of these incentives for economic growth and prosperity, the population of Florence at the dawn of the 17th century was a mere 75,000, far smaller than the other capitals of Italy (i.e., Rome, Milan, Venice, Palermo, and Naples). Francesco and Ferdinando, due to lax distinction between Medici and Tuscan state property, are thought to have been wealthier than their ancestor, Cosimo de' Medici, the founder of the dynasty. The Grand Duke alone had the prerogative to exploit the state's mineral and salt resources, and the fortunes of the Medici were directly tied to the Tuscan economy.

From left to right: The Grand Duchess Maria Maddalena, The Grand Duke Cosimo II, and their elder son, the future Ferdinando II

Ferdinando, although no longer a cardinal, exercised much influence at successive conclaves. In 1605, Ferdinando succeeded in getting his candidate, Alessandro de' Medici, elected Pope Leo XI. He died the same month, but his successor, Pope Paul V, was also pro-Medici. Ferdinando's pro-papal foreign policy, however, had drawbacks. Tuscany was overrun with religious orders, not all of whom were obliged to pay taxes. Ferdinando died in 1609, leaving an affluent realm; his inaction in international affairs, however, would have long-reaching consequences down the line.

In France, Marie de' Medici was acting as regent for her son, Louis XIII. Louis repudiated her pro-Habsburg policy in 1617. She lived the rest of her life deprived of any political influence.

Ferdinando's successor, Cosimo II, reigned for less than 12 years. He married Maria Maddalena of Austria, with whom he had his eight children, including Margherita de' Medici, Ferdinando II de' Medici, and an Anna de' Medici. He is most remembered as the patron of astronomer Galileo Galilei, whose 1610 treatise, Sidereus Nuncius, was dedicated to him. Cosimo died of consumption ( tuberculosis) in 1621.

Cosimo's elder son, Ferdinando, was not yet of legal maturity to succeed him, thus Maria Maddalena and his grandmother, Christina of Lorraine, acted as regents. Their collective regency is known as the Turtici. Maria Maddelana's temperament was analogous to Christina's, and together they aligned Tuscany with the papacy, re-doubled the Tuscan clergy, and allowed the heresy trial of Galileo Galilei to occur. Upon the death of the last Duke of Urbino (Francesco Maria II), instead of claiming the duchy for Ferdinando, who was married to the Duke of Urbino's granddaughter and heiress, Vittoria della Rovere, they permitted it to be annexed by Pope Urban VIII. In 1626, they banned any Tuscan subject from being educated outside the Grand Duchy, a law later overturned, but resurrected by Maria Maddalena's grandson, Cosimo III. Harold Acton, an Anglo-Italian historian, ascribed the decline of Tuscany to the Turtici regency.

Grand Duke Ferdinado was obsessed with new technology, and had a variety of hygrometers, barometers, thermometers, and telescopes installed in the Palazzo Pitti. In 1657, Leopoldo de' Medici, the Grand Duke's youngest brother, established the Accademia del Cimento, organized to attract scientists to Florence from all over Tuscany for mutual study.

Tuscany participated in the Wars of Castro (the last time Medicean Tuscany proper was involved in a conflict) and inflicted a defeat on the forces of Pope Urban VIII in 1643. The war effort was costly and the treasury so empty because of it that when the Castro mercenaries were paid for, the state could no longer afford to pay interest on government bonds, with the result that the interest rate was lowered by 0.75%. At that time, the economy was so decrepit that barter trade became prevalent in rural market places.

Ferdinando died on 23 May 1670 afflicted by apoplexy and dropsy. He was interred in the Basilica of San Lorenzo, the Medici's necropolis. At the time of his death, the population of the grand duchy was 730,594; the streets were lined with grass and the buildings on the verge of collapse in Pisa.

Ferdinando's marriage to Vittoria della Rovere produced two children: Cosimo III de' Medici, Grand Duke of Tuscany, and Francesco Maria de' Medici, Duke of Rovere and Montefeltro. Upon Vittoria's death in 1694, her allodial possessions, the Duchies of Rovere and Montefeltro, passed to her younger son.

Cosimo III, the Medicean grand duke, in grand ducal regalia

Anna Maria Luisa de' Medici, the last of the grand ducal line, in Minerva, Merkur und Plutus huldigen der Kurfürstin Anna Maria Luisa de' Medici (English: Minerva, Mercury and Pluto pay homage to the Electress Anna Maria Luisa de' Medici) after Antonio Bellucci, 1706

Cosimo III married Marguerite Louise d'Orléans, a granddaughter of Henry IV of France and Marie de' Medici. An exceedingly discontented pairing, this union produced three children, notably Anna Maria Luisa de' Medici, Electress Palatine, and the last Medicean Grand Duke of Tuscany, Gian Gastone de' Medici.

Johann Wilhelm, Elector Palatine, Anna Maria Luisa's spouse, successfully requisitioned the dignity Royal Highness for the Grand Duke and his family in 1691, despite the fact that they had no claim to any kingdom. Cosimo frequently paid the Holy Roman Emperor, his nominal feudal overlord, exorbitant dues, and he sent munitions to the emperor during the Battle of Vienna.

The Medici lacked male heirs, and by 1705, the grand ducal treasury was virtually bankrupt. In comparison to the 17th century, the population of Florence declined by 50%, and the population of the grand duchy as a whole declined by an estimated 40%. Cosimo desperately tried to reach a settlement with the European powers, but Tuscany's legal status was very complicated: the area of the grand duchy formerly comprising the Republic of Siena was technically a Spanish fief, while the territory of the old Republic of Florence was thought to be under imperial suzerainty. Upon the death of his first son, Cosimo contemplated restoring the Florentine republic, either upon Anna Maria Luisa's death, or on his own, if he predeceased her. The restoration of the republic would entail resigning Siena to the Holy Roman Empire, but, regardless, it was vehemently endorsed by his government. Europe largely ignored Cosimo's plan. Only Great Britain and the Dutch Republic gave any credence to it, and the plan ultimately died with Cosimo III in 1723.

On 4 April 1718, Great Britain, France and the Dutch Republic (also later, Austria) selected Don Carlos of Spain, the elder child of Elisabeth Farnese and Philip V of Spain, as the Tuscan heir. By 1722, the electress was not even acknowledged as heiress, and Cosimo was reduced to spectator at the conferences for Tuscany's future. On 25 October 1723, six days before his death, Grand Duke Cosimo disseminated a final proclamation commanding that Tuscany stay independent: Anna Maria Luisa would succeed uninhibited to Tuscany after Gian Gastone, and the grand duke reserved the right to choose his successor. However, these portions of his proclamation were completely ignored, and he died a few days later.

Gian Gastone despised the electress for engineering his catastrophic marriage to Anna Maria Franziska of Saxe-Lauenburg; while she abhorred her brother's liberal policies, he repealed all of his father's anti-Semitic statutes. Gian Gastone revelled in upsetting her. On 25 October 1731, a Spanish detachment occupied Florence on behalf of Don Carlos, who disembarked in Tuscany in December of the same year. The Ruspanti, Gian Gastone's decrepit entourage, loathed the electress, and she them. Duchess Violante of Bavaria, Gian Gastone's sister-in-law, tried to withdraw the grand duke from the sphere of influence of the Ruspanti by organising banquets. His conduct at the banquets was less than regal; he often vomited repeatedly into his napkin, belched, and regaled those present with socially inappropriate jokes. Following a sprained ankle in 1731, he remained confined to his bed for the rest of his life. The bed, often smelling of faeces, was occasionally cleaned by Violante.

In 1736, following the War of the Polish Succession, Don Carlos was disbarred from Tuscany, and Francis III of Lorraine was made heir in his stead. In January 1737, the Spanish troops withdrew from Tuscany, and were replaced by Austrians.

Gian Gastone died on 9 July 1737, surrounded by prelates and his sister. Anna Maria Luisa was offered a nominal regency by the Prince de Craon until the new grand duke could peregrinate to Tuscany, but declined. Upon her brother's death, she received all the House of Medici's allodial possessions.

Anna Maria Luisa signed the Patto di Famiglia ("family pact") on 31 October 1737. In collaboration with the Holy Roman Emperor and Grand Duke Francis of Lorraine, she willed all the personal property of the Medici to the Tuscan state, provided that nothing was ever removed from Florence.

The "Lorrainers", as the occupying forces were called, were popularly loathed, but the regent, the Prince de Craon, allowed the electress to live unperturbed in the Palazzo Pitti. She occupied herself with financing and overseeing the construction of the Basilica of San Lorenzo, started in 1604 by Ferdinando I, at a cost to the state of 1,000 crowns per week.

The electress donated much of her fortune to charity: £4,000 a month. On 19 February 1743, she died, and the grand ducal line of the House of Medici died with her. The Florentines grieved her, and she was interred in the crypt that she helped to complete, San Lorenzo.

The extinction of the main Medici dynasty and the accession in 1737 of Francis Stephen, Duke of Lorraine and husband of Maria Theresa of Austria, led to Tuscany's temporary inclusion in the territories of the Austrian crown. The line of the Princes of Ottajano, an extant branch of the House of Medici who were eligible to inherit the grand duchy of Tuscany when the last male of the senior branch died in 1737, could have carried on as Medici sovereigns but for the intervention of Europe's major powers, which allocated the sovereignty of Florence elsewhere.

As a consequence, the grand duchy expired and the territory became a secundogeniture of the Habsburg-Lorraine dynasty. The first grand duke of the new dynasty, Francis I, was a great-great-great-grandson of Francesco I de' Medici, thus he continued the Medicean Dynasty on the throne of Tuscany through the female line. The Habsburgs were deposed in favor of the House of Bourbon-Parma in 1801 (themselves deposed in 1807), but were later restored at the Congress of Vienna. Tuscany became a province of the United Kingdom of Italy in 1861. However, several extant branches of the House of Medici survive, including the Princes of Ottajano, the Medici Tornaquinci, and the Verona Medici Counts of Caprara and Gavardo. (see Medici family tree)

The greatest accomplishments of the Medici were in the sponsorship of art and architecture, mainly early and High Renaissance art and architecture. The Medici were responsible for a high proportion of the major Florentine works of art created during their period of rule. Their support was critical, since artists generally began work on their projects only after they had received commissions. Giovanni di Bicci de' Medici, the first patron of the arts in the family, aided Masaccio and commissioned Filippo Brunelleschi for the reconstruction of the Basilica of San Lorenzo, Florence in 1419. Cosimo the Elder's notable artistic associates were Donatello and Fra Angelico. In later years the most significant protégé of the Medici family was Michelangelo Buonarroti (1475-1564), who produced work for a number of family members, beginning with Lorenzo the Magnificent, who was said to be extremely fond of the young Michelangelo and invited him to study the family collection of antique sculpture. Lorenzo also served as patron to Leonardo da Vinci (1452-1519) for seven years. Indeed, Lorenzo was an artist in his own right and an author of poetry and song; his support of the arts and letters is seen as a high point in Medici patronage.

Medici family members placed allegorically in the entourage of a king from the Three Wise Men in the Tuscan countryside in a Benozzo Gozzoli fresco (c. 1459).

After Lorenzo's death the puritanical Dominican friar Girolamo Savonarola rose to prominence, warning Florentines against excessive luxury. Under Savonarola's fanatical leadership many great works were "voluntarily" destroyed in the Bonfire of the Vanities (February 7, 1497). The following year, on 23 May 1498, Savonarola and two young supporters were burned at the stake in the Piazza della Signoria, the same location as his bonfire. In addition to commissions for art and architecture, the Medici were prolific collectors and today their acquisitions form the core of the Uffizi museum in Florence. In architecture, the Medici were responsible for some notable features of Florence, including the Uffizi Gallery, the Boboli Gardens, the Belvedere, the Medici Chapel and the Palazzo Medici.

Later, in Rome, the Medici popes continued in the family tradition of patronizing artists in Rome. Pope Leo X would chiefly commission works from Raphael, whereas Pope Clement VII commissioned Michelangelo to paint the altar wall of the Sistine Chapel just before the pontiff's death in 1534. Eleanor of Toledo, a princess of Spain and wife of Cosimo I the Great, purchased the Pitti Palace from Buonaccorso Pitti in 1550. Cosimo in turn patronized Vasari, who erected the Uffizi Gallery in 1560 and founded the Accademia delle Arti del Disegno - ("Academy of the Arts of Drawing") in 1563. Marie de' Medici, widow of Henry IV of France and mother of Louis XIII, is the subject of a commissioned cycle of paintings known as the Marie de' Medici cycle, painted for the Luxembourg Palace by court painter Peter Paul Rubens in 1622-23.

Although none of the Medici themselves were scientists, the family is well known to have been the patrons of the famous Galileo Galilei, who tutored multiple generations of Medici children and was an important figurehead for his patron's quest for power. Galileo's patronage was eventually abandoned by Ferdinando II, when the Inquisition accused Galileo of heresy. However, the Medici family did afford the scientist a safe haven for many years. Galileo named the four largest moons of Jupiter after four Medici children he tutored, although the names Galileo used are not the names currently used.

The table below shows the origins of the Medici:

This extract shows the branch that gave rise to the celebrated branch of the Medici descending from Giovanni "di Bicci", who founded the Medici fortunes:

This is the branch of Cosimo's brother, Lorenzo, called the "Popolano" Branch, which gave rise to the Grand-Dukes of Tuscany:

Signore in the Republic of Florence

24 October 1529

6 January 1537

Cousin of Cardinal Ippolito de' Medici, illegitimate son of Lorenzo II de' Medici, Duke of Urbino or Pope Clement VII. Acting signore during imperial Siege of Florence, made Duke in 1531.

6 January 1537

21 April 1574

Distant cousin of Alessandro de' Medici, Son of Giovanni dalle Bande Nere. dei Popolani line descended from Lorenzo the Elder, Brother of Cosimo de' Medici; also great-grandson of Lorenzo the Magnificent through his mother, Maria Salviati, and his grandmother, Lucrezia de' Medici. 1569, he was made Grand Duke of Tuscany.

The origin of the Medici coat of arms is not recorded. One unproven story traces their ancestry to a knight of Charlemagne's, Averardo, who defeated a giant, Mugello. In reward, Charlemagne is said to have rewarded Averardo with the shield mauled by the giant, with the dents in the shape of balls, and the giant's lands in Mugello.

Florentine Guild Arms with the Moneychangers in top row 3rd.

Here seen sliced in half, an art historian suggests that whole blood oranges could be the imagery in the Medici coats of arms

The simplest, though also unproven, theory suggests that the balls represented coins copied from the coat of arms of the Guild of Moneychangers (Arte del Cambio) to which the Medici belonged. That shield was red strewn with Byzantine coins (bezants). The number of balls also varied with time, as shown below. It has also been argued that these coins referenced the three coins or golden balls associated with St. Nicholas, particularly as the saint was invoked by Italian bankers as they took oaths.

As an Italian vocabulary word, "medici" means "medical doctors" and identifications with the family members as physicians may be found among their names as early as the eleventh century. Fanciful stories depict the images as pills or cupping glasses, a late-medieval medical instrument used to draw blood. Pills did not exist until much later and bloodletting was not a common practice at the time of the first Medici coat of arms. Art historian Rocky Ruggiero suggests plausibly however, that the images may represent whole ripe blood oranges that typically are grown in Italy. Although knowledge of vitamins did not exist at the time, the benefit of oranges for certain diseases was recognized and their association with recommendations by medical doctors suggests to Ruggiero that this likely is the imagery intended in the coats of arms for the Medici family.

Alternatively, it has been suggested that the Medici coat of arms was initially inspired by symbols drawn from Etruscan votive sculpture, examples of which feature an oval dome with balls (echoing the forms of the Medici shield), as well as six balls within a triangle (as found in the alternative, triangular version of the Medici emblem). This particular influence offers an explanation for the red hue of the Medici balls, the colour of the terracotta sculpture. It would also have reflected the family's interest in Etruscan art and culture. In addition, the notion of Etruscan votive sculpture would have chimed with the participation of the Medici in the religious custom of offering up votive statues, a practice that recalled the ancient Etruscan convention of donating sculptures in the hope of, or gratitude for, divine favour. Such favours would have included the wish for a strong and healthy family, both for the supplicant and their descendants.

The intermediate coat of arms of the Medici, Or, six balls in orle gules

The "augmented coat of arms of the Medici, Or, five balls in orle gules, in chief a larger one of the arms of France (viz. Azure, three fleurs-de-lis or) was granted by Louis XI in 1465.

1. John Woodward, A Treatise on Ecclesiastical Heraldry, 1894, p. 162

2. ^ Luisa Greco (22 May 2015). "Cosimo de Medici e l'amore per le tartarughe con la vela". Toctoc.

3. The family of Pius IV, the Medici of ^ Milan, considered itself a branch of the House of Medici and was recognized as such by the Florentine Pope Clement VII and by Cosimo I 'de Medici in the early 16th century. Historians have found no proof of an actual connection between the Medici of Milan and the Medici of Florence, but this belief was widespread during the life of Pius IV and the Medici of Florence allowed the Medici of Milan to use their coat of arms.

4. The name in Italian is pronounced with the stress on the first syllable /ˈmɛ .di.tʃi/ and not on the second vowel.^ How to say: Medici Archived 2020-06-25 at the Wayback Machine, BBC News Magazine Monitor-MED-uh-chee in American English.

5. ^ Padgett, John F.; Ansell, Christopher K. (May 1993). "Robust Action and the Rise of the Medici, 1400-1434" (PDF). The American Journal of Sociology. 98 (6): 1259-1319. doi:10.1086/230190. JSTOR 2781822. S2CID 56166159. Archived from the original (PDF) on 2020-03-03.. This has led to much more analysis Archived 2021-09-10 at the Wayback Machine.

6. ^ Machiavelli, Niccolò (1906). The Florentine history written by Niccolò Machiavelli, Volume 1. p. 221..

7. ^ Bradley, Richard (executive producer) (2003). The Medici: Godfathers of the Renaissance (Part I) (DVD). PBS Home Video.

8. Niccolò Machiavelli. A Norton Critical Edition. Translated and edited by Rober M. Adams. New York. W.W. Norton and Company, 1977. p. viii (Historical Introduction).

9. ^ Feuer, Alan (4 May 2004). "Florence Journal; Where the Bodies Are Buried, Modern-Day Medici Feud, Alan Feuer, New York Times, May 4, 2004". The New York Times. Archived from the original on May 29, 2019.

10. ^ Peter Barenboim, Sergey Shiyan, Michelangelo: Mysteries of Medici Chapel, SLOVO, Moscow, 2006 Archived 2017-07-04 at the Wayback Machine. ISBN 5-85050-825-2

11. Official site of the ^ Accademia delle Arti del Disegno of Florence, Brief History (it. leng.)"Accademia delle Arti del Disegno". Archived from the original on 2009-06-03.

12. Three more sons: ^ Talento (?-?), he had a son, Mario died in 1369, Mario had few unremarkable later generations; Jacopo (?-1340) who had a son, Averardo (fl. 1363); Francesco (?-?), who had a son, Malatesta died in 1367.

13. One son, ^ Coppo, (?-?). Cfr. Mecatti, Giuseppe Maria; Muratori, Lodovico Antonio (1755). Storia cronologica della città di Firenze (in Italian). Vol. Parte prima. Naples: Stamperia Simoniana. p. 157.

14. ^ Mackworth-Young, Rose (29 March 2012). "The Medici balls: Origins of the family's coat of arms". The Florentine. Florence: B'Gruppo Srl (160).

15. Ruggiero, Rocky, Ph.D., ^ Rebuilding The Renaissance, Episode 93 - Florence: The Medici Dynasty Archived 2021-08-29 at the Wayback Machine, Making Art and History Come to Life, October 28, 2020, an audio file

16. ^ Jelbert, Rebeca (2020). "The Medici Coat of Arms and Etruscan Votive Sculpture". The Coat of Arms: Journal for the Heraldry Society (UK). 3: 190-208.

17. ^ Scopacasa, Rafael (2015). "Moulding Cultural Change: A Contextual Approach to Anatomical Votive Terracottas in Central Italy, Fourth-Second Centuries BC". Papers of the British School at Rome. 83: 1-27, 343-344. doi:10.1017/S0068246215000021. S2CID 163129780.

Hibbert, Christopher (1975). The House of Medici: Its Rise and Fall. Morrow. ISBN 0-688-00339-7. a highly readable, non-scholarly general history of the family

Miles J. Unger, Magnifico: The Brilliant Life and Violent Times of Lorenzo de Medici, (Simon and Schuster 2008) is a vividly colorful biography of this true "renaissance man", the uncrowned ruler of Florence during its golden age

Ferdinand Schevill, History of Florence: From the Founding of the City Through the Renaissance (Frederick Ungar, 1936) is the standard overall history of Florence

Cecily Booth, Cosimo I, Duke of Florence, 1921, University Press

Harold Acton, The Last Medici, Macmillan, London, 1980 [1932], ISBN 0-333-29315-0

Paul Strathern, The Medici: Godfathers of the Renaissance (Pimlico, 2005) is an informative and lively account of the Medici family, their finesse and foibles-extremely readable, though with a few factual and typographical errors.

Lauro Martines, April Blood: Florence and the Plot Against the Medici (Oxford University Press 2003) a detailed account of the Pazzi Conspiracy, the players, the politics of the day, and the fallout of the assassination plot . Though accurate in historic details, Martines writes with an anti-Medici tone.

Accounting in Italy Archived 2006-06-20 at the Wayback Machine

Herbert Millingchamp Vaughan, The Medici Popes. New York: G. P. Putnam's Sons, 1908.

Jonathan Zophy, A Short History of Renaissance and Reformation Europe, Dances over Fire and Water. 1996. 3rd ed. Upper Saddle River, New Jersey: Prentice Hall, 2003.

2010 Assassins Creed Brotherhood:The Borga Family

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The House of Medici ( MED-i-chee , Italian: ) was an Italian banking family and political dynasty that first consolidated power in the Republic of Florence under Cosimo de' Medici, during the first half of the 15th century. The family originated in the Mugello region of Tuscany, and prospered gradually until it was able to fund the Medici Bank.

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Contents

1. Birth of the Medici Dynasty

2. The Descendants of Cosimo de' Medici

3. A New Medici Branch Comes to Power

4. The Medici Dynasty in Decline

The Medici family, also known as the House of Medici, first attained wealth and political power in Florence in the 13th century through its success in commerce and banking. Beginning in 1434 with the rise to power of Cosimo de' Medici (or Cosimo the Elder), the family's support of the arts and humanities made Florence into the cradle of the Renaissance, a cultural flowering rivaled only by that of ancient Greece. The Medicis produced four popes (Leo X, Clement VII, Pius IV and Leon XI), and their genes have been mixed into many of Europe's royal families. The last Medici ruler died without a male heir in 1737, ending the family dynasty after almost three centuries.

Birth of the Medici Dynasty

The Medici story began around the 12th century, when family members from the Tuscan village of Cafaggiolo emigrated to Florence. Through banking and commerce, the Medicis rose to become one of the most important houses in Florence. Their influence had declined by the late 14th century, however, when Salvestro de' Medici (then serving as gonfaliere, or standard bearer, of Florence) was forced into exile.

Did you know? When Cosimo I (1519-1574) moved the Florentine administrative offices into a building known as the Uffizi, he also established a small museum. The building is now the site of Florence's famed Uffizi Gallery, home to many of the great Renaissance-era treasures amassed by the Medicis since the time of Cosimo the Elder.

Another branch of the family, descended from Salvestro's distant cousin Giovanni di Bicci de' Medici, would begin the great Medici dynasty. Giovanni's elder son, Cosimo (1389-1464), rose to political power in 1434 and ruled Florence as an uncrowned monarch for the rest of his life. Known to history as Cosimo the Elder, he was a devoted patron of the humanities, supporting artists such as Ghiberti, Brunelleschi, Donatello and Fra Angelico. During Cosimo's time, as well as that of his sons and particularly his grandson, Lorenzo the Magnificent (1449-1492), Renaissance culture flourished, and Florence became the cultural center of Europe.

The Descendants of Cosimo de' Medici

Lorenzo was a poet himself, and supported the work of such Renaissance masters as Botticelli, Leonardo da Vinci and Michelangelo (whom the Medicis commissioned to complete their family tombs in Florence). After Lorenzo's premature death at the age of 43, his eldest son Piero succeeded him, but soon infuriated the public by accepting an unfavorable peace treaty with France. After only two years in power, he was forced out of the city in 1494, and died in exile.

Thanks in part to the efforts of Piero's younger brother Giovanni (a cardinal at the time and the future Pope Leo X), the Medici family was able to return to Florence in 1512. The next few years marked the high point of Medici influence in Europe, as Leo X followed in his father's humanistic footsteps and devoted himself to artistic patronage. Piero's son, also named Lorenzo, regained power in Florence, and his daughter Catherine (1519-1589) would become queen of France after marrying King Henry II; three of her four sons would rule France as well.

A New Medici Branch Comes to Power

By the early 1520s, few descendants of Cosimo the Elder remained. Giulio de' Medici, the illegitimate son of Lorenzo the Magnificent's brother Giuliano, abdicated power in 1523 to become Pope Clement VII, and the short and brutal rule of Alessandro (reputed to be Giulio's own illegitimate son) ended with his assassination in 1537. At this point, the descendants of Cosimo the Elder's brother (known as Lorenzo the Elder) came forward to launch a new Medici dynasty. Lorenzo's great-great-grandson Cosimo (1519-1574) became duke of Florence in 1537, then grand duke of Tuscany in 1569. As Cosimo I, he established absolute power in the region, and his descendants would rule as grand dukes into the 1700s.

Cosimo's elder son Francis succeeded his father, but proved a less effective ruler. His daughter Marie would become queen of France when she married Henry IV in 1600; her son would rule as Louis XIII from 1610-43. Francis' younger brother Ferdinand, who became grand duke in 1587, restored Tuscany to stability and prosperity. He also founded the Villa Medici at Rome and brought many priceless works of art to Florence.

The Medici Dynasty in Decline

In general, the later Medici line renounced the older generation's republican sympathies and established more authoritarian rule, a change that produced stability in Florence and Tuscany but led to the region's decline as a cultural hub. After Ferdinand's son Cosimo II (who supported the work of the mathematician, philosopher and astronomer Galileo Galilei) died in 1720, Florence and Tuscany suffered under ineffectual Medici rule.

When the last Medici grand duke, Gian Gastone, died without a male heir in 1737, the family dynasty died with him. By agreement of the European powers (Austria, France, England and the Netherlands), control over Tuscany passed to Francis of Lorraine, whose marriage to Hapsburg heiress Maria Theresa of Austria would begin the long European reign of the Hapsburg-Lorraine family.

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Birth of the Medici Dynasty The Descendants of Cosimo de' Medici A New Medici Branch Comes to Power The Medici Dynasty in Decline The Medici family, also known as the House of Medici, first attained wealth and political power in Florence in the 13th century through its success in commerce and banking.

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Giovanni di Bicci de' Medici (1360-1429) m. Piccarda Bueri