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Casey, V. (2005) ‘Staging Meaning: Performance in the Modern Museum’, TDR: The Drama Review, 49(3), pp. 78-95.

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Casey, V. (2005) ‘Staging Meaning: Performance in the Modern Museum’, TDR: The Drama Review, 49(3), pp. 78-95.

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Solga, K. (2019) Theory for Theatre Studies: Space. London and New York: Methuen Drama.

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Solga, K. (2019) Theory for Theatre Studies: Space. London and New York: Methuen Drama.

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Iball, Helen (2012) ‘My Sites Set on You: Site-Specificity and Subjectivity in ‘Intimate Theatre,’’ in Birch A., Tompkins J. (eds.) Performing Site-Specific Theatre. Performance Interventions, London: Palgrave Macmillan, pp. 201-215.

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Iball, Helen (2012) ‘My Sites Set on You: Site-Specificity and Subjectivity in ‘Intimate Theatre,’’ in Birch A., Tompkins J. (eds.) Performing Site-Specific Theatre. Performance Interventions, London: Palgrave Macmillan, pp. 201-215.

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Wilke, Fiona (2004) Out of Place: The Negotiation of Space in Site-Specific Performance, Unpublished Thesis, University of Surrey.

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Wilke, Fiona (2004) Out of Place: The Negotiation of Space in Site-Specific Performance, Unpublished Thesis, University of Surrey.

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Mini Lecture Site-Responsive Practices and task

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◦Ownership and control

‘Ownership brings with it power, authority, rights, boundaries, the policing of boundaries, rights of exclusion, rights of inclusion. Our sense of who we are and other people's sense of who we are is deeply bound up with where we are, and where we come from, so place is implicated in profound ways with both individual and group identity’ (McAuley, 2018: 30).

◦‘Sanitising’ sites

‘to point to an area of potential criticism that site-specific performance faces from those for whom the ignored aspects are important, and to suggest that there is often a fine line between choosing to focus on particular aspects of a site and glossing over important social issues.’ (Wilke, 2004: 100).

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McAuley, Gay (2012) ‘Site-Specific Performance: Place, Memory and the Creative Agency of the Spectator’, The Journal of the Sydney University Arts Association, 27, [Online] Available from https://openjournals.library.sydney.edu.au/index.php/ART/article/view/5667/6340.

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McAuley, Gay (2012) ‘Site-Specific Performance: Place, Memory and the Creative Agency of the Spectator’, The Journal of the Sydney University Arts Association, 27, [Online] Available from https://openjournals.library.sydney.edu.au/index.php/ART/article/view/5667/6340.

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The Sissy's Progress - NANDO MESSIAS

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Liberate Tate - 'Parts Per Million' - Interalia Magazine

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DANCE BEAR DANCE — SHUNT

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Jill Orr / SERIES / EXHIBITIONS / Falling and Flight Reclaimed 01