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some ideas that you, as an audience member, will use to help make a presentation positive and helpful for everyone.  

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https://www.quotes.net/mquote/72953

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https://www.theguardian.com/film/2018/apr/06/from-philadelphia-to-120-bpm-the-changing-face-of-aids-in-film.

http://www.cinemaofchange.com/films-that-changed-the-world-philadelphia-1993/).

https://en.wikipedia.org/wiki/Philadelphia_(film)

https://www.theguardian.com/film/2018/apr/06/from-philadelphia-to-120-bpm-the-changing-face-of-aids-in-film)

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According to me this movie lead to social change at the end and even won an Oscar award for its performance. The movie won more awards like Academy awards for the best actor, MTV MOVIE AWARDS., SILVER BERLIN BEAR. This movie is overall based on the social change and has helped people to change the way they think.

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Fearing it would compromise his career, lawyer Andrew Beckett (Tom Hanks) hides his homosexuality and HIV status at a powerful Philadelphia law firm. But his secret is exposed when a colleague spots the illness's telltale lesions. Fired shortly afterwards, Beckett resolves to sue for discrimination, teaming up with Joe Miller (Denzel Washington), the only lawyer willing to help. In court, they face one of his ex-employer's top litigators, Belinda Conine (Mary Steenburgen).(https://www.google.ca/search?q=Philedelhia+summary&rlz=1C1GGRV_enCA779CA779&oq=Philedelhia+summary&aqs=chrome..69i57j0l5.11775j0j7&sourceid=chrome&ie=UTF-8)

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As the case goes before the court, the partners of the firm take the stand, each claiming that Beckett was incompetent and that he had deliberately tried to hide his condition. The defense repeatedly suggests that Beckett brought AIDS upon himself by having gay sex, and is therefore not a victim. In the course of testimony, it is revealed that the partner who had noticed Beckett's lesion, Walter Kenton, had previously worked with a woman who had contracted AIDS after a blood transfusion and so should have recognized the lesion as relating to AIDS. According to that partner, the woman was an innocent victim, unlike Beckett, and further testified that he did not recognize Beckett's lesions. To prove that the lesions would have been visible, Miller asks Beckett to unbutton his shirt while on the witness stand, revealing that his lesions are indeed visible and recognizable as such.

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This picture describes about the scene in the picture where no one was ready to take the case and they were not getting any lawyer to come up with and there was no lawyer who was ready to represent Backett

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Piece of the picture that shows 3 aspects.

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Piece of the picture that shows 3 aspects.

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Unable to find a lawyer willing to represent him, Beckett is compelled to act as his own attorney. While researching a case at a law library, Miller sees Beckett at a nearby table. After a library employee stares down Miller, presumably because Miller is black, a librarian approaches Beckett and announces that he has found a book on AIDS discrimination for him. As others in the library begin to first stare uneasily, the librarian suggests Beckett to go to a private room. Feeling discouraged by the other people's behavior and seeing the parallels in how he himself has been unfairly treated, Miller approaches Beckett, reviews the material he has gathered, and takes the case.

As the case goes before the court, the partners of the firm take the stand, each claiming that Beckett was incompetent and that he had deliberately tried to hide his condition. The defense repeatedly suggests that Beckett brought AIDS upon himself by having gay sex, and is therefore not a victim. In the course of testimony, it is revealed that the partner who had noticed Beckett's lesion, Walter Kenton, had previously worked with a woman who had contracted AIDS after a blood transfusion and so should have recognized the lesion as relating to AIDS. According to that partner, the woman was an innocent victim, unlike Beckett, and further testified that he did not recognize Beckett's lesions. To prove that the lesions would have been visible, Miller asks Beckett to unbutton his shirt while on the witness stand, revealing that his lesions are indeed visible and recognizable as such.

Beckett eventually collapses during the trial. After Beckett is hospitalized, another partner, Bob Seidman, who noticed Beckett's lesions confesses that he suspected Beckett had AIDS but never told anyone and never gave him the opportunity to explain himself, which he regretted very much. During his hospitalization, the jury votes in Beckett's favor, awarding him back pay, damages for pain and suffering and punitive damages, totaling over $5 million. Miller visits the visibly failing Beckett in the hospital after the verdict and overcomes his fear enough to touch Beckett's face. After Beckett's family leaves the room, he tells his partner Miguel that he is ready to die. At the Miller home, Joe and his wife are awakened by a phone call from Miguel, who tells them that Beckett has died. A memorial is held at Beckett's home following the funeral, where many mourners, including Miller, view home movies of Beckett as a happy child.(https://en.wikipedia.org/wiki/Philadelphia_(film)

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The first feature film to depict Aids was Buddies (1985), a low-budget chamber piece by Arthur J Bressan Jr, a former gay porn film-maker, who died of an Aids-related illness in 1987. The film, about a dying man and his “buddy” – someone who provides companionship and care to people with HIV and Aids – sensitively merges the political and the personal. It boasts an energy missing from many Aids films in the 80s, few of which showed any fury at the lack of action by Ronald Reagan’s administration. The film explicitly criticisms the hesitation in providing medical research funding, ending with a one-man protest outside the White House.  The British artist and film-maker Derek Jarman was fiercely critical of the Thatcher government’s homophobia in his 80s films. Jarman was a member of the protest group Out Rage!, whose activists appeared in Jarman’s splendid interpretation of Edward II (1991), rallying against the persecution of gay men, but it wasn’t until his final film that Aids, and Jarman’s own diagnosis, took center stage. Blue (1993), made when Jarman had been rendered partly blind by Aids complications, is a 79-minute-long shot of a blue background, accompanied by a score and Jarman’s own musings about the effects of the syndrome. Confronted by his impending death, Jarman mocks what he saw as useless slogans, such as “Living with Aids”, blurted out by charities and fellow activists. It is Jarman’s masterpiece, infused with a muted and sorrowful anger. (https://www.theguardian.com/film/2018/apr/06/from-philadelphia-to-120-bpm-the-changing-face-of-aids-in-film)

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By Jonathan Demme

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Philadelphia Movie
The movie Philadelphia came out in 1993 and introduced many viewers to the subject of AIDS. To make the message more acceptable to a wide audience, Jonathan Demme was careful to cast Tom Hanks as the lead and get Bruce Springsteen to write a song for the film. Demme did this because wanted his movie to, as was said in an interview with The Advocate, “play in malls.” Springsteen’s popularity and his heterosexual image were employed to make the politically progressive film about a gay lawyer who contracts HIV, more palatable to mainstream audiences. Springsteen even stated in an interview that, “I think he [Demme] wanted to take a subject that people didn’t feel safe with and were frightened by and put it together with people that they did feel safe with like Tom Hanks or me.” By putting stars like Springsteen and Hanks in the film, he could convince audiences to view a sympathetic portrayal of a gay man that also provided information about AIDS. (http://oneweekoneband.tumblr.com/post/148239537914/the-philadelphia-theory-of-social-change) As a result of its stigmatization, misinformation and fear regarding the contagiousness of the AIDS virus ran rampant throughout the United States. After an agonizing 12 years of panic and exasperation since the onset of the deadly outbreak, Philadelphia was the first major motion picture to ever actually address the widespread issues of HIV/AIDS, homophobia, and discrimination. The film was nominated for the Best Original Screenplay Academy Award and claimed two Oscars for Best Actor, Tom Hanks, and Best Original Song, by Bruce Springsteen. It has since received praise for having initiated and “changed the national conversation about the disease”
This movie has encouraged many people to overcome their fear for HIV OR AIDS.(http://www.cinemaofchange.com/films-that-changed-the-world-philadelphia-1993/).

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He was the maker of this film Philadelphia and he was a great movie maker as well as a very good person in his real life, he was generally the producer of Hollywood movie and he died at the age of 73. He was also the thing that we love most here at The Playlist — a cinematic polyglot. He spoke in many of cinema’s languages, switching genres and formats with deceptive effortlessness, and even when the results missed the mark, they were seldom uninteresting misses. More often, they hit, with an showy acumen that was also deceptive of the level of craft they required: perhaps nobody hid the joins as well as Jonathan Demme. He even won an Oscar for "Silence of The Lambs".

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This short movie was produced by Jonathan Demme and Edward Sexon. The main idea of the movie that lead to a vast social change. "Philadelphia" is quite a good film, on its own terms. And for moviegoers with an antipathy to AIDS but an enthusiasm for stars like Tom Hanks and Denzel Washington, it may help to broaden understanding of the disease. It's a ground-breaker like "Guess Who's Coming to Dinner" (1967), the first major film about an interracial romance; it uses the chemistry of popular stars in a reliable genre to sidestep what looks like controversy.

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Philadelphia (1/8) Movie CLIP - I Have A Case (1993) HD