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Mime – This usually means stylised movement but can be comparatively realistic.

Gesture – A gesture may be something small but can have emotional impact or it can be a particular movement that defines a character.

Status – This may be executed by use of levels or by distance or strength of contact, or a combination of all of these with voice work.

Proximity – How close or far you are from your co-performers can be a source of very powerful impact. For example, the threatening gangster who speaks to his victim from a distance of perhaps a couple of inches.

Stance – This is associated with strength as the body could radiate assertion and authority or weakness by stance, incorporating posture.

Harshness and tenderness - Used here as umbrella terms to focus on the fact that in physical work the gestures and bigger movements come together to express the emotions of the piece.

Movement - Every movement needs to be rehearsed with precision.

Not moving – If the stage is full of characters moving, immobility can have a powerful effect.

Mask work - The impact of a mask is visual and without the facial features to show action, movement becomes an even more central performance instrument.

Dance work – Don’t be afraid to include dance in your work; you don’t have to be an experienced dancer. ‘Dad dancing’ can work well in a comedy for instance!

Motif – This is repeated use of a movement pattern which has meaning and reminds us of the central theme of the work.

movement techniques for physical theatre

https://www.bbc.co.uk/education/guides/ztfk6sg/revision/6

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Brecht used techniques such as:
•narration
•third person narration
•direct address
•placards
•multi rolling
•split role
•symbolic props
He used these techniques to make the play interesting but yet not realistic he wanted to do this so the audience could think and reflect on politics and society for themselves. Brecht carried and important message about politics and society  in his plays so he can educate the audience.

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•the three penny opera
•life of Galileo
•mother courage and her children
•the good person of szechwan
•the Caucasian chalk circle

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After his experience in the war he started to question society and politics so he made plays about politics. He's plays were so controversial that he was judged by Germany.That lead him to do his work at Hollywood for a while he then returned to Germany in 1949 where he founded the Berliner ensemble.

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An introduction to Bertolt Brecht | National Theatre

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Epic theatre is type of theatre that started in the mid 20 century this style of theatre avoids emotionally engaging the audience by directly addressing the audience telling you the plot of the play at the beginning. Bertolt Brecht was the founder of this type of theatre he made it to show society how the government works how it treats people unequally. He was influenced by the terrors he experience as a doctor for soldiers. 

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Epic theatre is type of theatre that started in the mid 20 century this style of theatre avoids emotionally engaging the audience by directly addressing the audience telling you the plot of the play at the beginning. Bertolt Brecht was the founder of this type of theatre he made it to show society how the government works how it treats people unequally. He was influenced by the terrors he experience as a doctor for soldiers. 

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                                                                                      Epic theatre

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                                                                                      Epic theatre

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the role of a physical theatre choreographer is to make sure that all characters are mentally and physically fit to do some movement and they also need to be unique and avoid cliques.

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an actor would need to be mentally and physically fit because this kind of theatre involves lots of movement some simple others complex.

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The vocal skills an actor would need in this kind of theatre is good projection so the audience could hear what is said although there is very little dialogue

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the role of the physical theatre actor is that he/she have to understand the story they are telling with their body and have to be good with choreography.

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the director needs to be creative so he could make a successful piece of physical theatre.

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the physical theatre director needs to be able get their actor to express their character through movements and little dialogue.

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the physical theatre tradition started with a french practitioner named Etienne Decroux his aim was to create a theatre based on the actors physicality.

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physical theatre is the performance style that uses emphasised movement to put the human body in the centre of the storytelling process usually involves choreographed movement and very little or no  dialogue.

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                                                         physical theatre

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                                                         physical theatre

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in this video there are actors who use naturalistic techniques to make a great naturalistic piece. the actor use things like the three core principles to make it realistic.

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can be just IT sometimes. www.anrainerblog.blogspot.com

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actors need to use physical skills so there can express the theme or feeling stylistically.

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the actor would need to practice how to use it in certain times in a naturalistic so you can make the performance more realistic

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the actor has to use advance naturalistic techniques to make their acting more natural.

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the director would be required to use skills like managing refining performance material so he/she can create a high standard naturalistic theatre performance

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the director role in making a naturalistic performance is pushing actors and actresses to use important naturalistic techniques like the three core principles

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Things i know to be true is about a really dysfunctional family who are split by there dilemma's an are brought together by there mothers tragic death. This theatre performance uses physical theatre to make the performance intresting.

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Things i know to be true is about a really dysfunctional family who are split by there dilemma's an are brought together by there mothers tragic death. This theatre performance uses physical theatre to make the performance intresting.

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                Things I know to be true

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                Things I know to be true

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toms stage action is to give the audience a clear image of whats is like to be a old man taking care of a child.

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tom super objective is to vividly show what is like for a lonely old man living in the country side to take care of an abused malnourished evacuee from the city. the questions he would ask himself would be like how can i take care of him?

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The director tackles the issues of

.child abuse
.mental health.
.being an evacuee.
.war
To make a more naturalistic piece the director tackles a variety of  issues in order to make a more naturalistic performance.

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goodnight Mr tom is one of the greatest examples of a naturalistic performance the cast used a advanced selection of higher level acting techniques to produce a high standard of a naturalistic piece.

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https://www.youtube.com/watch?v=7j8awfdvxaw

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                                Goodnight Mr Tom

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                                Goodnight Mr Tom

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                                   Three core principles

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                                   Three core principles

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                                                    Naturalism 

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                                                    Naturalism 

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In the video Robert Din Niro briefly talks about how the characters have to be honest and not exaggerate too much because in the a naturalistic performance the audience have to engage with the performance without the characters exaggerating. Robert Din Niro belives that naturalistic performances should be about the characters respecting the audiences maturity to engage with the play.

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Robert De Niro - One Minute of Brilliant Acting Advice

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If only every actor understood this, movies would be much more compelling & realistic.

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Naturalistic theater  is the type of performance where the theater attempts to create an illusion of reality.

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super objective is the character goal to not just voice the text but to understand why your doing it and what your doing it for and what are you expecting your audience to do after the performance.

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stage action is the goal a character has to achieve in order to make the performancecharacter more believable.

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suspension of disbelief is when a character cant succeed in their role during the performance .so the director pushes them to use a real life situation to make the performance believable .