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Hey STUDY GROUP H!!!! We're your study group leaders Elise & gerald!!! This is going to be an amazing week of learning

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Black and White Minimalist Simple Hand drawn Animated Scrapbook Subscribe YouTube Intro

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Location: Gutman 303

Co-Leaders: Elise Gallinot Goldman and gerald smith

Times:

Monday, June 26: 10:45 am - 12:00 pm; 3:45 - 5:45 pm

Tuesday, June 27: 2:30 - 4:30 pm

Wednesday, June 28: 2:30 - 5:00 pm

Thursday, June 29: 2:30 - 5:00 pm

Friday, June 30: 8:30 - 10:00 am

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Monday June 26th  Study Group "H" Agenda

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Monday June 26th  Study Group "H" Agenda

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Study Group One: 10:45-12
Name Cards
Introductions
Norm Setting
Why Study Groups?
The Throughlines
Housekeeping
Lunch with Study Groups

Study Group Two: 3:45-5:45
Understanding Experience

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Definition: A  Culture of Thinking  - is a  place in which a group’s collective, as well as individual thinking is valued, visible and actively promoted as part of the regular day-to-day experience of group members - Ron Ritchhart

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Monday June 26th  Study Group "H" Headlines and Documentation: STUDY GROUP H DAY ONE

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Monday June 26th  Study Group "H" Headlines and Documentation: STUDY GROUP H DAY ONE

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How do we find meaning in something?

Experiences
Connection + Community
Intersection between knowledge + experience
Discussion + Dialogue around the experience
Collaboration
Repetition- development of habits- thinking routines
Context- Prior Knowledge, Etc
Future Use- What? So What? Now What?
Perceived worth- does it have value to me
Time, Reflection, Moments of Deliberation
Preference- something one enjoys or wants to know more of

What makes a good interpretation?

Depends on the individual- the ability to connect, could be different for the individual (enacts feeling or emotion)

Preference- why and how we connect based on what we might enjoy/dislike something

The interpretation itself brings up new perspectives

Representation- Context- what might resonate

Attentiveness+ Full Engagement+ Collaboration

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How did this experience feel to you?

Have your ideas about the poem changed?

What questions do you have about the experience?

How does this connection to the PZ Throughline- What is understanding and how does it develop?

How might you use this activity in your classroom?

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What are the issues and concerns that keep you up at night as it relates to your context of work?

What are the puzzles you keep coming back to in your context of work?

What questions are you most curious about in your context of work?

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Artist Nick Cave "is like a rock star in the art world," said his primary dealer Jack Shainman, in a phone interview with artnet News. "When I see people starting to ask my artists for autograph, that changes into a different realm."

Boosted by major museum shows, public performances, and substantial exposure at art fairs in recent years, Cave's most famous works-his signature Soundsuits -have become wildly popular. And it's not hard to see why. Though the styles, themes and materials vary widely, they all tend to be dazzlingly elaborate and fantastic sculptural forms based on the scale of the artist's body.

The Soundsuits "camouflage the body, masking and creating a second skin that conceals race, gender, and class, forcing the viewer to look without judgment," according to a description on Jack Shainman Gallery's website.

Cave himself, and the many dancers he works with, often perform in the suits. His acclaimed show at the Cranbrook Museum of Art in Detroit this past fall, "Hear Here," featured a city-wide program of performances and related events.

The artist is currently working on a massive installation for MASS MoCA titled "Until" that will open October 16. Shainman was hard-pressed to describe the details of the monumental project except to say he understands that it will be "immersive" and that the artist has described it as "being on the inside of a Soundsuit."

For the past two and a half decades-Cave created his first Soundsuit in 1992, as a response to the LAPD beating of Rodney King and the ensuing riots-interest in the Soundsuits has been building slowly and steadily, though it seems to have hit a tipping point of late.

"There is not a day that people aren't calling about buying his work or museums interested in putting on shows," says Shainman, adding, "I think it's what's called a 'luxury problem' but we've been having to turn down museum shows."

Along with intense demand for Soundsuits on the primary market-the Seattle Museum of Art is among a recent buyer, said Shainman-some Soundsuits have been turning up at auction in recent years as well.

According to the artnet Price Database, there are just 16 results at auction for Cave. Nine of these works are Soundsuits.

The highest price to date was $150,000 for a 2008 Soundsuit that Sotheby's offered in its contemporary day sale this past November (estimate: $80-100,000). Another example, from 2007, sold for $118,750, also at Sotheby's, in November 2013, on an $80-120,000 estimate.

Charlie Moffett, a Sotheby's associate vice president and head of the contemporary art day sale, remarked on their rising popularity. "In the last few years, as they come to market, more and more people are recognizing that not only are they incredibly beautiful sculptural works that have a performative history, but they are also an investigation into each of the stories for the impetus for their creation." He noted one such Soundsuit in the Cranbrook show, TM13, was a tribute to Trayvon Martin.

Both Cave and Moffett affirmed that the appeal and demand for Soundsuits do not seem to be limited to a particular material or style (though Shainman notes: "People love the button Soundsuits " ).

And though Shainman says "we prefer them not to come to auction," he says the prices achieved so far are generally in line with the primary market-if a tad higher-a trend that is undoubtedly reassuring to any dealer concerned about speculative activity.

Another sign of the broad appeal and depth of context of the suits is the inclusion of one in the Brooklyn Museum's newly opened show "Disguise: Masks and Global African Art," which runs from April 29 to September 18.

artnet News spoke with Kevin Dumouchelle, associate curator, arts of Africa and the Pacific Islands, at the Brooklyn Museum. Dumouchelle explained the changes that the Brooklyn Museum made to the show, which originated in Seattle, at the Seattle Art Museum including putting in the Cave Soundsuit from the museum's own collection.

He explained: "The show explores the connection between historic African masquerade and contemporary artistic practice, including looking at artists who are rooting themselves in some way-either directly or indirectly-in ideas and practices that we can trace back to African masquerade," said Dumouchelle. "Even just on the surface level, Nick Cave seems like an obvious candidate..."

As Cave busies himself with a major upcoming Mass MoCA installation, interest and demand for the Soundsuits keeps getting more intense. "I wouldn't be surprised if we continue to see an increase in value for these works in the years ahead," said Moffett.

Want to stay ahead of the art world? Subscribe to our newsletter to get the breaking news, eye-opening interviews, and incisive critical takes that drive the conversation forward.

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What's the Market for Nick Cave's Soundsuits? -artnet News

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Artist Nick Cave "is like a rock star in the art world," said his primary dealer Jack Shainman, in a phone interview with artnet News. "When I see people starting to ask my artists for autograph, that changes into a different realm."

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"Curiousity Filled the Room": Study Group H jumps into ACTION with ?s, Collaboration, & JOY

Headline Routine: https://pz.harvard.edu/sites/default/files/Headlines.pdf

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Re Introduction and Norm Revisit
A Thinking Routine: Color, Symbol, Image
Questions Protocol- Forming a Burning Question
Reflection
Dismissal for Global Cities Reception

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Global Cities Reception @ Museum of Science: Tuesday, June 27th 7:30- 9:30 pm

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Global Cities Reception @ Museum of Science: Tuesday, June 27th 7:30- 9:30 pm

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Important Information- Buses will depart on Appian Way- Road between Gutman Library and Longfellow

Wave #1 (Green): 4:30 pm departure
Wave #2 (Blue & Orange): 6:45 pm departure

Dinner should be obtained on your own
Desserts and Drinks provided at Museum of Science

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"Maddening Questions": Deep Questioning Leads Study Group H into a Thinking Multiverse

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Dance It Out
Question Protocol Reflection
A Thinking Routine: Think, Puzzle, Explore- Looking at and Connecting Questions to the Throughlines
Explanation of the Exhibition of Learning
Drafting/Work session for EOL

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How might your question connect with the throughlines? One of them? A few of them? What makes you say that?

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Study Group H: For Fruitful Outcomes Collaborate You Must

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Connections
Connect. Extend. Challenge
Exhibition of Learning Work and Space for Reflection

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Thinking Routine: Connect Extend Challenge

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Thinking Routine: Connect Extend Challenge

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Study Group H Commits to Building Spaces for Voices that are Validated, Heard, Respected, & Loved.....

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Friday Agenda: June 30th- EXHIBITION OF LEARNING

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Friday Agenda: June 30th- EXHIBITION OF LEARNING

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Friday Headline Study Group H- The H stands for Home: A Space of Belonging and Becoming

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Friday Headline Study Group H- The H stands for Home: A Space of Belonging and Becoming