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I incorporated several of the techniques we’ve learned in class with my final project. I created a template for the heart shaped boxes, built them from a slab, and added 1 to 2 rolls of coil on top of each slab base to create a tin. The lids were built with the same heart templates, but they were modified more due to their shapes. I didn’t like the way these boxes turned out the first time (glaze was uneven), so this is a photo of them before their second glaze.

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https://www.metmuseum.org/art/collection/search/49855?pos=7

I think I would like to experiment with several glazes for my finished product. I really like how it looks with a smooth surface, but I would love to add bursts of color, maybe something with a rustic look to it.

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Suzanne G. Valenstein. A Handbook of Chinese Ceramics. New York: The Metropolitan Museum of Art, 1989, color pl. #16.

Carswell, John. Blue and White: Chinese Porcelain Around the World. London: British Museum Press, 2000.

Leidy, Denise Patry. How to Read Chinese Ceramics. New York: The Metropolitan Museum of Art, [2015], p. 70, fig. 18.2.

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Flask with Lotus Pond | China | Yuan dynasty (1271-1368) | The Metropolitan Museum of Art

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Suzanne G. Valenstein. A Handbook of Chinese Ceramics. New York: The Metropolitan Museum of Art, 1989, color pl. #16. Carswell, John. Blue and White: Chinese Porcelain Around the World. London: British Museum Press, 2000. Leidy, Denise Patry. How to Read Chinese Ceramics. New York: The Metropolitan Museum of Art, [2015], p.