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Pietro Perugino, Christ Delivering the Keys to St. Peter, 1482

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Depth, and columns and arches in architecture

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Jan van Eyck, The Arnolfini Portrait, 1434

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Iconography with less religious subject matter

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Symmetry with linear perspective

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Pieter Bruegel the Elder, Hunters in the Snow, 1565

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Dramatic colors and stylization

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Parmigianino, Madonna with the Long Neck, 1535

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Distortion of proportions

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Michelangelo Merisi da Caravaggio, Crucifixion of St. Peter, 1601

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Dramatic, dark, realistic

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Gerard van Honthorst, The Supper Party, 1620

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Everyday life subject matter, realism

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Jean Honore Fragonard, from The Progress of Love (1771-73) series: The Swing

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Pastel coloring, idealism

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Jacques-Louis David, Oath of the Horatii, 1784

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Simple and traditional, antiquity

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Francisco Goya, The Third of May 1808, 1814

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Rebellious attitude, violence

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William-Adolphe Bouguereau, The Haymaker, 1869

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Everyday subject matter, photo-like rendering

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Exaggerated coloring and rendering

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Paul Signac, Place des Lices, St. Tropez, 1893

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Extreme fantastical stylization of both coloring and basic proportions

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Excessively distorted and bold

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Juan Gris, Portrait of Pablo Picasso, 1912

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Geometric and fragmented representations

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Extremely irreverent and nonsensical

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Jackson Pollock, Number 1 (Lavender Mist), 1950

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Non-representational subject matter

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Shapes and colors rather than representational subjects

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Offset geometric shapes never used in architecture previously

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Bold colors and repeated textures and patterns