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The Arts of One World exhibition in the Stephan Crétier and Stéphany Maillery Wing at the MMFA showcases over 1,200 works from around the world, spanning from the 4th millennium BCE to the present. Inspired by philosopher Édourd Glissant’s vision of a non-hierarchical, interconnected world, it offers a unique exploration of cultural diversity. The installation features 10 galleries that encourage reflection on both our cultural heritage and contemporary artistic creation.

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I will be anylazing the curatorial decsision taken when organizing this exhibition and attempting to interpret the reasoning behind these decisions

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Well lit displays for small objects and pieces

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The lighting in the One World exhibit varied significantly across different rooms, contributing to the overall atmosphere and focus of the space. In some areas, bright, evenly distributed lighting was used to illuminate numerous smaller objects that shared similar characteristics, whether by appearance or cultural origin. This approach allowed for a presentation of these objects as a group, encouraging visitors to appreciate the collective diversity of cultures.

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In contrast, other areas of the exhibit featured dimmer lighting with focused spotlights that highlighted specific pieces, drawing attention to their significance. Notice here how the light streaks through the glass and creates a sutble pattern on the floor as an added aesthetic flourish.

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The more imposing or striking pieces were given ample space, emphasizing their presence through spacious displays and centered positioning. This not only ensured these works stood out but also created a sense of importance and reverence around them.

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Many of the busts and statues on display were illuminated with harsh lighting to accentuate the contrast between light and shadow, adding a dramatic effect that emphasized their sculptural form and texture. This choice of lighting created a striking visual impact, encouraging visitors to explore the intricate details of the piece.

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Objects with similar appearances or origins were often grouped together, forming cohesive displays. When viewed holistically, these groupings created a unified presentation, emphasizing the shared cultural elements or aesthetic qualities among the pieces. This curatorial choice invited visitors to consider the connections between different cultures and the common threads that tie them together.

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Antique objects were often displayed in glass cases, with bright lighting ensuring that each item was clearly visible. This method highlighted their historical value while protecting the objects, ensuring that their delicate nature was preserved for viewing.

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Some pieces were displayed against gridded backgrounds, which allowed light to pass through in unique ways, casting interesting patterns and shadows. This choice not only enhanced the visual experience but also added a layer of depth and texture to the overall exhibit, drawing attention to the interaction between the objects and their surroundings.

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Notice how the grid pattern and backlighting create an interesting light and shadow effect on the floor

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Certain areas have lowered ceilings with a gridded pattern, subtly altering the spatial experience. This creates a more intimate atmosphere in contrast to the high-ceilinged galleries, which feel more expansive. The gridded ceilings mirror some of the backgrounds used in displays, where light filters through in interesting ways, adding depth and texture to the exhibition space.

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The exhibit integrated various forms of media to enhance the storytelling of the artworks. Some walls feature mounted TV screens that play short video loops, offering additional context or thematic connections to the pieces nearby. At times, striking photographs are incorporated alongside the artworks, adding layers of meaning and drawing visual parallels between different artistic mediums. Alongside the traditional paintings, the added media created a blend of traditional and contemporary display methods aligning with the exhibition’s overarching theme of interconnectedness across time and cultures