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A family residing in a 2010 futuristic Bombay. A family of four, consisting of a mother (Ma), two sons (Jeetu & OM) and the wife of one of the sons (Jaya, wife of OM).

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This is when OM arrives home and starts explaining his new job. We slowly start to understand that the job OM has taken is to harvest his organs. We start getting a further understanding of the procedure, of OM been taken by the guards and giving them on to the receiver, Ginni. Even with the reaction of horror by his wife and mother, OM is happy with his job, as he believes that the money they receive will be able to improve their live, extending to them having a more technologically influenced life.

The structure is to be able to address the issue that will be cause of conflict throughout the play.

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The rising action is when Jeetu is mistakenly taken instead of OM. This is a climatic moment, however,  it isn't the main climax, as Jeetu is still alive, although he has lost both his eyes. We get a sense of the suffering caused by the job, but we also get an understanding of the desire they have for technology. This gives us an idea of the challenges they have with their environment, as they live in a poor region in which having money and access to such technology is something that people can only dream of.

The play is constructed with Jeetu getting caught up in the mix, to beg the question "Is selling your body as a prostitute worse than selling parts of your body?".

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This is when Jeetu decides to go to the plant instead of OM. This moment is the most crucial moment in the play, as the manipulation of Jeetu, through being entranced by the image of Ginni through the contact module, he is willing to donate his body to Ginni. This is also a crucial moment as we see OM beg to be taken to the Plant, showing the importance to the men in this family to be the breadwinner. The power struggle between OM vs Jeetu and the Receivers and guards vs the Donors, is at its peak in this scene, with OM and Jeetu trying to get themselves to be taken to the plant, while the power of manipulation by Ginni is at its forefront, as she is able to get the donors to want to go willingly.

The play is constructed to shock the audience by having Jeetu, who had seemed rationale, changing into someone who is willing to give his body over to someone he doesn't know. The play is also constructed to have the climax late on as it wants a connection between the audience and the characters, to create emotional connects, evoking emotional responses

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The falling action is a multiple of scenes towards the backend of the play, leading up to the resolution. This includes Ma getting put into her videocouch for the rest of her life, OM leaving to become an organ donor again and Jaya staying at home waiting for Jeetu to come back.

The falling action is structured to show the collapse of the family, with them all parting ways. The family is collapsing due to them already having problems with one another, prior to the involvement of Ginni. This message is of how money isn't the source of happiness.

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The resolution is the video call between Jaya and Virgil. This scene reveals that Ginni isn't real and that the donations were going to Virgil to prolong his life. The scene also reveals the terrible fate of Jeetu, as we see Virgil in his body. Virgil is, however, not satisfied with Jeetus body and craves youth.

The resolution is constructed to show the overwhelming actions that can be done by greed.

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In the final scene, Virgil tries convincing Jaya to become pregnant through an implant. Jaya rejects it as she wants to have a real man, not a computer image.

The play ends with Jaya threatening to kill herself if he doesn't come and do it himself.