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a category of artistic composition, as in music or literature, characterized by similarities in form, style, or subject matter.

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The standard photographic film format for analog single lens reflex (SLR) still cameras and motion picture cameras.

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A twin-lens reflex camera is a type of camera with two objective lenses of the same focal length. One of the lenses is the photographic objective or "taking lens", while the other is used for the viewfinder system, which is usually viewed from above at waist level.

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Large format refers to any imaging format of 4×5 inches or larger.

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The gelatin silver process is the photographic process used with currently available black-and-white films and printing papers.

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Popular Photography: Techniques and How-Tos, Camera Reviews

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Popular Photography has offered high-quality how-to articles, gear reviews, and photography inspiration since 1937.

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Curators collect, exhibit, research and maintain the photo collection at a museum.

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The space in which art objects (in the most general sense) meet an audience.

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The presentation of visual elements in an image, especially the placement of the subject in relation to other objects.

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A large room for the exhibition of pictures.

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You own an image you created. The law says you created that image as soon as the shutter is released.

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Can be vertical, horizontal, curved or jagged. Examples: roads, sunsets, bridges.

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The distribution of visual weight, space, colors, or texture.

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A way of combining the art elements in involved ways to achieve intricate and complex relationships.

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An underlying structure that organizes surfaces or structures in a consistent, regular manner.

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The relationship of two or more elements in a composition and how they compare to one another with respect to size, color, quantity, degree, setting, etc.

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The path the viewer's eye takes through the work of art, often to focal areas.

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Gives the artwork a sense of cohesion or coherence. It is the wholeness or completeness of a picture.

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The arrangement of opposite elements and effects.

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Two-dimensional representation of objects. Examples: silhouetted photographs of birds.

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Three-dimensional representation of objects, usually through the use of lighting and shadows.

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Either negative or positive space can be used to make a statement. Often seen when using the rule of thirds.

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The use of repetition to create an interesting photo. Examples: photos of gardens or flowers.

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Using warm or cool colors to set a mood.

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The use of lighting to bring out details of an object, making it easy to see whether a surface is smooth or soft.

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This type of symmetry usually involves shapes that go round and round with the same patterns.

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A line that splits an object in half and, if both sides of the object are an exact mirror image of each other, then this object is said to be symmetrical.

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Asymmetrical balance occurs when you have different visual images on either side of a design, and yet the image still seems balanced.

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A photographer puts two objects close to each other and tries to attract the viewer's attention to their differences.

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Using only one color in your photos.

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A means of depicting a visual image that does not have an immediate association with the object world and that has been created through the use of photographic equipment, processes or materials.

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Typically defined by blue, green, and purple colors and lights.

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Consist of orange, red, yellow and combinations of these colors.

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Opposite hues on the color wheel.

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Don't typically show up on the color wheel. Neither warm nor cold.

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An image should be divided into 9 equal parts for the best picture ratio.

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Lines within the photograph that lead your vision forward and throughout the photo.

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The Fibonacci spiral, which shows how you use empty space and where to put items.

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The space around, and between the subjects of an image.

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Any part of the photo that jumps out from it's surroundings.

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a light is placed behind or at right angles to an object, person, or scene.

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Non-directional light where the lighting is equal.

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Light that comes from the surroundings and the background.

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The use of contrast in light and shading across an entire image composition.

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The outline of a person's body when taken against the sun or against any light.

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An impersonal image not influenced by feelings, interpretations or prejudice.

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It is based on your perception rather than judgments from other peoples perspective.

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Informing the photographer what is wrong or how to make the photograph better.

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Stealing the idea of someone else to make it your own work with no credit.

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Making a photograph your legally owned content.

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Principles that guide how we take and share photographs.

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Two images combined into a single frame or presented together.

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Three images combined into a single frame or presented together.

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The smallest changeable element about a photo.

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The golden hour starts roughly one hour after sunrise and one hour before sunset.

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Format in which the main color is blue predominating the image.

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Standardized means of organizing and storing digital images.

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Most common method of storing files.

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Easiest to edit format.

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A computer file format for storing raster graphics images.

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A layered image file used in Adobe PhotoShop.

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A brownish tone imparted to a photograph.

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A shadow is the contour created when an object or person blocks rays of light from reaching a surface.

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These are neither shadows or highlights but rather a middle value of luminance.

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The brightest area in a photo.

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The process of editing the data captured by camera while taking the photo to enhance the image.

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Using long duration shutter speed to sharply and brightly capture an image.

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Denoting the photographic technique of taking a sequence of frames at set intervals to record changes that take place slowly over time.

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Moving a light source while taking a long exposure photograph.

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Swiveling a still or video camera horizontally from a fixed position.

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The size of the digital image the camera produces, and is usually expressed in terms of "megapixels" or how many million pixels it can record in a single image.

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A digital single-lens reflex camera is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a digital imaging sensor.

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A set of data that describes and gives information about other data.

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A thumbnail image is a small image that represents a larger one.

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(Straight Out Of the Camera). This term generally refers to the absence of post-processing with an image editing program.

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Image stabilization technology that minimizes blur caused by camera shake.

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Automatically determine the correct exposure for pictures without any user input other than to select the AE option before taking a picture.

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It chooses the correct aperture and shutter speed for the light available, so your shot is correctly exposed.

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A setting on some cameras that allows the user to set a specific aperture value.

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A setting on some cameras that allows the user to choose a specific shutter speed while the camera adjusts the aperture to ensure correct exposure.

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Manual mode requires the photographer to make all the decisions that determine an image's exposure.

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The sensitivity of the film to light.

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A sensor's (or film's) sensitivity to light.

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The random optical texture of processed photographic film.

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Describe visual distortion. It looks similar to grain found in film photographs, but can also look like splotches of discoloration when it's really bad, and can ruin a photograph.

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A device that allows the camera to convert photons – that is, light – into electrical signals that can be interpreted by the device.

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Aperture refers to the opening of a lens's diaphragm through which light passes.

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An f-stop is a camera setting that specifies the aperture of the lens on a particular photograph.

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The effect of a soft out-of-focus background that you get when shooting a subject, using a fast lens, at the widest aperture, such as f/2.8 or wider.

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The distance between the nearest and the farthest objects that are in acceptably sharp focus in an image.

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Usually represented in millimetres (mm), is the basic description of a photographic lens.

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The length of time when the film or digital sensor inside the camera is exposed to light, also when a camera's shutter is open when taking a photograph.

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The Bulb setting on camera shutters is a momentary-action mode that holds shutters open for as long as a photographer depresses the shutter-release button.

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The apparent streaking of moving objects in a photograph or a sequence of frames, such as a film or animation.

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The act of accidentally shaking a camera during shooting due to unsteady hands, which results in blurry images

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They are accessories designed to support a camera — where the two differ are the legs.

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A full-frame DSLR is a digital single-lens reflex camera with a 35 mm image sensor format.

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An image sensor format approximately equivalent in size to the Advanced Photo System film negative in its classic format, of 25.1×16.7 mm, an aspect ratio of 3:2.

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The crop factor is the ratio of the dimensions of a camera's imaging area compared to a reference format.

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A prime lens is a fixed focal length photographic lens, typically with a maximum aperture from f2.8 to f1.2.

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A specific type of a long-focus lens in which the physical length of the lens is shorter than the focal length.