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The period of twilight when the Sun is at a significant depth below the horizon and residual, indirect sunlight takes on a predominantly blue shade, which differs from the one visible during most of a clear day.

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(PhotoShop Document) PSD file is often retained as a master and exported to JPEG, GIF and other graphics formats that are commonly required.

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A computer file format for storing raster graphics images, popular among graphic artists, the publishing industry, and photographers.

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An unprocessed photograph captured with a digital camera.

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A format for compressing image files.

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A file format is a standard way that information is encoded for storage in a computer file.

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The path the viewer's eye takes through the work of art, often to focal areas.

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Having parts which fail to correspond to one another in shape, size, or arrangement; lacking symmetry.

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Many shades of white, and bounced light from a neutral source influences the tint of every other color nearby. Neutral tones set the mood of an image more than any other colors

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Art that does not attempt to represent an accurate depiction of a visual reality but instead use shapes, colours, forms and gestural marks to achieve its effect.

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A medium tone, one that is neither very dark nor very light.

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The period of daytime shortly after sunrise or before sunset, during which daylight is redder and softer than when the Sun is higher in the sky.

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The fact of two things being seen or placed close together with contrasting effect.

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The arrangement of opposite elements and effects. For example, light and dark colors, smooth and rough textures, large and small shapes.

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Containing or using only one color.

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Post-processing may refer to: Image editing in photography

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Highlights are usually defined as the brightest area in a photo.

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The way in which the different elements of a composition interact with one another. A unified layout is one that works as a whole rather than being identified as separate pieces.

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Made up of exactly similar parts facing each other or around an axis; showing symmetry.

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Colors that are the opposite on the color wheel that look good together.

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Leading lines are lines that appear in a photograph that have been framed and positioned by the photographer to draw the viewer's eye towards a specific point of interest.

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Ambient Light traditionally refers to any form of light that the photographer did not add to their image, and can include both "natural" ambient sunlight, or "artificial" ambient light such as a nearby street light, lamp, or similar.

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Constructive criticism is a helpful way of giving feedback that provides specific, actionable suggestions.

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A minute area of illumination on a display screen, one of many from which an image is composed.

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A dark area or shape produced by a body coming between rays of light and a surface.

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Photography ethics are the principles that guide how we take and share photographs.

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Any part of the photo that jumps out from its surroundings.

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The treatment of light and shade in drawing and painting.

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A symbol, word, or words legally registered or established by use as representing a company or product.

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The absence of post-processing with an image editing program. The image is untouched, just what the photographer saw and the camera recorded.

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The relationship of two or more elements in a composition and how they compare to one another with respect to size, color, quantity, degree, setting, etc.

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The aesthetic quality of the blur produced in out-of-focus parts of an image.

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A category of artistic composition, as in music or literature, characterized by similarities in form, style, or subject matter.

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Negative space is the area surrounding the main subject in a photograph which is left unoccupied.

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The dark shape and outline of someone or something visible against a lighter background, especially in dim light.

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The practice of taking someone else's work or ideas and passing them off as one's own.

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An underlying structure that organizes surfaces or structures in a consistent, regular manner.

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Large Format simply means big film size. Large format cameras use sheet film sized 4x5" or larger with the most common film sizes being 4x5" and 8x10".

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The path of a dot, point etc. ... through space and that is always has more length than thickness.

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A feeling of depth or three dimensions. It can also refer to the artist's use of the area within the picture plane.

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A quality or a value of light and dark of a certain shade or tone.

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The gelatin silver process is the photographic process used with currently available black-and-white films and printing papers.

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The perceived surface quality of a work of art.

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A twin-lens camera is a type of camera with two objective lenses of the same focal length.

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Objects that are 3-Dimensional, or have length, width, and height.

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Photo curators collect, exhibit, research and maintain the photo collection at a museum. They interpret photographs in such a way that will educate a broad public base.

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The distribution of the visual weight of objects, colors, texture, and space.

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Shapes that go round and round with the same patterns.

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Cool colors include green, blue, and violet. Cool colors are more subtle.

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Produced when light, striking an object, is reflected back to the eye.

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The Rule of Thirds is the process of dividing an image into thirds, using two horizontal and two vertical lines.

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An image stabilization technology that minimizes blur caused by camera shake.

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A controlled technique of lighting, used in photography or the theater, in which a light is placed behind or at right angles to an object, person, or scene to produce such effects as depth or separation of subject and background.

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The presentation of visual elements in an image, especially the placement of the subject in relation to other objects. Framing can make an image more aesthetically pleasing and keep the viewer's focus on the framed object.

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Objective photography is an impersonal image not influenced by feelings, interpretations or prejudice.

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A film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge.

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Shape is a two dimensional area confined by a actual line or implied line (an edge for example).

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Two images combined into a single frame or presented together.

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A reddish-brown color associated particularly with monochrome photographs of the 19th and early 20th centuries.

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A public display of works of art or items of interest, held in an art gallery or museum or at a trade fair.

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Varying elements and objects in your image, to avoid making them boring.

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Warm colors include red, orange, and yellow and are harsher than cool colors.

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Diffused light that which is not harsh and direct, it has been softened in some way.

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The exclusive legal right, given to an originator to print, publish, perform, film, or record literary, artistic, or musical material, and to authorize others to do the same.

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Photography is subjective by simply being a visual art. In other words, it is based on your perception rather than judgments from other peoples perspective.

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Three images combined into a single frame or presented together.

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A large room for the exhibition of pictures. Also a collection of pictures.

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The photographic technique of taking a sequence of frames at set intervals to record changes that take place slowly over time.

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A digital single-lens reflex camera is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a digital imaging sensor.

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The camera still sets the exposure for you.

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A digital camera refers to the size of the digital image the camera produces, and is usually expressed in terms of "megapixels" or how many million pixels it can record in a single image.

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YOU manually control shutter speed, aperture, and ISO.

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Swivelling a still or video camera horizontally from a fixed position.

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Allows the user to choose a specific shutter speed while the camera adjusts the aperture to ensure correct exposure.

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Photographic technique of moving a light source while taking a long exposure photograph.

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Thumbnails are reduced-size versions of pictures or videos, used to help in recognizing and organizing them.

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Allows the user to set a specific aperture value (f-number) while the camera selects a shutter speed.

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Using a long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements.

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Metadata is "data that provides information about other data".

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The camera's software fully controls all aspects of the photograph.

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An arbitrary rating of film speed; that is, the sensitivity of the film to light.

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Relates to a sensor's (or film's) sensitivity to light.

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The granular or sand-like appearance of a negative, print or slide.

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Visual distortion found in photographs.

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A sensor that detects and conveys information used to make an image.

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A hole or an opening through which light travels.

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The ratio of the system's focal length to the diameter of the entrance pupil.

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The distance between the nearest and the farthest objects that are in acceptably sharp focus in an image.

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The angle of view—how much of the scene will be captured—and the magnification—how large individual elements will be.

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A measurement of the time the shutter is open, shown in seconds or fractions of a second.

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A momentary-action mode that holds shutters open for as long as a photographer depresses the shutter-release button.

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The purposeful streaking or blurring of an object in motion in a photo for visual effect.

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A term used to define the act of accidentally shaking a camera during shooting due to unsteady hands, which results in blurry images.

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Used to stabilize and elevate a camera, a flash unit, or other photographic equipment.

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A digital single-lens reflex camera (DSLR) with a 35 mm image sensor format.

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An image sensor format approximately equivalent in size to the Advanced Photo System film negative in its classic format.

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The ratio of the dimensions of a camera's imaging area compared to a reference format.

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A fixed focal length lens that does not allow you to zoom in or out.

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A long-focus lens that allows photographers to utilize a focal length that is in fact shorter than the lens' physical length.