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This process was an eye opener for me, into the world of choreographing on someone that I haven’t choreographed on before. To begin with picking a dancer was a hard one as the idea I wanted to go with was a contemporary and street mash up so I had to pick a dancer that would be able to pull of both. I ended up picking someone that I could easily getting on with and being able to work well with. I began choreographing and teaching my dancer and she picked it up really well and she executed the way I wanted her too but she put her own flair to it which I liked. I chose two song that I liked and enjoyed as I felt that it would inspire me to choreograph to.

I feel that I could have gave her more freedom with the choreography even though its meant to be my choreography but she could have given her own flair and that could have sparked ideas for myself for future choreography. The first part of the piece I felt was easy to choreograph to as I was very familiar with the song and I’ve been doing a lot of contemporary so my rage of movements has expanded since then and helped me with the first part of the piece. Whereas the second piece I still found easy to choreograph to but not as easy as the contemporary side, I have done street for many years before so I have a good understanding but when it comes to choreographing the piece it was quite difficult even though my dance background is mainly street, so where it come choreographing it slowly became easier to choreograph to I enjoyed the music I had chosen which helped with the creating the movement. I feel that I could have spent more time with my dancer and had longer or extra rehearsals so that I could have created a more intricate dance and more technical dance. My dancer didn’t let me down when it came to rehearsals as she was reliable and she turned up to every rehearsal and if I had organised an extra rehearsal she would turn up.

If I was to do this again I would definitely be more organised with the mount of choreography I had prepared and I would also use my time more wisely as we would only have lunch to teach her so if I had come more prepared it would have helped with my time management as I would not have wasted time thinking about choreography and which part of the music I wanted. I also would start rehearsal sooner than I did just so that we had enough time to put together the piece as well as refine the movements as well as not let my dancer be under pressure to learn and refine the dance. I would also think about a more suited costume for my dancer as I didn’t really know what to put her in as it was a mash up of styles so I had to pick a costume that would suit both, so I gave my dancer an idea of what I wanted her to wear and she pulled through and wore shorts and I t shirts as they are both suited to both styles so that meant that the dancer was comfortable in the costume.

Overall the choreographic process wasn’t my strongest point and I didn’t feel overly confident with my choreographic process and how I organised it and I got the same feedback from my tutor that I could have done a lot better with the process and how I went about it.

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Sean Paul, David Guetta - Mad Love ft. Becky G

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Jason Derulo - Tip Toe feat. French Montana [Official Music Video]

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I wanted to mix contemporary with street as I enjoy both styles performing and choreographing. I picked the dancer that I knew that would be able to pull of both styles as well as turn up to rehearsals and be professional.

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This rehearsal was an extra rehearsal which was on Friday like we has discussed. We spent the the morning working on the end of the piece so that we could finish the whole dance and then refine afterwards. We changed a few of the movements so that it fit the piece better. We worked on the choreography side of the piece then talked about what the costume she could wear.

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in this rehearsal we recapped what we had done the previous two rehearsal, changing anything hat needed to change or even it if was just to adjust the timing of it. we ran it with the music a couple of times.

We also discussed doing a day of rehearsal on the Friday so that we could finish the piece of choreography.

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After discussing what songs we wanted I began choreographing and teaching my dancer the first section of the piece. we then rehearsed this and recorded it.

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we recapped what we had done he previous lunch, adding or changing movement to fit the music, and make the overall performance look better.
I feel that I could have used my time better by having choreography before the lunch time rehearsal.

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We looked at different songs that I would like to choreograph to and she would like to dance to

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Tuesday 12:15 - 1:15
Wednesday 12:15 - 1:15
Thursday 12:15 - 1:15

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Sean Paul, David Guetta - Mad Love (Lyric Video) ft. Becky G

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Sean Paul & David Guetta - Mad Love feat. Becky G - OUT NOW https://SeanPaul.lnk.to/MadLoveID Director/Producer: Tom Jarrett Animation Music video by Sean Paul, David Guetta performing Mad Love. (C) 2018 SPJ Productions Ltd, under exclusive licence to Island Records, a division of Universal Music Operations Limited http://vevo.ly/Usd83O

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NO COPYRIGHT INFRINGEMENT INTENDED*** "This video uses copyrighted material in a manner that does not require approval of the copyright holder. It is a fair use under copyright law.

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Watch Out For This - Major Lazer / Fraules Choreography, Dancehall, FraulesGirls / URBAN DANCE CAMP

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WB http://www.theUrbanDanceCamp.com * FB http://facebook.com/theUrbanDanceCamp * YT http://youtube.com/UrbanDanceCamp * IG http://instagram.com/Urban.Dance.Camp * ARTIST / TEACHER: Fraules aka Elena Yatkina (Russia) * SELECTED DANCERS: Yuki Shibuya & Hikari Kawai (Japan) * MUSIC: 'Watch Out For This' - Major Lazer (Official Music) * FILM PRODUCTION: 310XT Films ★ THE UDC ★ The Urban Dance Camp is the world's leading dance intensive education.

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Major Lazer - "Watch out for this" dance super video by DHQ Fraules

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WATCH ONLY HD QUALITY!!!!!! WATCH AND SHARE!!!) Representing Fraules Dance Centre и Pull up crew!!! YEEEES! we were waiting for so long to see that video! It took so much work and time to do this! But this video is showing my vision of this song and dancehall at all!

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16 SHOOTS - Coreografía de Dhelia Aranaz

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Coreógrafa: Dhelia Aranaz Bailarinas: Dhelia Aranaz Ohiane Astrain Sofia Larrea Aitziber Ganuza Iratxe Remón Yazz Báez Marina Otamendi Canción: 16 Shots - STEFFLON DON

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J Balvin - Mi Gente | Choreography With Bobby Newberry