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Pierre Bismuth, Following the Right Hand of Audrey Hepburn in “Breakfast at Tiffany’s”, 2007, marker on Plexiglas over C-print, 32 × 49". From the series “Following the Right Hand of,” 2007–
https://www.artsy.net/artwork/pierre-bismuth-following-the-right-hand-of-marilyn-monroe-in-gentlemen-prefer-blondes

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Pierre Bismuth (6 June 1963) is a French artist and filmmaker based in Brussels. His practice can be placed in the tradition of conceptual art and appropriation art. His work uses a variety of media and materials, including painting, sculpture, collage, video, architecture, performance, music, and film. He is best known for being among the authors of the story for Eternal Sunshine of the Spotless Mind (2004), for which he won an Academy Award for Best Original Screenplay in 2005 alongside Michel Gondry and Charlie Kaufman. Bismuth made his directorial debut with the 2016 feature film Where is Rocky II?.

Contents
1 Life
2 Work
2.1 Collaborations
3 Exhibitions (selection)
4 Galleries
5 Notes and references
6 External links
Life
Pierre Bismuth was originally a visual communication student at les Arts Décoratifs. He met François Miehe there, one of his teachers, with whom he subsequently collaborated on several projects.[1]

In the 1980s Pierre Bismuth moved to Berlin where he attended Georg Baselitz's class of the Hochschule der Kunst. When he returned to France, he settled in Paris where he shared a studio with Xavier Veilhan and Pierre Huyghe.[1]

At the beginning of the 1990s, he settled in Brussels where he gave the opening show of Jan Mot's new gallery on the rue Dansaert.[2] In 2000, he moved to London, prompted by the Lisson Gallery, where he has had several exhibitions since then.[1]

In 2005, after having settled in Brussels again, he was awarded, along with director Michel Gondry and screenwriter Charlie Kaufman, an Academy Award for Best Original Screenplay for the film Eternal Sunshine of the Spotless Mind (2004), which many critics consider one of the best films of the 2000s.

Since then, his work has continued to be shown all over Europe and America.

Work
Through efficient and often humorous gestures, Bismuth interrupts pre-established codes of reading the images and objects that pervade daily life, from headline stories in newspapers to magazine clippings from gentlemen's magazines, to even the color of the walls. In his series From Red to Nothing and From Green to Something Else, Bismuth reproduces a painted wall in each exhibition, subtly altering the color by the addition of a small amount of white or colored paint to the original color. Another series Something less, Something More (2002–2006) consists of thin partitions out of which Bismuth removes circles until as little material as possible remained, while the circles removed from the partitions accumulate on the floor. Replaced by the Same (2003), Bismuth plays on the idea of substituting one thing by its double: for each photograph in this series, elements taken from duplicates are glued on exactly the same place as they were on the originals.[3]

Collaborations
A striking aspect of Bimuth's artistic practice consists in his collaborations with other artists from the most various fields. He notably collaborated with Michel Gondry,[4] Jerome Bel, Jonathan Monk,[5] Dessislava Dimova, Diego Perone, Barbara Visser, Angus Fairhurst, Cory Arcangel, Cyprien Gaillard,[6][7] Mathias Faldbakken or Joe Strummer[8] · .[9]

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Connected with string?

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being very carful and thoughtful about what dialouge we use, why we are using it, how it connects to everything

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Brusier, incorperating singing, choreography and acting in a way that isnt musical theatre, but an overal sensory experience

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White clothing instead of black, minimal set and use of props.

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Intimate performance, very small audience (10-15 people) , trying to connect to each member, bringing them in and immersising them

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Loads of colour, how they connect to emotions and themes

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Canvas hanging from the roof, and films are projected onto them, and then connect to eachtoher as they are shown on different canvas'.

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Connections.

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Spring awakening soundtrack
Touch me?

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Use of unique instrument combinations or improvised instruments to create a

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https://en.wikipedia.org/wiki/Internalism_and_externalism

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Silence?
From different backgrounds?
Black hair?

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Music notes, letters, numbers, words that people associate with the themes that come out of our improvising

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Song lyrics for found text

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Paint power- smokey paint

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https://numerologysecrets.net/destiny-number-7/

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E - 27 03 2001
M - 12 06 2001
C - 21 11 2000

437

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Paintings, ribbons, colour, film

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Points of view?

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Interactive, different stations, audience travels around?

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Found text
Personal numbers
Reassembling
Automatic writing

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Subtext with meisner repetition and stanizlavski underneath pieces of script 

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Subtext with meisner repetition and stanizlavski underneath pieces of script 