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a category of artistic composition, as in music or literature, characterized by similarities in forms, styles, or subject matter.

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The standard photographic film format for analog single lens reflex

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a camera having two separately mounted lenses coordinated to eliminate parallax errors or for making stereoscopic photographs.

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Large format refers to any imaging format of 4×5 inches (102×127 mm) or larger

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The gelatin silver process is the photographic process used with currently available black-and-white films and printing papers.

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one who has the care and superintendence of something especially : one in charge of a museum, zoo, or other place of exhibit

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a public display of works of art or items of interest, held in an art gallery or museum or at a trade fair.

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technique that helps you bring focus on your subject. You may have used digital frames in photography, such as the ones you can activate on your camera LCD screen

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a large room or building in which paintings, statues etc are on show

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the exclusive legal right, given to an originator or an assignee to print, publish, perform, film, or record literary, artistic, or musical material, and to authorize others to do the same.

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Line is an element of art that is used either literally with outlining or shading, or they can be used in an implied manner with leading lines or lines of action.

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design encased by lines to signify its height and width structure, and can have different values of color used within it to make it appear three-dimensional.

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an element consisting of hues, of which there are three properties: hue, chroma or intensity, and value.

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a three-dimensional object with volume of height, width and depth.

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used to describe the surface quality of the work, referencing the types of lines the artist created.

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refers to the degree of perceivable lightness of tones within an image.

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refers to the perspective (distance between and around) and proportion (size) between shapes and objects and how their relationship with the foreground or background is perceived.

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Equality in color and spacing

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Different shapes and sizes

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a repetition of elements into your photographs

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Different sizes and scale

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Where the eye goes

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A sense of completeness

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To stand out

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around a single center point

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quality of an object to be split apart into two different parts by an axis with both parts being identical.

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(lack of symmetry), or unevenness, to create visual interest, tension and movement.

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capturing and arranging two subjects that contrast with each other.

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depicting a visual image that does not have an immediate association with the object world and that has been created through the use of photographic equipment, processes or materials.

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the entire image is recorded and represented by differing amounts of light instead of different hues.

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A  type of composition in which an image is divided evenly into thirds,

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an image composition technique that features line shapes—like, say, a road or river—to draw the viewer’s eye to the intended subject of the photograph.

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It helps lead the viewer’s eye through the entire photo, leading to more captivating images.

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Large plain areas of an image such as sky, grass, or water

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refers to the objects in the frame

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cool colors include green, blue, and violet.

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any colors which, by association, suggest warmth, such as red, orange and yellow.

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those colors to which you can't give a definite color name.

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colors opposite one another on the color wheel—can be used very effectively in visual art, including photography.

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any color palette made of three colors that are equally apart on the color wheel.

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positioning the main light source for a photograph behind the primary subject.

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light that is shooting through diffusion material to make it soft.

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form of light that the photographer did not add to their image, and can include both "natural" ambient sunlight, or "artificial" ambient light such as a nearby street light, lamp, or similar.

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referred to as “clair obscur” or “extreme low key”.

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an outline that appears dark against a light background.

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The difference between these two styles is that objective photography tries to show the world as it really is, while subjective photography tries to show the world as the photographer herself sees it.

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it informs the photographer how to improve.

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Copying an image from a book or the internet without citing the original source (or gaining permission of the creator when necessary) constitutes plagiarism.

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a device (as a word or mark) that points distinctly to the origin or ownership of merchandise to which it is applied and that is legally reserved for the exclusive use of the owner

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the principles that guide how we take and share photographs.

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become a popular format where pairs of portraits, images or themed pictures are used together to complement one another.

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common style used in modern commercial artwork.

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a picture element.

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the period of daytime shortly after sunrise or before sunset, during which daylight is redder and softer than when the Sun is higher in the sky.

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the process of taking photographs during the time of the day that is known as the blue hour. The blue hour occurs before sunrise in the morning and after sunset in the evening.

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The way an image is saved to a digital camera's memory.

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varying degrees of image compression can create an image of varying file size and quality.

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digital image file that is stored on your camera or smartphones memory card. It is minimally processed and is usually uncompressed.

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for exchanging raster graphics (bitmap) images between application programs, including those used for scanner images.

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It is the native format used to save files in Ps, which is still considered to be one of the most feature-rich and popular photo editing software for photographers and creatives.

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Term for lack of, or loss of, shadow detail in a photographic image, usually the result of underexposure or lower resolution (and less dynamic) imaging sensor. Can sometimes be partially corrected in Photoshop or similar photo editing applications.

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the middle tones of an image – the colours that are in-between.

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the brightest area in a photo

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a form of photographic print toning – a tone added to a black and white photograph in the darkroom to “warm” up the tones (though since it is still a monochromatic image it is still considered black and white).

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The processing of the output of a computer program or device; especially the conversion of output into a visual form or a form readable by a device such as a printer.

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it allows you to turn your DSLR into a fancy point and shoot camera.

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Program mode is similar to automatic in the way that it allows the camera to make the decision on which settings to use to correct the exposure.

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allows the user to set a specific aperture value

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It allows you to change the shutter speed setting only.

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lets you manually control shutter speed, aperture, and ISO.

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a scale created by the American Standards Association, but it is no longer widely used.

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simply a camera setting that will brighten or darken a photo

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granularity is the random optical texture of processed photographic film due to the presence of small particles of a metallic silver, or dye clouds, developed from silver halide that have received enough photons.

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Photon noise: This kind of noise is random noise that corresponds to photons.

Front end noise: This type of noise is related to the construction of your camera sensor.

Back end noise: This noise occurs when the processor of your camera converts the signal into a digital file.

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a sensor that detects and conveys information used to make an image.

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the speed at which the shutter of the camera closes.

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It allows your shutter speed to be any length you choose: one second, one minute, 17 minutes, or anything else.

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the streaking effect recorded when your subject, or your camera, moves during an exposure.

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fault in a photograph caused by the camera not being held still enough whilst the exposure was made.

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Both a tripod and monopod are accessories designed to support a camera — where the two differ are the legs.

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an aperture is the opening of a lens used to control the amount of light necessary to expose the sensor/film; in addition, the aperture is used creatively to control the compositional use of depth of field.

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Bokeh makes photographs visually appealing, forcing us to focus our attention on a particular area of the image.

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When the depth of field is small, or shallow, the image background and foreground are blurred, with only a small area in focus. A wider, or deep, depth of field keeps most of the scene in focus. Of course, you can adjust the amount of blurriness or sharpness in the whole scene.

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distance from the optical center of the lens to the imaging sensor when the lens if focused at infinity.

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The best zooms do this movement internally, remaining the same size externally throughout the focal range. Prime lenses are pretty much the opposite to telephotos. They don’t zoom in or out, which causes problems with composition.

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Using long exposure in landscape photography is an incredibly popular and beautiful way to capture an image of the great outdoors. Using long exposure techniques in photography can yield a few different types of images including:

Motion Blur: Creating a blurry effect to a subject or nature in motion

Light Streaks: To turn normal lights into long streaks of electric color

Light Painting: Using a light source to “paint” images within a long exposure

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Filmed over a long period of time

Fast-motion playback

Assembled from a series of stills or sped-up video footage

Can be made with the aid of a time lapse calculator or time lapse time lapse app

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Light painting is a photography technique that uses a moving light source (e.g., a flashlight) to add light to a subject while taking a long-exposure photograph.

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In cinematography and photography panning means swivelling a still or video camera horizontally from a fixed position.

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Resolution is the camera’s ability to classify and effectively present discrete image information, such as details, patterns and textures within a given photographic image and it corresponds to how large a photo can become without becoming unacceptably blurry or grainy.